| 出版年 | 標題 | 作者 | 系所 |
| 2016 | 村上春樹文学ズ仕組ネホサゆペ「書ゑアシ」─『風ソ歌メ聴ん」、『ЗкみЬЯヱソ恋人』、『1Q84』メ中心ズ─
The study of Writing in the Haruki Murakami’s literatures—
Focus on Hear the Wind Sing, Sputnik Sweetheart, and 1Q84 | Shin-Tzu Wang; 汪欣慈 | 日本語文學研究所 |
| 2014 | 村上春樹文學中從「封閉世界」回歸到「現實世界」的嘗試─以《挪威的森林》、《國境之南，太陽之西》、《發條鳥年代記》為主─
The study of characters’ transition from closure mindset to the social interaction in Haruki Murakami’s literatures
- case studies among Norwegian Wood, South of the Border, West of the Sun and The Wind-Up Bird Chronicle | Yan-Fang Wu; 吳雅芳 | 日本語文學研究所 |
| 2018 | 村上春樹文學中的「公正」概念—以『挪威的森林』、『舞舞舞』、『國境之南，太陽之西』為中心—
The Concept of “Fairness” in Haruki Murakami’s Literature –Focus on Norwegian Wood, Dance Dance Dance, and South of the Border, West of the Sun– | Hsin-I Huang; 黃馨誼 | 日本語文學研究所 |
| 2021 | 村上春樹文學中的「對象喪失」―以『沒有女人的男人們』為例―
The object loss in Haruki Murakami’s Literature–The example of Men Without Women– | Ya-Wen Chang; 張雅玟 | 日本語文學研究所 |
| 2023 | 東日本大震災から見た霊体験における再会 ―『あの日から』を中心に―
The supernatural reunion in the 311 East-Japan Great Earthquake: With a focus on Ano Hi Kara | 戴妙珍; Miao-Chen Tai | 日本語文學系 |
| 2024 | 林芙美子の戦後作品における〈生〉と〈死〉
“Life” and “Death” in Fumiko Hayashi’s Post-war Works | 王威鈞; Wei-Chun Wang | 日本語文學系 |
| 2017 | 林芙美子與張愛玲作品中婚戀觀之比較—以1940~1950年代作品為中心
The Comparison of Views on Love and Relationship between Hayasi Fumiko and Eileen Chang - based on the works from 1940 to 1950 | Hsin-Yu Yeh; 葉芯語 | 日本語文學研究所 |
| 2011 | 森鷗外的官僚批判意識
--依其身分及社會背景的官僚批判變化為中心--
Mori gai’s criticism on the Japanese bureaucracy :
Based on his social status and social background | Yu-Jung Tseng; 曾玉蓉 | 日本語文學研究所 |
| 2009 | 植民地時代（1895∼1945）における台湾食文化の変遷
－日常生活の飲食衛生を中心に―
The Transition of Taiwanese Dietary Culture during the Japanese Colonization (1895~1945)
―Dietary Hygiene of Daily Life― | Tzu-Wei Huang; 黃姿維 | 日本語文學研究所 |
| 2013 | 楊逵與日本近代文學－以大杉榮「民眾藝術論」為中心－
Yang Kui and Modern Japanese Literature
-focusing on Sakae Osugi's 'The People's Theatre'- | Akitoshi Tsuji; 辻明壽 | 日本語文學研究所 |
| 2019 | 泉鏡花文学における「共生」のあり方
―「高野聖」、「夜叉ヶ池」、「天守物語」を中心にして―
The Symbiosis Image in Izumi Kyoka's Literature
Focus on Kōya Hijiri, Yasyagaike, and Tensyumonogatari | Li-Wei Chen; 陳力維 | 日本語文學研究所 |
| 2009 | 浦島傳說中的中國文學影響 : 以上代到中世為中心
The effect of Chinese Literature of the fable of urashima :
from Antiquity time to Middle ancient time | Shih-Yu Yen; 顏詩育 | 日本語文學研究所 |
| 2022 | 《海道記》《東關紀行》中的風景─以「八橋」、「富士山」、「鎌倉」為中心
Landscapes Depicted in Kaido-ki and Tōkan Kikō — With a Focus on “Yatsuhashi”, “ Mount Fuji”, and “Kamakura” | Ya-Chien Liang; 梁雅茜 | 日本語文學研究所 |
| 2023 | 演劇活動を取り入れた日本語教育の意味と実践
The Significance and Implementation of Drama Activities in Japanese Language Education | 劉沅華; YUAN-HUA LIU | 日本語文學系 |
| 2017 | 漱石內在的英國元素-初期文學與英國作家的比較-
The British Elements of Soseki Natsume
-The Comparison Between His Initial-stage Literature and a British Writer’s Works | Wei-Chi Tung; 童唯綺 | 日本語文學研究所 |
| 2011 | 漱石前期三部曲中的色彩表現 ─ 以紅、青、白為中心 ─
The Expression of Colors in Souseki Ealry Triology - Focus on Red, Blue, and White - | Shao-Wu Yu; 游少武 | 日本語文學研究所 |
| 2013 | 漱石文学における女性像─藤尾∼美禰子∼三千代─
Images of Women in Natsume Soseki’s Literature:
on Gubijinsou’s Fujio, Sanshiro’s Mineko, and Sorekara’s Michiyo | Ting-Yun Ko; 葛亭筠 | 日本語文學研究所 |
| 2020 | 漱石文学における都市の青年像ーー前期三部作を中心としてーー
Portrayal of the Youth in the City in Soseki Natsume's Works: Focusing on the Initial Trilogy | Ching-Hua Lin; 林京華 | 日本語文學研究所 |
| 2018 | 澀澤榮一思想變遷的研究
Ideological Change of Shibusawa Eiichi | Hsiao-Wei Shih; 史筱薇 | 日本語文學研究所 |
| 2016 | 牧水の歌における「われ」の中の「自然」―『別離』より『みなかみ』へ―
On the Significance of “Nature” on “Self” in Bokusui Wakayama’s Tankas– From His Early-Stage Work Betsuri to His Middle-Stage Work Minakami | Wei-Ting Wang; 王瑋婷 | 日本語文學研究所 |
