零雨詩的身體書寫

Abstract

零雨自八〇年代躍登詩壇，語言風格及關懷主題富有現代主義特色，描摹人類生命處境與新的感性經驗。論題起點，在於發現其去修飾化的語言背後，所依憑的即為身體因素的察知與轉化。從身體書寫的論題出發，開闢「身體與空間」、「身體與敘述」及「身體與表演」三個主要觀點，以整全零雨詩藝分析的關鍵向度。 「身體與空間」提出零雨詩中頻繁呈現的空間類型，包括禁閉空間、都市圍城與田園世界，從身體感、身體經驗等方面重新梳理空間議題所涵括的寓意。並藉由「身體－空間」分析角度之確立，探討身體如何成為詩人主體與世界之間交涉的媒介。 「身體與敘述」更貼近如何生成詩意的問題，從「身體意象如何推動敘述」的起點，發現零雨詩中時隱時顯的故事梗概，以及主體、客體之間交錯視角的敘述方法。鏡子、火車意象則在其中具有重要的推動效用，也從中獲取零雨詩中虛幻化、對象化身體的特殊模式。 「身體與表演」聚焦詩中作為表演主體的身體，零雨發掘日常生活中的特技時刻，並以此意識塑造變異身體的想像，同時以旁觀、展示的視線位置創造「反」情詩的品類。另一方面則表現詩人對原始、野性和創世情境等理想世界的追求。

As a modern poet, Ling-Yü is in a unique position in Taiwanese literary history. She is heavily emphasized for the hard and solid style of language and is well known for minimalist style; however, the inner element is how she feels and senses the world trough a penetrative body sense. This element influences her to create bizarre postures of body positions, presentations of body and exploration in body and space. The main idea of this study is to eliminate the influence of gender and focus on how she represents the world and her self-image. This project looks at three aspects of the body elements in Ling-Yü’s poetry. Chapter 2 examines the complicated link between body and space including boxes, dark rooms and besieged towns. Chapter 3 focuses on how body imagery advances the narration in poetry. Chapter 4 establishes a framework of body and performance to illuminate the implied meanings and the different ways of poetic writing. Through this study, I claim that the body writing of Ling-Yü’s poems renews the body poetic in modern poetry.