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標題: | 美學與現代性:Mary Wollstonecraft《寫自瑞典、挪威、與丹麥的書信》 Aesthetics and Modernity: Reading Mary Wollstonecraft’s _Letters Written during a Short Residence in Sweden, Norway, and Denmark_ |
作者: | Shang-yu Sheng 沈尚玉 |
指導教授: | 張小虹 |
關鍵字: | 沃爾斯考夫特,柏克,崇高,美,現代性,美學,法國大革命在英國之辯論, Mary Wollstonecraft,Edmund Burke,the sublime,the beautiful,modernity,aesthetics,the French Revolution debate in Britain, |
出版年 : | 2009 |
學位: | 碩士 |
摘要: | 本論文探究Mary Wollstonecraft如何使用「崇高」(the sublime) 與「美」(the beautiful) 此兩種美學詞彙,並分析其社會指涉及意涵,特別強調現代性 (modernity) 誕生於十八世紀歐洲的歷史脈絡,以及於此之際美學 (aesthetics) 作為一種現代論述的發展。本論文主要所處理的文本是《寫自瑞典、挪威、與丹麥的書信》,認為「崇高」代表的是個人化的力量,而「美」所代表的則是整合化的力量。本論文同時也分析比較Wollstonecraft與Edmund Burke兩者對於相同美學詞彙之不同運用,尤其是此間差異與兩人不同之社會政治觀念的關係。本論文另外關注《寫自瑞典、挪威、與丹麥的書信》文本中焦慮不安、遲疑不決的氛圍,最後認定其在情感上的濃度和修辭上的遲疑,乃是現代個體 (modern individual) 在面對一個理性化的現代世界時,為了在情感和感知上自我調節而產生。 Through foregrounding the emergence of modernity in the eighteenth century as well as the rise of aesthetics as a specifically modern form of discourse, this thesis aims to elucidate the social significance of Mary Wollstonecraft's use of the aesthetic terms 'the sublime' and 'the beautiful' in her _Letters Written during a Short Residence in Sweden, Norway, and Denmark_ (_Letters_). It argues that the sublime aesthetic represents a propensity to individuation, while the beautiful aesthetic represents a propensity to integration. It further examines the differentiation between Wollstonecraft and Edmund Burke's use of the same aesthetic terms, especially with regard to the two writers' respective socio-political visions. Lastly, it addresses the circuitous and equivocal use of aesthetic language in _Letters_, taking the text's emotional intensity and rhetorical hesitancy as exempla of a modern individual’s struggle towards self-attunement in the face of a rationalized modernity. |
URI: | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/42747 |
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顯示於系所單位: | 外國語文學系 |
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