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標題: | 介入與他者的獻/現身——論郭松棻小說及《哲學卷》中的倫理實踐 Mediation and the Devotion/Appearance of the Other: Ethics Practice in Kuo Sung-fen’s Novels and Philosophy Volume |
作者: | Yong-Han Chen 陳湧漢 |
指導教授: | 鄭毓瑜(Yu-Yu Zheng) |
關鍵字: | 郭松棻,介入,反抗,他者,現代主義,存在主義, Kuo Sung-fen,mediation,resistance,the other,modernism,existentialism., |
出版年 : | 2019 |
學位: | 碩士 |
摘要: | 「文學」的存在成為既定的事實後,「為何存在」及「如何存在」成為自古爭論不休的議題。不論是緣情與言志、現代主義與現實主義、現實與超現實等等,若非強調文學的「用處」,便是強調其「美感」。本文嘗試以外於「實用」和「純美」的倫理角度,將文學內部的紀實與虛構結合,並以「介入」和「他者」重新作為分析的問題意識,一方面向內探勘文本的內涵意義,另一方面也向外輻射至更大層次的討論,即對「文學」存在本身的疑問與解答。
本文以郭松棻作為研究對象,首先,簡要地分析台灣在六〇年代的政治處境,並延伸至當時文壇的反應和刊物傳播情況,藉由這些外部觀察發現他與其他文學家殊異之處。隨後離析他在學院及參與行動時的研究論述,見其背後的倫理議題以及建構自身思維的道路,並透過他在八〇年代的手稿,向外開展沙特、魯迅與自身之間的關係,一方面見證郭松棻數十年研究沙特的成果,另一方面也由此提出他將沙特與魯迅並置的問題意識,思考文學如何完成介入的行動與倫理的實踐。以此作為開端,重新研究郭松棻種種論述的視角,先由他對於文學和藝術的專論,見其創作的基調,隨後藉由諸篇小說的分析,申論他的小說內展現特殊「介入姿態」的同時,也驗證他是如何堅守自己的「第三條道路」。另外,這種「介入」的層次也產生變化:從小說中的角色如何介入,至「文學」本身如何介入?最終,藉由探討這種層次的轉變,發現這種介入的方式也正是一種「介入」「他者」的行動,令他者在小說中現身,完成文學與倫理之間的融合及實踐。 When “literature” is a fact, people have since been accounting for its “reason for being” and “form of being.” Whether it is emotional or philosophical, modernist or realist, reality or surreality, if it is not the “purpose,”, “aesthetics” is emphasized. This study attempts to combine the factual and fictional elements in literature in terms of “pragmatism” and “pure aesthetics” and re-analyze the “reason for being” and “form of being” in terms of “mediation” and “the other.” Apart from mining the textual implications, this paper expands the discussion to the outer levels, that is, a Q&A regarding the being of “literature.” Kuo Sung-fen is the subject matter of this article. First is a brief analysis of Taiwan’s political situation in the 1960s, including the reaction of the literary world and circulation of publications, in order the discover his differences from the other writers through external observation. Then, his research and theories in his college life and as an activist are isolated to discern his ethical views and thought development. After examining how he associated with Sartre and Lu Xun through his manuscripts in the 1980s, his achievements in Sartre studies over decades and the problematic nature of his association with Sartre and Lu Xun are revealed to explore how mediation is achieved and ethics is practiced by literature. From this point, the views of Kuo’s theories are re-examined, starting from his theories on literature and art to discern the basis of his creation. Then, by analyzing his novels, the special “mediation style” in his novels is discussed while his maintenance on “the third path” is scrutinized. In addition, the transition from character mediation to literature mediation is also examined. Lastly, the researcher found that such a mediation transition is an act of “mediation” of “the other” to achieve the fusion and practice of literature and ethics. |
URI: | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/74147 |
DOI: | 10.6342/NTU201902985 |
全文授權: | 有償授權 |
顯示於系所單位: | 中國文學系 |
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