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標題: | 南朝益洲地區佛教造像研究 A Study of the Buddhist Statues around Yizhou in the Southern Dynasties |
作者: | Che-Hsuan Chen 陳哲萱 |
指導教授: | 李玉? |
關鍵字: | 益州,南朝,區域研究,佛教造像,風格,圖像, Yizhou,Southern Dynasties,Buddhist Statues,Style,Iconography, |
出版年 : | 2012 |
學位: | 碩士 |
摘要: | 古益州位於四川盆地,包括成都及岷江上游一帶,在南北朝時期,歷受劉宋(420-478)、蕭齊(479-501)、蕭梁(502-557)統治,直至西元553年被西魏(534-556)佔據為止。目前益州考古出土80餘件佛教造像,是研究南朝佛教藝術的重要資料。
不過,益州地理位置復雜,它位於南朝疆域的西北角,以長江水路與遙遠的首都建康相通,卻直接與北朝和吐峪渾接壤。僧傳記載中,南北朝僧侶在益州來來去去,益州佛教造像很可能不只受到建康的影響。此外,益州的佛教造像,可追溯至東漢(25-220)時期,因此在益州的南朝造像中,也很可能反映出當地的傳統。本研究希望透過層層分析,釐清外來影響的來源,並能從益州造像上看出外來影響和本地傳統的互動。 首先,整理僧傳及史料中益州相關的佛教活動,了解南朝時益州的佛教信仰狀況。其次,對益州造像進行風格分析,分為四個時期:劉宋、蕭齊、梁前期及梁後期。第三,研究主尊題材及圖像來源,將主尊、背屏、碑陰的圖像做整合性討論。綜合歷史、風格、與圖像的研究,得知益州造像受到外來影響的來源,隨著時代而有所變化,益州本地對於外來影響並非被動接受,經過醞釀,到了梁代後期,益州發展出獨具生命力的佛教藝術。 Ancient Yizhou area is around Sichuan Basin, which includes Chengdu and those areas located around upper reaches of Min River. Yizhou belongs to Southern Song (420-478), Southern Qi (479-501) and Sothern Liang (502-557) until it was taken by Western Wei (534-556) in 553. Archaeologists have found over 80 Buddhist statues of Qi and Liang Dynasty in Yizhou, which are the most important data of the Buddhist statue research in the Southern Dynasties. Yizhou Buddhist Statues have always been considered as subordination of Jiankang建康 Buddhist Statues for a long time. However, the position of Yizhou is complex. Yizhou is distant from Jiankang but can link the Yangtze River to the capital area. It is right at the northwest corner of Southern Dynasties’ boundary, which connects to Tuyuhun吐峪渾 Kingdom on the west side, faces to Northern Dynasties on the north side. According to the monks’ stories, it is believed that there were many monks traveling around the whole China through Yizhou. Thus, presumably the features of Buddhist statues in Yizhou were not only influenced by one place, Jiankang. In addition, the traditional features of Buddhist statues in Yizhou can be traced back to the Eastern Han (25-220) so the statues during the period of Southern Dynasties ought to have reflected their own origins. I am personally interested in how Yizhou’s local traditions and outside influences affect each other and how they work on the Buddhist statues in Yizhou. In this dissertation, this topic will be further discussed. Firstly, there will be a review of the history of Yizhou to build up the background of the Buddhist activity. This section is based on the monks’ biographies as historical data and then integrate information such as social activities, transportation and religious events to rebuild the religious situation in Yizhou. Secondly, the style of Yizhou statues will be discussed. The development of Yizhou statues can be divided into four periods: Song, Qi, first and the second half of Liang. The first and the second half of the Sothern Liang are divided by the standing Sakyamuni, donated in 529. Statue subjects and iconology will be discussed in Chapter 3. The study will be focusing on the main figure and comparing with its inscriptions to identify and discriminate the details and combination groups of the statues. |
URI: | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/16549 |
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顯示於系所單位: | 藝術史研究所 |
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