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標題: | 想像的主體與想像的社群:以台灣的傑尼斯迷為例 Imaginary Subject and Imaginary Community : “Johnny's fans” in Taiwan as an Example |
作者: | Ning-Tsui Wang 王凝翠 |
指導教授: | 王梅霞(Mei-Hsia Wang) |
關鍵字: | 迷文化,流行文化,認同,虛擬社群,消費,偶像商品, fan culture,Pop culture,identity,virtual community,consumption,idol commoditues, |
出版年 : | 2006 |
學位: | 碩士 |
摘要: | 在一個高度發達並且仍在繼續向難以預想的高度發展的資本主義時代,「 迷文化」 已經在社會的每一個層面紮根生長。本文試圖以日本傑尼斯事務所旗下偶像們的迷為例,從他們在網路社群中與日常生活中實踐性的互動過程切入,去理解這群被大眾稱為「 追星族」 、「 哈日族」 的迷們如何看待自己與偶像、自己與其他迷們以及更大的迷社群之間的關係。
透過人類學田野調查工作中的參與觀察法,我長時間實際深入某BBS站上一個傑尼斯偶像團體看板的運作,除了日常在看板上與網友們交換情報、體驗心得以外,幾乎每個週末都和我的報導人們聚會、一起購買偶像商品,接送機與見面會、演唱會等大型活動更不會缺席,希望能從局內的觀點為這個社群書寫一個民族誌式的報導。 在這個密切互動的過程中,我最希望能透過本文紀錄的,是這些傑尼斯迷們如何在與日常生活密切構連的追星活動中,建構身為一個狂熱消費者的自我認同以及主體性;從對追星專業知識的探究到文本的生產,他們如何在自己與偶像之間創造出互為主體性的可能。 In a capitalist era that is highly developed and continues to develop towards an unpredictable height, 'fan culture' has taken root in every aspect of our society. This study attempts to take the fans of Japanese Pop idols from the male-talent agency----“Johnny & Associates” as an example. Through the very highly frequent interactions in both of their online and real daily life, we try to understand more about this group of fans who are called 'Hardcore Pop culture maniacs' or 'Japanophile' , and attempt to describe the way they define their relationship with idols, other fans, and the whole fan community. Through the participant observation method of anthropology, I practically participate the operation of a BBS board for a Johnny's idol group. In addition to daily reports of information, dramas or variety shows reviews and sharing every tiny piece of thoughts, I almost meet my reporters / friends every weekend for chatting and shopping idol commodities. Not to mention the important events such as concerts, fan meetings and grand welcome to our idols at airport. I hope to write an ethnographic report about this group from the “emic” point of view. In these days of intense interactions, what I concern the most is to record how these fans construct self-identity and subjectivity as an highly enthusiastic consumer in their Pop-stars chazing activities which strongly articulate to daily life. From the very “professional” research of everything about their idols to the production of texts and discourses for their idols, how they may possibly create the inter-subjectivity between themselves and the idols. |
URI: | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/71329 |
DOI: | 10.6342/NTU201900549 |
全文授權: | 有償授權 |
顯示於系所單位: | 人類學系 |
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