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完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 王梅霞(Mei-Hsia Wang) | |
dc.contributor.author | Ning-Tsui Wang | en |
dc.contributor.author | 王凝翠 | zh_TW |
dc.date.accessioned | 2021-06-17T05:58:57Z | - |
dc.date.available | 2020-02-15 | |
dc.date.copyright | 2019-02-15 | |
dc.date.issued | 2006 | |
dc.date.submitted | 2019-02-14 | |
dc.identifier.citation | 王幸慧 (1999)「日劇. 網路. 迷 : 以中央情報局BBS站上的日劇迷為分析焦點」,台大社會學所碩論。
李佩真 (1998)「偶像文本的消費意義----迷與偶像關係之探討」,世新大學傳播研究所碩論。 郭致君 (2001)「台北地區國中生偶像崇拜行為及其相關因素之探討」,政治大學教育研究碩論。 鄭君仲 (2001)「我迷,故我在----流行音樂樂迷和流行音樂文本互動關係之探索」,世新大學傳播研究所碩士論文。 謝佳凌 (2001)「電視劇迷在虛擬社群中的交談意義」,政治大學廣播電視研究所碩論。 簡妙如 (1996)「過度的閱聽人----迷之初探」,中正大學電訊傳播研究所碩士論文。 蘇宇鈴 (1999)「虛構的故事 / 想像的真實 : 日本偶像劇的流行文化解讀」,輔大大傳研究所碩論。 Adorno, Theodor Wiesengrund (1973) Negative Dialectics , (translated by E. B. Ashton) London : Routledge & Kegan Adorno, Theodor Wiesengrund (1991) The Culture Industry : Selected Essays on Mass Culture (ed. by J.M. Bernstein) . London ; New York : Routledge Anderson, Benedict (1983) Imagined Communities . London: Verso Appadurai, Arjun (1986) The Social Life of Things . Cambridge: Cambridge University Press. Barthes, Roland (1968) Writing Degree Zero (translated by A. Lavers and C. Smith) . New York : Hill and Wang Barthes, Roland (1976) The Pleasure of the Text (translated by Richard Miller) . New York : Hill and Wang Barthes, Roland (1977) Roland Barthes (translated by Richard Howard) . New York : Noonday Barthes, Roland (1979) The Lover’s Discourse (translated by Richard Howard) . New York : Hill and Wang Baudrillard, Jean (1996) The System Of Objects (translated by James Benedict) . New York : Verso Benjamin, Walter (1968) Illuminations (ed. by H. Arendt ; translated by H. Zohn) . New York : Random House Benjamin, Walter (1999) The Arcades Project (translated by H. Eiland & K.McLaughlin) . Cambridge, Mass. : Belknap Press Bourdieu, Pierre (1977) Outline of a Theory of Practice (translated by Richard Nice) . Cambridge: Cambridge University Press. Bourdieu, Pierre (1984) Distinction: A Social Critique of the Judgement of Taste . London: Routledge and Kegan Paul. Fiske, John (1989) Reading the Popular . London: Unwin Hyman. Gell, Alfred (1998) Art and Agency : an Anthropological Theory . Oxford ; New York : Clarendon Press Gell, Alfred (1999) The Art of Anthropology : Essays and Diagrams (ed. by Eric Hirsch) . London ; New Brunswick, NJ : Athlone Press Hills, Matt (2002) Fan Cultures . London ; New York : Routledge Jackson, Michael (1983) Thinking through the Body : An Essay on Understanding Metaphor , in Social Analysis 14:127-49. Jackson, Michael (1998) Minima Ethnographica : Intersubjectivity and The Anthropological Project . Chicago : University of Chicago Press Levi-Strauss, Claude (1972) The Savage Mind . London: Weidenfeld & Nicolson. Lewis, Lisa A. (1992) The Adoring Audience : Fan Culture and Popular Media . London ; New York : Routledge Miller, Daniel (1987) Mass Consumption and Material Culture . Oxford: Blackwell. Miller, Daniel (1988) Modernism and suburbia as material ideology , in Ideology, Power and Prehistory , pp 37-49 , D. Miller and C.Tilly (eds.) . Cambridge: Cambridge University Press. Miller, Daniel (1994) Modernity: An Ethnographic Approach . Oxford: Berg. Miller, Daniel (1995) Acknowledging Consumption: A Reviews of Studies . London: Routledge. Miller, Daniel (1997) Capitalism: An Ethnographic Approach . Oxford: Berg. Miller, Daniel (1998) A Theory of Shopping . Cambridge: Polity Press. Sandvoss, Cornel (2005) Fans︰The Mirror Of Consumption . Oxford : Polity Press. Taussig, Michael T. (1980) The Devil and Commodity Fetishism in South America . Hill : University of North Carolina Press Taussig, Michael T. (1993) Mimesis and Alterity : a Particular History of the Senses . New York : Routlege Turner, Victor (1969) The Ritual Process︰Structure And Anti-structure . Cornell Univ. Press Zizek, Slavoj (1989) The Sublime Object of Ideology . London ; New York : Verso Zizek, Slavoj (1991) Looking Awry : an Introduction to Jacques Lacan Through Popular Culture . Cambridge, Mass. : MIT Press | |
dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/71329 | - |
dc.description.abstract | 在一個高度發達並且仍在繼續向難以預想的高度發展的資本主義時代,「 迷文化」 已經在社會的每一個層面紮根生長。本文試圖以日本傑尼斯事務所旗下偶像們的迷為例,從他們在網路社群中與日常生活中實踐性的互動過程切入,去理解這群被大眾稱為「 追星族」 、「 哈日族」 的迷們如何看待自己與偶像、自己與其他迷們以及更大的迷社群之間的關係。
透過人類學田野調查工作中的參與觀察法,我長時間實際深入某BBS站上一個傑尼斯偶像團體看板的運作,除了日常在看板上與網友們交換情報、體驗心得以外,幾乎每個週末都和我的報導人們聚會、一起購買偶像商品,接送機與見面會、演唱會等大型活動更不會缺席,希望能從局內的觀點為這個社群書寫一個民族誌式的報導。 在這個密切互動的過程中,我最希望能透過本文紀錄的,是這些傑尼斯迷們如何在與日常生活密切構連的追星活動中,建構身為一個狂熱消費者的自我認同以及主體性;從對追星專業知識的探究到文本的生產,他們如何在自己與偶像之間創造出互為主體性的可能。 | zh_TW |
dc.description.abstract | In a capitalist era that is highly developed and continues to develop towards an unpredictable height, 'fan culture' has taken root in every aspect of our society. This study attempts to take the fans of Japanese Pop idols from the male-talent agency----“Johnny & Associates” as an example. Through the very highly frequent interactions in both of their online and real daily life, we try to understand more about this group of fans who are called 'Hardcore Pop culture maniacs' or 'Japanophile' , and attempt to describe the way they define their relationship with idols, other fans, and the whole fan community.
