去到遠方的鄉土——一九七〇年代台灣鄉土文學在香港的傳播與接受

Abstract

一九七〇年代的國際情勢以及經濟、社會變遷，使得台灣以及香港文學圈，不約而同地開始關注「書寫現實」的問題。在美學上，作家反省現代主義過度內向以及晦澀的問題；在題材上，他們從個人的內心世界，轉而望向生長的土地以及所處的社會。這些變化，在台灣引發了一股關注鄉土的文學風潮，影響了後續台灣文學的發展。七〇年代鄉土文學已經有非常豐碩的研究成果，引發筆者好奇的是，對台灣文學發展如此重要的文學風潮，在同一時期的香港，會以什麼樣的面貌呈現？ 循著這個問題，本文試圖從一九七〇年代香港出版的文學雜誌和文學選集，尋找台灣鄉土文學在香港出現的身影。六七暴動過後的香港，左派受到打壓，本土派正要發展，還有潛伏在地下的中共勢力，這三股力量都關注著台灣鄉土文學的動態。本文將聚焦在《中國學生周報》、《四季》、《大拇指》、《海洋文藝》、《文學與美術》、《文美月刊》這六本文藝刊物，以及《台灣作家選集》，觀察台灣鄉土文學在香港的傳播與接受情況，藉此開拓鄉土文學研究的另一視野。

The international situation, along with economic and social changes in the 1970s, led to a shared focus in both Taiwanese and Hong Kong literary circles on the issue of "writing about reality." Aesthetically, writers reflected on the excessive inwardness and obscurity of modernism; in terms of themes, they shifted from exploring personal inner worlds to focusing on the land where they lived and the society they were part of. In Taiwan, these changes sparked a literary trend centered on Local Literature, which significantly influenced the subsequent development of Taiwanese literature. The Local Literature movement of the 1970s has already been the subject of extensive research. What piques my curiosity is how this literary trend, so crucial to the development of Taiwanese literature, manifested in Hong Kong during the same period. Following this question, this paper attempts to trace the presence of Taiwanese Local Literature in Hong Kong by examining literary magazines and anthologies published there in the 1970s. After the 1967 riots, Hong Kong's leftist forces were suppressed, the localist movement was just beginning to develop, and there were also underground communist forces at play. All three groups were paying attention to the trends in Taiwanese Local Literature. This study will focus on six literary magazines—《中國學生周報》,《四季》, 《大拇指》, 《海洋文藝》, 《文學與美術》, and 《文美月刊》—as well as the 《台灣作家選集》, to observe the communication and reception of Taiwanese Local Literature in Hong Kong, thereby expanding the perspective of research on Local Literature.