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Title: | 三一八之後:台灣戲劇作為事件反饋 Dramatic Theatre as Evental Response in Post-318 Taiwan |
Authors: | Ger-Er Tsai 蔡格爾 |
Advisor: | 紀蔚然 |
Keyword: | 318,巴迪烏,事件,政治劇場,台灣,太陽花運動,楊升豪,讀演巨人,三缺一劇團, 318,Badiou,Event,Political Theatre,Taiwan,Sunflower Movement,Yang Sheng-Hao,the Cyclops Troupe,Short One Player, |
Publication Year : | 2017 |
Degree: | 碩士 |
Abstract: | In the wake of the Event––the 318 Movement, several theatrical productions that were staged in 2014 by members of Taiwan’s theatre community who are also avid participants of the Event. Productions like Representation of the Cherry Orchard (再現・櫻桃園, Zài Xiàn Yīng Táo Yuán), Rose-colored Country (玫瑰色的國, Méi Guī Sè De Guó), and Earth Project I (土地計劃首部曲, Tǔ Dì Jì Huà Shǒu Bù Qǔ) embodied 318’s ideals and shared its issues of concern, emphasized the importance of public issues over personal crises and displayed an acute awareness for social issues and injustices. This research proposes a novel term, “dramatic Evental response”, to illustrate their connection to the Event and dramatic theatre’s involvement in sustaining the Evental effect of 318. Through performance studies, this research examines the similarities between dramatic Evental responses, the Evental aspects of 318 that each responds to, and their positive significance besides reiterating 318’s discourse. From the analyses of the three Evental responses, we can detect three similar features: a potent activist characteristic, meta-theatricality, and subject consciousness. |
URI: | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/59649 |
DOI: | 10.6342/NTU201700621 |
Fulltext Rights: | 有償授權 |
Appears in Collections: | 戲劇學系 |
Files in This Item:
File | Size | Format | |
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ntu-106-1.pdf Restricted Access | 1.19 MB | Adobe PDF |
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