村上春樹文学ズ仕組ネホサゆペ「書ゑアシ」─『風ソ歌メ聴ん」、『ЗкみЬЯヱソ恋人』、『1Q84』メ中心ズ─

Abstract

本論文旨在透過分析村上春樹作品中志在成為小說家的主角們對於「書寫」的摸索，來闡明村上春樹文學及其作家本身的「書寫」的意義。序章回顧村上春樹先行研究，確立村上春樹作品中的「書寫」之重要性。第一章至第三章則分別考察『聽風的歌』(1979)、『人造衛星情人』(1999)、『1Q84』(2009-2010)等三作之中「書寫」的意義。結論則統整以上三部作品的考察結果，進而探討作者村上春樹作品中「書寫」行為之變化。 三部作品在故事開始階段，主角皆正嘗試寫出小說作品，但內心所背負的煩惱及創傷使他們雖然執著於「書寫」，卻無法完成一個完整的作品。爾後生活上遭遇劇變，更使他們失去了「書寫」的能力。出道作『聽風的歌』的「我」，希望透過「書寫」來「發現得救的自己」，卻在完成後內心卻依舊感到孤單。另一方面，『人造衛星情人』的小菫重拾「書寫」的能力，在希臘的小島上留下兩封可視為「自我確認」的書信，到「另一側」去尋找妙妙。『1Q84』的天吾則是在改寫『空氣蛹』後，成功地寫出了屬於自己的「新的故事」，進而與青豆重逢，離開「1Q84」的世界。 根據分析主角們以上對於「書寫」行為的摸索，以及考察「書寫」如何引起心境及身體上的變化，並影響給其他登場人物與故事發展，可確定村上春樹在出道作便立下希望透過「書寫」帶來「與他人的連結」之課題。本論文也注重觀察三部作品的關聯性與其之間的變化，藉此論述此課題經歷了『人造衛星情人』，到了『1Q84』後，可以說是已經確認完成。

This thesis aims to analyze the main characters in Haruki Murakami’s works who aim to become novelists, in order to clarify the Writing in Haruki Murakami Literature. In the introduction, this thesis reviews the past studies, in order to confirm that the metaphor of writing in Haruki Murakami Literature is a key point that leads to the understanding of the works. In Chapter 1 to Chapter 3, this thesis studies the writing in Hear the Wind Sing (1979), Sputnik Sweetheart (1999), and 1Q84 (2009-2010). In the Conclusion, this thesis compares of the meaning of writing in these three works, and researches the changes of this metaphor. At beginning of these three stories, the main characters all try to become novelists. Carrying traumas and wounds, make them cling to writing, but they are unable to complete a full work. Later, they suffer upheaval, and even lose the ability to writing.” Boku” in Hear the Wind Sing, hope he could heal himself by writing, but still feels lonely in the end of the story. On the other hand, in Sputnik Sweetheart, Sumire regains the ability of writing, and leave this world for a parallel one in order to find Miu. In 1Q84, After Tengo rewrites the novel “Air Chrysalis “, he finally starts to write his own story, and brings himself to meet Aomame again, and escape the world of “1Q84”. According to the result of analyzing these main characters ‘struggle of writing, and studying how their writing changed their mind and body, and even other characters, Haruki Murakami establish an issue that hope writing can bring the connection with others since his first novel. This thesis also focuses on the relevance and the change in these three works, to expound that through Sputnik Sweetheart to 1Q84, we can confirm that the issue has been resolved.