Please use this identifier to cite or link to this item:
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/59649Full metadata record
| ???org.dspace.app.webui.jsptag.ItemTag.dcfield??? | Value | Language |
|---|---|---|
| dc.contributor.advisor | 紀蔚然 | |
| dc.contributor.author | Ger-Er Tsai | en |
| dc.contributor.author | 蔡格爾 | zh_TW |
| dc.date.accessioned | 2021-06-16T09:31:31Z | - |
| dc.date.available | 2017-02-17 | |
| dc.date.copyright | 2017-02-17 | |
| dc.date.issued | 2017 | |
| dc.date.submitted | 2017-02-15 | |
| dc.identifier.citation | Works Cited
Badiou, Alain. Ethics: An Essay on the Understanding of Evil. Trans. Hallward, Peter. London: Verso, 2001. Print. ---. The Philosophy and the Event. Trans. Burchill, Louise. Cambridge: Polity Press, 2013. Print. Boym, Svetlana. 'Nostalgia and Its Discontents.' The Hedgehog Review 9.2 (2007): 7-18. Print. Brook, Peter. The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate. New York: Touchstone, 1996. Print. ---. 'Peter Brook. L'essence D'«Hamlet».' Liberation (2000). Web. 30 Dec. 2016. Chang, Hsiao-Hung (張小虹). '劇場，運動中：《玫瑰色的國》的動勢與形式.' ARTalks (2014). Web. 31 Dec. 2016. Chen, Tai-Sung (陳泰松). '2014年，解除未來魔咒的歷史時機——關於《玫瑰色的國》.' ARTalks (2014). Web. 31 Dec. 2016. Cheng, Fan-Ting and Wang Wei-Chih (鄭芳婷、王威智). 'Protesting Self-Reflexive Theatricality: The Cyclops Troupe's 'the Rose Colored Country'.' Journal of Theater Studies.18 (2015): 217-51. Print. Chi, Hui-Ling (紀慧玲). '土地寓言與政治現實──三缺一劇團《土地計劃首部曲》.' ARTalks (2014). Web. 19 Aug. 2016. Chiu, Chih-Yung (邱誌勇). '現實・穿越�夢想・破滅的二十年：《玫瑰色的國》中的政治嘲諷.' ARTalks (2014). Web. 31 Dec. 2016. Chou, Yi-Cheng (周翊誠). Personal interview. 19 Jan. 2016. Chung, Qiao (鐘喬). '介於劇場、現表與現實之間.' Performance Arts Reviews 2015: 64. Print. Deserts, Hsuan. “張懸【玫瑰色的你】歌曲介紹.” Uploaded by desertsweb, 21 Aug. 2012, www.youtube.com/watch?v=nC1_aabDCgQ. 28 Dec. 2016. Hallward, Peter. Badiou: A Subject to Truth. Minnesota: University of Minnesota Press, 2003. Print. Hsu, Ying-Feng (徐螢峰). '政治冷感成為青年風氣.' Cast Net (喀報) (2009). Web. Hung-Hung, (鴻鴻). '再過20年，我們繼續反抗，繼續相愛《玫瑰色的國》.' 表演藝術評論台 (2014). Web. 31 Dec. 2016. Kirby, Michael. 'On Political Theatre.' The Drama Review 19.2 (1975): 129-35. Print. Kott, Jan. Shakespeare Our Contemporary. New York: Norton, 1974. Print. Lieblein, Leanore. 'Jan Kott, Peter Brook, and King Lear.' Journal of Dramatic Theory and Criticism I.2 (1987): 39-49. Print. Lin, Chia-Hui (林家慧). '政治冷感誰該負責？.' Epoch Times (2006). Web. Liu, Mei-Yu (劉美妤). '一夜長大：台灣當代青年社會參與之濫觴.' Reflection.27 (2014): 111-28. Print. New Lens, The. '2013重要大事回顧：洪仲丘事件總整理.' The New Lens (2014). Web. 31 Dec. 2016. Pai, Fay-Lan. '身體．文本．議題新實驗《土地計畫首部曲》.' 表演藝術評論台 (2014). Web. 16 Aug. 2016. Patterson, Michael. Strategies of Political Theatre: Post-War British Playwrights. London: Cambridge University Press, 2003. Print. Tarby, Fabien. 'A Short Introduction to Alain Badiou's Philosophy by Farbien Tarby.' Trans. Burchill, Louise. The Philosophy and the Event. Cambridge: Polity Press, 2013. Print. ---. 'Being.' Trans. Steven, Cocoran. The Badiou Dictionary. Ed. Cocoran, Steven. Edinburgh: Edinburgh University Press, 2015. 25-27. Print. Thim, Michal. 'Taiwan’s Youth: Blamed If You Don’t, Blamed If You Do.' China Policy Institute: Analysis (2014). Web. 10 May 2016. Thinktank, Taiwan. '2014/12/02九合一選舉投票行為調查選後民調分析記者會後新聞稿.' (2014). Web. 10 May 2016. Wu, Cheng-Han (吳政翰). '紀實與敘事的危險平衡《土地計劃首部曲》.' 表演藝術評論台 (2014). Web. 11 Aug. 2016. Wu, Chieh-Min (吳介民). '2012是中國因素元年.' Apple Daily (2012). Web. 30 Dec. 2016. ---. 第三種中國想像. 台灣: 左岸時事, 2012. Print. ---. '1987解嚴恍如昨.' Apple Daily (2012). Web. 10 May 2016. Yu, Wan-Qi (游婉琪). '荷包較重要 青年政治冷感.' 台灣立報 (2010). Web. 10 May 2016. Žižek, Slavoj. Event: Philosophy in Transit. London: Penguin Books Limited, 2014. Print. Unpublished: Cyclops Troupe, The. 'Rose-Colored Country.' 2014. Print. Short One Player. 'Comeback from the River.' 2014. Print. ---. 'The Angry Oyster.' 2014. Print. Yang, Sheng-Hao (楊升豪). 'Representation of the Cherry Orchard.' 2014. Print. | |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/59649 | - |
