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Title: | 聲響臺灣-日治時期日語唱片中的臺灣經驗 Sounding Space, Hearing Taiwan-Colonial Experiences on Japanese Recordings |
Authors: | Ma-Dan Ho 何瑪丹 |
Advisor: | 山內文登 |
Keyword: | 日語唱片,臺灣經驗,聲景,臺灣之歌,東亞殖民史, Japanese recordings,Taiwan-experiences,soundscape,The Song of Taiwan,colonial history of east asia, |
Publication Year : | 2014 |
Degree: | 碩士 |
Abstract: | 近年來受受到「後殖民理論」思潮所引發的一系列反思,學界出現許多探討
日治時期日語文學中的臺灣經驗的著書,然而在音樂領域的討論之中,卻未見對日語歌謠中臺灣經驗的探討,以至於日人於殖民地臺灣幾乎是處於靜音的狀態。 本論文以上述為動機,受阿達利 (Jacques Attali) 的著作《噪音:音樂政治的經濟學》影響,聚焦於音樂 (music) 創作,並以日治時期日本唱片公司發行之日語唱片作為研究對象,將文學界關於日治時期的有關鄉土、權力地景、消費地景、以及在戰爭時期想像地理下的文化交涉與置換拉入討論,一方面補足聽覺和音樂論述在殖民地經驗中扮演的角色,另一方面則重新思考歷史寫作的問題,令這些處在尷尬之間隙位置的歌謠得以發聲。 In recent years, under the influences of post-colonial theories, researches related to colonial experiences in Japanese literature have became one of the most important topics within academic field. However, the colonial experiences in Japanese songs still lack of discussion, therefore, causing the problem of muted history of Japanese in Taiwan. This thesis borrowed the Noise theory from Jacques Attali, focused on the issue of music composing, and utilized the Japanese recordings which issued under Japanese record companies as main research subject. Trough responding to the issues such as Nostalgia, power-scape, consuming-scape, culture exchanges and displacement under the imagined geography during wartime period, this thesis hope to point out the important of audio-musical role played in colonial experiences. Meanwhile, by rethinking the issue of historical writing, this research try to voice out the songs, the memories which can't not be found in the contemporary east-Asian history. |
URI: | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/58362 |
Fulltext Rights: | 有償授權 |
Appears in Collections: | 音樂學研究所 |
Files in This Item:
File | Size | Format | |
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ntu-103-1.pdf Restricted Access | 10.6 MB | Adobe PDF |
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