| 出版年 | 標題 | 作者 | 系所 |
| 2011 | 「七友畫會」與臺灣畫壇(1950s-1970s)
The Seven Friends Painting Association and
Taiwanese Art Circles (1950s-1970s) | Lin-ting Chiu; 邱琳婷 | 藝術史研究所 |
| 2011 | 乾隆官窯研究：做為聖王的理想意象
A Study of Qianlong Official Wares and
the Ideal of a Sagacious Ruler | "Yu, Pei-chin"; 余佩瑾 | 藝術史研究所 |
| 2012 | 乾隆宮廷白鷹圖研究
A Study of the White Falcon Paintings in Qianlong Court | Yu-chi Yu; 余玉琦 | 藝術史研究所 |
| 2015 | 乾隆朝官窯像生瓷研究
A Study of Trompe L’oeil Official Wares in Qianlong Reign | Ying-mei Yi; 易穎梅 | 藝術史研究所 |
| 2013 | 乾隆朝宮廷玉器的再詮釋
The Re-interpretation of Jade in Qianlong Empire | Yi-Wen Wang; 王怡文 | 藝術史研究所 |
| 2016 | 仿古之風：中國掐絲琺瑯爭議風格定年研究
Antiquarian Trends since the 17th Century: A Study of the Chronological Debate of Chinese Cloisonné | En-Ting Yu; 于恩庭 | 藝術史研究所 |
| 2011 | 倪瓚與元末小楷
Ni Zan and Regular Script in Late Yuan Dynasty | Yi-Ting Wu; 巫伊婷 | 藝術史研究所 |
| 2015 | 《傳徽宗摹張萱搗練圖》的相關研究與「擣衣」圖像的起源和發展
Research History of the Court Ladies Preparing Newly Woven Silk Painting and the Development of Visual representation of its Pounding Silk (Daoyi) Motif | Anya Stets; 司嬡嬿 | 藝術史研究所 |
| 2018 | 元代釋奠祭器研究——以湖南瀏陽文靖書院祭器為中心
Ritual Vessels for the Confucian Ceremony in Yuan Dynasty: A Study Centered on Ritual Vessels of Wenjing Academy in Liuyang, Hunan | Hsuan Hsieh; 謝璿 | 藝術史研究所 |
| 2010 | 入明使節的肖像：妙智院藏《策彥周良像》之研究
Images of a Japanese ambassador in the Ming Dynasty: Results from the Two Portraits of Sakugen Shuryo Owned by Myochi-In Temple | I-Jan Lee; 李宜蓁 | 藝術史研究所 |
| 2007 | 出類拔萃－安陽的鑲嵌藍綠寶石工藝
The Blue-green Stone Inlay of Anyang | Wei-Shan Chang; 張維珊 | 藝術史研究所 |
| 2010 | 創意師古--元代書法復古下的篆書發展與諸問題
Another Explanation of Archaism：Some Issues Related to the Seal Character in the Yuan Dynasty | Chi-Loun Lo; 羅啟倫 | 藝術史研究所 |
| 2011 | 勺園與米萬鍾文化形象的形塑：《勺園圖》相關研究
Shaping the Culture Images of Shao Garden and Mi Wanzhong: A Study of the Paintings of Shao Garden | Ling-ya Wang; 王鈴雅 | 藝術史研究所 |
| 2012 | 北宋二十四孝行故事之圖像模式及文本成形研究
The image modes and the text of Northern Sung Twenty-four filial conducts | Ting-Jung Chen; 陳亭蓉 | 藝術史研究所 |
| 2022 | 北朝維摩詰經圖像研究
Representations of the Vimalakīrti Nirdeśa Sūtra in the Northern Dynasties | 蕭妤庭; Yu-Ting Hsiao | 藝術史研究所 |
| 2011 | 北魏小金銅佛風格與圖像研究
A Study of Style & Iconography of Small Bronze Buddhist Sculptures in the Northern Wei Dynasty of China | Chih-Wei Chang; 張秩瑋 | 藝術史研究所 |
| 2013 | 北魏關中佛、道造像及其信仰研究
A Study of the Buddhist, Taoist Sculptures and Religion around Guanzhong in the North Wei of China | Pei-Chieh Lee; 李沛倢 | 藝術史研究所 |
| 2015 | 十六至十八世紀的百寶嵌工藝
Splendors of Polychrome Inlay:
The Art of Bai-bao Qian in the 16th-18th Centuries | Wan-Hsuan Lin; 林宛萱 | 藝術史研究所 |
| 2019 | 南北朝陶瓷與金屬工藝：以響銅為中心
Chinese Ceramics and Metalwork in Northern and Southern Dynasties: Focusing on Sahari Bronze | Kun-Lin Chang; 張琨林 | 藝術史研究所 |
| 2012 | 南朝益洲地區佛教造像研究
A Study of the Buddhist Statues around Yizhou in the Southern Dynasties | Che-Hsuan Chen; 陳哲萱 | 藝術史研究所 |