| dc.description.abstract | In the wake of the Event––the 318 Movement, several theatrical productions that were staged in 2014 by members of Taiwan’s theatre community who are also avid participants of the Event. Productions like Representation of the Cherry Orchard (再現・櫻桃園, Zài Xiàn Yīng Táo Yuán), Rose-colored Country (玫瑰色的國, Méi Guī Sè De Guó), and Earth Project I (土地計劃首部曲, Tǔ Dì Jì Huà Shǒu Bù Qǔ) embodied 318’s ideals and shared its issues of concern, emphasized the importance of public issues over personal crises and displayed an acute awareness for social issues and injustices. This research proposes a novel term, “dramatic Evental response”, to illustrate their connection to the Event and dramatic theatre’s involvement in sustaining the Evental effect of 318. Through performance studies, this research examines the similarities between dramatic Evental responses, the Evental aspects of 318 that each responds to, and their positive significance besides reiterating 318’s discourse. From the analyses of the three Evental responses, we can detect three similar features: a potent activist characteristic, meta-theatricality, and subject consciousness. | en |
| dc.description.provenance | Made available in DSpace on 2021-06-16T09:31:31Z (GMT). No. of bitstreams: 1 ntu-106-R01129005-1.pdf: 1223063 bytes, checksum: e774ed59c98cc55c39890084f76ba1d7 (MD5) Previous issue date: 2017 | en |
| dc.description.tableofcontents | Table of Contents
摘要 i Abstract ii Table of Contents iii Chapter 1: Theatre and the Event 1 1.1 Introduction 1 1.2 Being and Event 2 1.3 The Strawberry Generation as the Empty Set 3 1.4 The 318 Movement 5 1.5 Dramatic Evental Response 8 Chapter 2: Representation of the Cherry Orchard 10 2.1 Introduction 10 2.2 Synopsis 11 2.3 Revitalizing the Classics 17 2.4 Wild Lily Student Movement and the First Production 18 2.5 The 318 Movement and the Second Production 25 2.6 Representation’s Contradiction 30 Chapter 3: Rose-colored Country 34 3.1 Introduction 34 3.2 Synopsis 37 3.2.1 Yun and Fu: Housing 37 3.2.2 Yao and Yi: Identity and Land Development 39 3.2.3 Chun and Yao: Diverse Family Formation 39 3.2.4 Xuan and Qi: Cross-strait Relations and Taiwanese Consciousness 40 3.2.5 The Reunion 41 3.3 Rose and Its Structures of Feeling 42 3.3.1 The First Shift – the White Shirt Army 44 3.3.2 The Second Shift – the 318 Movement 46 3.4 Rose and the Younger Generation 51 Chapter 4: Earth Project I 54 4.1 Introduction 54 4.2 Synopsis 57 4.2.1 Comeback from the River 57 4.2.2 The Angry Oyster 61 4.3 Comeback from the River and the Paradoxical Resisting Subject 65 4.4 The Angry Oyster and the Strategic Invention of a Common Enemy 67 4.5 A Sentimental Trap 69 4.6 Earth Project I, In It Together. 70 Chapter 5: Conclusion 72 Works Cited 75 | |
| dc.language.iso | en | |
| dc.title | 三一八之後：台灣戲劇作為事件反饋 | zh_TW |
| dc.title | Dramatic Theatre as Evental Response in Post-318 Taiwan | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 105-1 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 高維泓,王威智 | |
| dc.subject.keyword | 318,巴迪烏,事件,政治劇場,台灣,太陽花運動,楊升豪,讀演巨人,三缺一劇團, | zh_TW |
| dc.subject.keyword | 318,Badiou,Event,Political Theatre,Taiwan,Sunflower Movement,Yang Sheng-Hao,the Cyclops Troupe,Short One Player, | en |
| dc.relation.page | 77 | |
| dc.identifier.doi | 10.6342/NTU201700621 | |
| dc.rights.note | 有償授權 | |
| dc.date.accepted | 2017-02-15 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 戲劇學研究所 | zh_TW |
| Appears in Collections: | 戲劇學系 | |
Files in This Item:
| File | Size | Format | |
|---|---|---|---|
| ntu-106-1.pdf Restricted Access | 1.19 MB | Adobe PDF |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.