星際導航：當代台灣小說中的星球敘事

Abstract

上個世紀，當小說出現星球，往往是在科幻類型的研究範疇；千禧年後，因為科技高速發展的緣故，星球敘事不再是科幻範疇的特有物。本文以林燿德、駱以軍、黃崇凱、紀大偉、洪茲盈、夏曼．藍波安等作家作品為研究對象，藉由史畢華克的行星性理論，以及拉圖的蓋婭理論，指出當代台灣小說的星球敘事，在面對國族（中國、民國、台灣）、性別（酷兒、異男、女性）、生態（原住民族的語言和神話）等議題時，所呈現的邊緣族群和權力中心者之間的角力關係。由此爬梳當代星球敘事的多重層次，脫離以往科幻脈絡的梳理方式。另一方面，也期望能夠藉此觀察出當代台灣國家、性別、生態族群方面發展的概況，以及作家又是如何將各自所面臨的問題，投射於不同層次的星球之上。最終也希望藉由本論文的書寫，能夠激發未來更多以不同於以往的文學分類方式梳理與討論文學作品。

In the last century, when planets appeared in novels, they were often in the field of science fiction research; Step in the 21st century, due to the rapid development of science and technology, planetary narratives were no longer limited to the category of science fiction. This dissertation selects the novels written by Yao-Te Lin, Yi-Chun Lo, Chung-Kai Huang, Ta-Wei Chi, Tzu-Ying Hung, Syaman Rapongan, etc. as the research objects. With Spivak's planetarity theory and Latour's gaia theory, it will be pointed out that the planetary narratives in contemporary Taiwan’s novels present the wrestling relationship between marginalized groups and power centers, when they are in the face of nation (China, the Republic of China, Taiwan), gender (queer, heterosexual male, female), ecology (aboriginal language and mythology). From this, we can sort out the multiple layers of contemporary planetary narratives, breaking away from the way of combing in the context of science fiction in the past. On the other hand, I also hope to use this to observe the development of contemporary Taiwan's nation, gender, and ecological group, and how writers use different meanings of planets to project the problems they face on. Finally , I also hope that the thesis can inspire more sorting and discussion of literature in the future in ways that are different from the previous literary classification.