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標題: | 五反田寬家庭劇的創傷印記 The Inscription of Trauma in Philip Kan Gotanda's Family plays |
作者: | Yueh-Chi Chang 張月綺 |
指導教授: | 謝筱玫(Hsiao-mei Hsieh) |
關鍵字: | 五反田寬,創傷,家庭劇,日裔美國拘禁營, Philip Kan Gotanda,Trauma,Family plays,The internment of Japanese Americans, |
出版年 : | 2019 |
學位: | 碩士 |
摘要: | 二戰結束後,美國西南的日裔拘禁營事件歷經沉默的階段、平反運動,到當代建構成為巨大的建國創傷。日裔拘禁營創傷書寫也反映了此一脈絡,從戰後的沉默時期零星的出版,平反階段開始力求還原,挖掘大量的史料與紀錄,正視過去的歷史。第三個階段的創傷書寫企圖讓拘禁營創傷可以跨越過去二戰的時間、美國西南的空間與日裔單一的族群,使得創傷的記憶與動能做最大的延展。日裔美籍三世的劇作家五反田寬,逾二十部的劇本創作展現其多變的形式、風格,並且在音樂、電影等不同的藝術形式中傳達他對於日裔社群邊緣位置以及過去拘禁營創傷的關注。
自1980年代開始,五反田創作一系列家庭劇展現日裔美國人的生命經驗,透過他的系列劇作,可以看見美國日裔移民歷史的縮影,本文以其五部家庭劇作品:《八千代民謠》、《松本姊妹》、《二世漁夫之歌》、《愛的洗禮》以及《魚頭湯》進行分析。五反田家庭劇作品不僅呼應了第三個階段,讓創傷書寫得以跨越過去集中於拘禁營的時空限制,藉由眼前日常的生活、家族的互動開展創傷的動能的同時,並有意識的運用象徵手法以及日本語言與文化傳統,表現日裔在不同時代的衝擊下,不同世代的認同與矛盾。透過劇作可以看見創傷從過去單一歷史事件的重現中跳脫,以隱約可見的印記形式與姿態持續存在於生命與生活中。 After World War II, the internment of Japanese Americans in the southwestern United States has went through a silent stage, Redress campaign, and has been constructed into an enormous national trauma. Trauma writing of the internment of Japanese Americans also reflects the same pattern. Only the sporadic publication in silence period, then in 1970s, more and more historical materials and records had been excavated. Redress campaign made people facing up to the past and striving hard to find the truth. The third stage of traumatic writing attempted to make the camp trauma transcend the time of World War II, the space in the southwestern United States, and the single ethnic group of Japanese, making the trauma memory get the greatest extension and energy. Philip Kan Gotanda as a Sansei, 'third generation', Japanese-American playwright, he has more than 20 plays showing his varied forms and styles. By dedicated himself to directing independent films, composing and performing rock and roll songs, all those different art forms convey his concern about the trauma of the internment and the marginal position of Japanese American communities. Since the 1980s, Gotanda has created numerous family plays dealing with the Japanese American experience. Through his series of plays, which could picture the epitome of the history of Japanese immigrants. This thesis studies five works of Gotanda: ' Ballad of Yachiyo ', 'Sisters Matsumoto', ' A Song for Nisei Fisherman ', ' The Wash ' and 'Fish Head Soup'. Those family plays echoed the third stage, and enabled the traumatic writing to surpass the time and space restrictions of the camp. Through the daily life and family interaction, the symbolic technique as well as Japanese language and cultural traditions were used consciously. It also presented that each generation of Japanese Americans has struggled with national identity issues and contradiction under the impact of different eras. Within his plays, it will be able to observe the trauma not as a single historical event anymore, but as a kind of inscription continue to exist in life. |
URI: | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/73580 |
DOI: | 10.6342/NTU201903957 |
全文授權: | 有償授權 |
顯示於系所單位: | 戲劇學系 |
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