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| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 廖勇超(Yung-Chao Liao) | |
| dc.contributor.author | Yu-Heng Ko | en |
| dc.contributor.author | 高禹恒 | zh_TW |
| dc.date.accessioned | 2022-11-24T03:27:58Z | - |
| dc.date.available | 2021-09-02 | |
| dc.date.available | 2022-11-24T03:27:58Z | - |
| dc.date.copyright | 2021-09-02 | |
| dc.date.issued | 2021 | |
| dc.date.submitted | 2021-08-31 | |
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| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/81048 | - |
| dc.description.abstract | 劉慈欣的硬科幻代表作《三體》三部曲不僅展現了作者對技術細節的精湛描寫，背後更是蘊含對「技術」這一概念的深切探究，其中涉及倫理、知識論、現象學、存有學等各個層面。雖然少數學者已開始關注小說中的「技術」問題， 但至今為止仍未見任何對於該問題的專題討論。有鑑於此，此篇論文旨在藉由貝拿爾．斯蒂格勒 (Bernard Stiegler) 於其著作《技術與時間》第一卷中的理論架構，探討在《三體》中，劉慈欣如何呈現以及思考「技術」這一概念。 此篇論文的中心論述包含兩個部分。第一部分聚焦於時間與技術的關係，主張語言及技術物透過「預期」(anticipation) 這一概念，在形塑整部小說的時間性中扮演了關鍵角色。這一部分除了處理「時間」這一較少談及的的主題，同時也關注劉慈欣將人類語言視為一種技術的特殊性，以及小說中對人類語言的戲劇化呈現，如何連接到科幻作為一種文學類型的中介性 (liminality) 這一重要議題。接續第一部分「技術即時間」(technics-as-time) 的理論基礎，第二部分聚焦處理主體性問題，主張《三體》透過演繹人與技術共同演化，提出「技術存有」(the technical being) 作為一種新的主體性。此篇論文進一步主張，在後人類論述的脈絡下，「技術存有」的特殊意義在於其復甦人文主義 (humanism) 之動機，在試圖重新找回人類能動性的同時，盡可能消解傳統啟蒙時代人文主義的種種限制，包括理性主義、本質主義以及人類中心主義。 | zh_TW |
| dc.description.provenance | Made available in DSpace on 2022-11-24T03:27:58Z (GMT). No. of bitstreams: 1 U0001-2308202115113000.pdf: 1993617 bytes, checksum: 6b8d771e7c57cdbfddd4fab46f3ffa20 (MD5) Previous issue date: 2021 | en |
| dc.description.tableofcontents | "Table of Contents Acknowledgements i Abstract iii Table of Contents vi Introduction 1 Liu Cixin and His Reception 1 Science Fiction in Western Culture 3 The Emergence of Modern Chinese Science Fiction 5 Literature Review and Methodology 8 Bernard Stiegler and His Key Concepts in Technics and Time 1 16 Chapter Design 20 Chapter 1 Bernard Stiegler’s Key Concepts in Technics and Time 1 24 Heidegger on Technology 24 Technics in Theories of Technical Evolution 30 The Technical Being: Techno-logy as Anthropology 38 Chapter 2 “Disturbances in the Darkness”: Technical Objects and the Question of Anticipation 48 Tampering with Time: Hibernation, the Light-speed Spaceship, the Light Tomb 49 Inscribing Time: The “Excerpt,” the Three-Body Game, and Yun Tianming’s Tales 63 Chapter 3 Adoption and The Technical Being: Toward A Revitalized Humanism 79 The Organism and The Technical Milieu: From Adaptation to Adoption 80 Technical Determinism and the Technical Being 91 Revitalized Humanism and the Problem of Human Agency 97 Conclusion 110 Works Cited 120 " | |
| dc.language.iso | en | |
| dc.subject | 人類能動性 | zh_TW |
| dc.subject | 技術存有 | zh_TW |
| dc.subject | 時間 | zh_TW |
| dc.subject | 技術 | zh_TW |
| dc.subject | 劉慈欣 | zh_TW |
| dc.subject | human agency | en |
| dc.subject | time | en |
| dc.subject | the technical being | en |
| dc.subject | Liu Cixin | en |
| dc.subject | technics | en |
| dc.title | 劉慈欣《三體》三部曲中的技術、時間與主體性 | zh_TW |
| dc.title | "Technics, Time, and Subjectivity in Liu Cixin’s Remembrance of the Earth’s Past Trilogy" | en |
| dc.date.schoolyear | 109-2 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 楊乃女(Hsin-Tsai Liu),林建光(Chih-Yang Tseng) | |
| dc.subject.keyword | 劉慈欣,技術存有,時間,技術,人類能動性, | zh_TW |
| dc.subject.keyword | Liu Cixin,the technical being,time,technics,human agency, | en |
| dc.relation.page | 126 | |
| dc.identifier.doi | 10.6342/NTU202102628 | |
| dc.rights.note | 同意授權(限校園內公開) | |
| dc.date.accepted | 2021-09-01 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
| 顯示於系所單位： | 外國語文學系 | |
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