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標題: | 超人在電話亭裡:Cosplay次文化場域之實踐與空間 Superman in the Phone Booth: Practice and Space of Taiwan Coplay Subcultural Field |
作者: | Ching-Shan Wu 吳青珊 |
指導教授: | 畢恆達(Herng-Dar Bih) |
關鍵字: | Cosplay角色扮演,Coser角色扮演者,次文化,實踐,場域,空間, Cosplay,Coser(Cosplayer),Subculture,Practice,Field,Space, |
出版年 : | 2015 |
學位: | 碩士 |
摘要: | 隨著動漫畫相關產業在台灣蓬勃發展,Cosplay次文化逐漸擺脫群魔亂舞的叛逆形象,成為一種有趣而引人注目的娛樂行為;如今我們常常可以看到人們將Cosplay做為活動亮點或是宣傳噱頭。可惜的是,社會大眾目前對於「Cosplay」的普遍印象,大多仍然侷限於人們穿著非日常服裝時的扮演狀態,而容易忽略其實踐過程所代表的社會價值和意義,以及Cosplay次文化所面臨的發展困境。
本研究採取質性研究,透過深度訪談、參與觀察,以及長期的田野觀察等研究方法,解析台灣Cosplay社群的實踐場域及其實踐空間。首先,研究者從角色扮演者的實踐過程著手,經由其行動脈絡剖析Cosplay次文化場域的形成和運作,並探討Cosplay社群與他者之間對於角色扮演的認知落差,對於Cosplay次文化場域的影響。由此可以發現,Cosplay並不只是一種個人展現文本狂熱的迷行為,而是一種與當代社會情勢、經濟發展息息相關的群體文化;Cosplay社群得以藉長時間的實踐與經驗積累、分享與知識傳承,凝聚並建構Cosplay次文化場域。另一方面則是專注於Cosplay次文化的空間面向,檢視其發展至今的諸多空間衝突;除了藉此梳理台灣Cosplay空間變遷之歷程與原因,亦從場地現況和各種爭議事件談論角色扮演者的行動困難,解析隱含於Cosplay空間議題中的權力流動。 空間如同一片鏡子,我們能夠從Cosplay的空間涵構中,看見Cosplay次文化的發展脈絡和社會意涵;同時,也經由Cosplay次文化的社會樣貌,從中尋得改善其發展困境的可能性。 With anime and comic industry is flourishing in Taiwan, Cosplay subculture gradually get rid of rebellious image, become an interesting and noticeable acts. Now we often see Cosplay as the highlight in events or be used to publicize. Unfortunately, the general impression of Cosplay are still confined to the status that people wear those non-daily wearing, that neglect the significance of their practice process and the development difficulties of Cosplay subculture. This thesis utilizes qualitative research methods that including in-depth interviewing techniques , participant observation, and field observation to analyze the practice field and space of Taiwan Cosplay community. First, this research through the analysis of the practice process of Coser, to explores the formation and operation of Cosplay subcultural field. Cosplay is not only a fan behavior for show the personal fanaticism, but also related with social situation and economic development. The Cosplay community take practice and accumulation of experience, share and transfer knowledge to build the field into a cohesive whole. The other is focused on the space for Cosplay subculture, view the space conflict which for analyze the transition of space. And, also talk about the problem of Coser’s practice activity to inspect that fluidity of power implied in the space. Space as a mirror, we can see the context and implication of Cosplay subculture with space, and improve the difficult situation. |
URI: | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/4771 |
全文授權: | 同意授權(全球公開) |
顯示於系所單位: | 建築與城鄉研究所 |
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ntu-104-1.pdf | 13.71 MB | Adobe PDF | 檢視/開啟 |
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