NTU Theses and Dissertations Repository: 戲劇學系

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Collection's Items (Sorted by Title in Ascending order): 1 to 20 of 135

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Publication Year	Title	Author(s)	Department
2016	一九二、三〇年代臺灣知識分子新劇與中國戲劇的關係探討 On the Relationship between Taiwan's New Drama by the Culturally Enlightened and China's Drama in the 1920s and 1930s	解佳蓉; Chia-Jung Hsieh	戲劇學系
2015	《七日鬼差》、《馴蝶人》及其創作說明 One Week Messenger and The Dream Tamer	Chun-Hua Yang; 楊純華	戲劇學研究所
2017	三一八之後：台灣戲劇作為事件反饋 Dramatic Theatre as Evental Response in Post-318 Taiwan	Ger-Er Tsai; 蔡格爾	戲劇學研究所
2024	世俗的啟迪：從辯證意象重探殘酷劇場的寓言性 Profane Illumination: Reinvestigating the Allegorical Significance of the Theatre of Cruelty through Dialectical Image	徐妙凡; Miao-Fan Hsu	戲劇學系
2019	五反田寬家庭劇的創傷印記 The Inscription of Trauma in Philip Kan Gotanda's Family plays	Yueh-Chi Chang; 張月綺	戲劇學研究所
2011	亞里斯多芬尼斯《利西翠妲》、《地母節婦女》及《集會婦女》中的陰性身體與怪誕笑聲 The Feminine Body and the Grotesque Laughter in Aristophanes’Lysistrata, Women at the Thesmophoria, and Assemblywomen	Yi-Ping Wu; 吳依屏	戲劇學研究所
2008	京劇楊家將女性群像—從傳統到當代 Portraits of the Yang-Clan Heroic Women of Beijing Opera—From the Traditional to the Contemporary	Shi-Yi Kuo; 郭斯貽	戲劇學研究所
2024	「人生如戲」與晚明清初的劇作實踐 The Concept of “Life Is Like a Drama” and Dramatic Practices in the Late Ming and Early Qing Periods	翁茂格; Mao-Ge Weng	戲劇學系
2010	以語言建構的性別認同與後殖民敘事：比較《蝴蝶君》與《九重天》 The Language Constructed Gender Identifications and Post-colonial Narratives in David Henry Hwang's M. Butterfly and Caryl Churchill's Cloud Nine	Yen-Chun Chou; 周妍君	戲劇學研究所
2011	休閒與事業：清末民初的京劇票界（1871-1929） Leisure and Career：Late Nineteenth and Early Twentieth Century Chinese Opera’s Piao Community（1871-1929）	Kuan-Li Tsao; 曹官力	戲劇學研究所
2016	《保持清醒》 Stay Awake	Tien-Kuan Wang; 王天寬	戲劇學研究所
2024	傑西．威廉斯《為什麼結婚？》劇本翻譯及作品分析 Translation and Analysis of Jesse Williams’ “Why Marry?”	游佳縉; Chia-chin Yu	戲劇學系
2011	共謀與抵制：當代美國家庭劇中的家庭圖像與女性角色 Complicit and Resistant: Family Image and Female Character in Contemporary American Family Drama	Tzu-Chun Liu; 劉姿君	戲劇學研究所
2022	劇以言懷：清代女曲家王筠傳奇研究 Drama for Expressing Aspiration:Research on Chinese Drama by Wang Yun of a Female Playwright in Qing Dynasty	Sheng-chia Kuei; 桂勝嘉	戲劇學研究所
2010	劇場是生活的實踐──從「石岡媽媽劇團」看台灣社區劇場的戲劇創作與社會參與 Theatre as Practice of Life: A Perspective on Taiwan Community Theatre’s Creation and Social Participation from Shigang Mama Theatre Troupe	Li-An Ko; 柯俐安	戲劇學研究所
2019	劇本：《關於一場葬禮》及其創作說明 About the Funeral	Shu-Kai Yang; 楊書愷	戲劇學研究所
2008	動畫文藝復興：迪士尼動畫之戲劇美學溯源 The Animation Renaissance: Tracking Down the Performing Aesthetics of Disney Animation	Hsiao-Chiao Yin; 尹筱喬	戲劇學研究所
2010	台灣小劇場論述研究──翻譯現代與想像國族 Discourse on Little Theatre in Taiwan— Translating the Modern and Imagining the Nations	Wei-Chih Wang; 王威智	戲劇學研究所
2007	史特林堡後地獄劇作的原型與自我 Archetype and Selfhood in Strindberg's Post-Inferno Plays	Mei-Yin Pu; 蒲美吟	戲劇學研究所
2006	史達帕《羅增侃與紀思騰已死》、《諜變》與《愛的創造》的雙重性 Tom Stoppard’s Doubleness: Rosencrantz and Guildenstern Are Dead, Hapgood, and The Invention of Love	Fei-Pi Liao; 廖非比	戲劇學研究所

Collection's Items (Sorted by Title in Ascending order): 1 to 20 of 135

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