Through the participant observation method of anthropology, I practically participate the operation of a BBS board for a Johnny's idol group. In addition to daily reports of information, dramas or variety shows reviews and sharing every tiny piece of thoughts, I almost meet my reporters / friends every weekend for chatting and shopping idol commodities. Not to mention the important events such as concerts, fan meetings and grand welcome to our idols at airport. I hope to write an ethnographic report about this group from the “emic” point of view. In these days of intense interactions, what I concern the most is to record how these fans construct self-identity and subjectivity as an highly enthusiastic consumer in their Pop-stars chazing activities which strongly articulate to daily life. From the very “professional” research of everything about their idols to the production of texts and discourses for their idols, how they may possibly create the inter-subjectivity between themselves and the idols. | en |
dc.description.provenance | Made available in DSpace on 2021-06-17T05:58:57Z (GMT). No. of bitstreams: 1 ntu-95-R89125004-1.pdf: 1750143 bytes, checksum: 8d94fd573b308b56424c4f33312ccdfb (MD5) Previous issue date: 2006 | en |
dc.description.tableofcontents | 口試委員會審定書
誌謝....................................................................................................................................ⅰ 中文摘要...........................................................................................................................ⅳ 英文摘要...........................................................................................................................ⅴ 第一章 導論 ...........................................................................................................01 第一節 研究動機.............................................................................................01 第二節 研究方法.............................................................................................04 (一)研究對象的界定.............................................................................04 (二)田野研究的必要性.........................................................................05 第三節 「田野地」簡介.................................................................................07 第四節 什麼是傑尼斯? 淺談傑尼斯事務所與藝人.................................09 第五節 論文章節說明.....................................................................................11 第二章 迷的「主體」與「共同體」.................................................................…14 第一節 台灣的哈日族研究.............................................................................14 第二節 Adorno的文化工業理論....................................................................16 第三節 從communitas看community............................................................19 第三章 「傑尼斯迷社群」的交換網絡與動態關係 ...........................................23 第一節 如何成為一個傑尼斯迷?.................................................................23 (一)迷戀狀態的發生.............................................................................23 (二)迷戀狀態的維持------「進化」到下一階段.................................24 (三)迷戀狀態的持續強化------戀人們啊!!.....................................25 第二節 偶像商品的物體系.............................................................................27 (一)周邊商品.........................................................................................27 (二)商品----雜誌....................................................................................28 (三)商品----影音產品............................................................................29 (四)迎向靈光重現的物體系.................................................................30 第三節 Gell談「物的作用力」.....................................................................34 第四節 「物」如何決定迷在社群中的位置.................................................38 第四章 偶像如何召喚認同?迷又如何回應? ...................................................43 第一節 偶像明星向消費者召喚的認同感.....................................................43 第二節 以濱崎步為例看「符號明確的認同模式」.....................................45 第三節 傑尼斯偶像:「養成型的夢想」.....................................................53 (一)全程參與偶像的成長.....................................................................53 (二)認同感的危機.................................................................................59 第五章 迷的書寫再生產 .......................................................................................73 第一節 界定本文要討論的書寫再生產.........................................................73 第二節 文本再生產的一個重要場域.............................................................75 (一)日劇迷獲取知識的進步史.............................................................75 (二)日劇迷全面貼近日劇的時代.........................................................80 第三節 從羅蘭巴特的觀點看日劇迷的書寫再生產.....................................83 (一)意義的神話和政治生產.................................................................84 (二)書寫這個世界.................................................................................85 (三)主體性與作者身分.........................................................................86 (四)以書寫對抗書寫.............................................................................87 第四節 「迷」建構的作品體系.....................................................................90 (一)藝術家的作品體系...........................................................................90 (二)以毛利人meeting house為例........................................................91 (三)「迷」的文本建築.........................................................................93 第六章 總結:巫術與「迷」想像的主體 ...........................................................95 參考文獻....................................................................................................................104 | |
dc.language.iso | zh-TW | |
dc.title | 想像的主體與想像的社群:以台灣的傑尼斯迷為例 | zh_TW |
dc.title | Imaginary Subject and Imaginary Community : “Johnny's fans” in Taiwan as an Example | en |
dc.type | Thesis | |
dc.date.schoolyear | 107-1 | |
dc.description.degree | 碩士 | |
dc.contributor.coadvisor | 胡家瑜(Chia-Yu Hu) | |
dc.contributor.oralexamcommittee | 李明璁(Ming-Tsung Lee) | |
dc.subject.keyword | 迷文化,流行文化,認同,虛擬社群,消費,偶像商品, | zh_TW |
dc.subject.keyword | fan culture,Pop culture,identity,virtual community,consumption,idol commoditues, | en |
dc.relation.page | 106 | |
dc.identifier.doi | 10.6342/NTU201900549 | |
dc.rights.note | 有償授權 | |
dc.date.accepted | 2019-02-14 | |
dc.contributor.author-college | 文學院 | zh_TW |
dc.contributor.author-dept | 人類學研究所 | zh_TW |
顯示於系所單位: | 人類學系 |
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