不同文化地景類型之行塑歷程－以台北溫州街一帶與台北文學森林為例

Abstract

研究者認為所有的地景都是文化地景；所有的都市地景都有其不可被抹滅的公共性意義的存在。地景因為擁有了人的干預，有了所謂的「自然生態公園」、「城市」。也漸漸地創造與累積了地景的文化的厚度。當地景上的主體經驗、空間記憶成為一個個動人的文本（text），而複雜多樣的文本逐漸隨著時間形成了地方的不同脈絡（context），地方不同的脈絡卻也襯托了一個地方、一個空間、一個地景無以比擬的質感（texture）。 這是一本初步討論在台北不同文化地景類型之不同行塑歷程的論文。想要討論、輪廓的是在這些地景之中不同疊置、更替的文化性力量、社會性力量與政治性力量等不同作用力如何造就一個動態的地景樣貌。而這究竟是一個如何形成的過程？怎麼形成？牽涉了哪些的地景主體的生活、身體經驗與攸關於一個文化地景的階段性歷史形成過程。

In my opinion, each part of landscape is cultural landscape. There is public meaning that can’t be erased everywhere in the urban landscape. With human’s intervention, recognition of landscape such as so-called “nature ecology park” or “City” has been attributing to accumulation of the cultural depth of landscape. Subjective experiences and spatial memories are interwoven to become vivid texts, which result in a variety of contexts of the places. Meanwhile, texture of a place, a space, or a landscape is made clear and distinct by those different contexts. In this thesis, my research is a primary study on the formation progress of different cultural landscape types. I intend to figure out how the ongoing development of landscape is formatted layered cultural, social, and political forces, especially the part about the process, the causes, and the related subjects’ living and body experiences. In brief, this is an approach to discuss the formatting process at certain stage of a cultural landscape, which is always on the march.