請用此 Handle URI 來引用此文件:
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/79715完整後設資料紀錄
| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 司黛蕊(Teri J. Silvio) | |
| dc.contributor.author | Pan-Chen Lo | en |
| dc.contributor.author | 羅盤針 | zh_TW |
| dc.date.accessioned | 2022-11-23T09:08:33Z | - |
| dc.date.available | 2021-09-01 | |
| dc.date.available | 2022-11-23T09:08:33Z | - |
| dc.date.copyright | 2021-09-01 | |
| dc.date.issued | 2021 | |
| dc.date.submitted | 2021-08-25 | |
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| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/79715 | - |
| dc.description.abstract | 「偽娘」源自日本20世紀晚期的次文化,指的是以女裝姿態示人的男性。2010年左右由臺灣扮裝者逐漸開始用以自稱,在城市區域也陸續出現偽娘主題的工作室與社群空間。偽娘雖然具有性別越界(gender transgression)的意涵,但卻是一個在同志運動身份政治脈絡之外的範疇,與20世紀末從西方引介的「跨性別」(transgender)不完全相同。這份研究將偽娘視為一項追求美學與娛樂的自我改造計劃,透過「部分時間」(part-time)強調扮裝實踐的特性。有別於跨性別者全然轉換社會、法制等層面的性別身份,這些女裝行動者看似維持既有「普通」的異性戀男性認同,又伺機找尋跨入另一個時空的可能性。 基於田野工作的參與觀察及訪談所蒐集的材料,這份研究(一)敘述偽娘如何覺察自己對於女裝美學的偏好,並在維持男性人生的同時投立建立新身份的歷程;(二)重新解讀酷兒研究的展演性理論,透過偽裝(masquerade)與時間性(temporality)的概念分析偽娘的性別越界,展開文化與在地介入(local intervention)層次的討論;(三)與日本次文化的研究對話,定位臺灣偽娘,以「偽娘基地」為例呈現新興事業如何為扮裝者提供空間的條件,並影響性別越界,形塑社群及姊妹關係;(四)藉由平行時空與遊戲兩個關鍵的比喻詮釋偽娘對部分時間性別越界的理解。女裝的意義是開啟另類的時間性想像,然而也面臨時間管理的難題。偽娘的經驗暗示性別的多重本體,帶來對真假、內外等二元對立範疇的反思。 | zh_TW |
| dc.description.provenance | Made available in DSpace on 2022-11-23T09:08:33Z (GMT). No. of bitstreams: 1 U0001-2308202102225100.pdf: 2946940 bytes, checksum: aee408d4a5280bbcc590c534cf13083d (MD5) Previous issue date: 2021 | en |
| dc.description.tableofcontents | 第一章 緒論:偽娘、跨性別與姊妹 1 1.1前言:一場派對 1 1.2研究者的自我揭露:我、跨性別與偽娘 2 1.3田野工作與註記 5 1.4背景 9 1.5偽娘術語學 10 1.6姊妹民族誌 12 1.6.1臺灣跨性別政治與未明的歷史 12 1.6.2跨性別人類學:從第三性到當代計劃 15 1.6.3臺灣的部落姊妹 17 1.7酷兒、跨性別與時間性 18 1.8章節架構 20 第二章 偽娘的普通男性人生 22 2.1出社會之前 23 2.1.1偷穿媽媽的衣服 23 2.1.2表演與服裝 24 2.1.3同儕交友與性別認同 25 2.2反覆:重拾與放棄 27 2.3出社會與入坑 29 2.3.1美感 30 2.4新帳號,新名字 32 2.4.1關於名字的想像、經驗與選擇 32 2.4.2口語與綽號 34 2.4.3選字 35 2.4.4名字的變遷 36 2.4.5變更證件姓名 38 2.5小結:偽娘的普通男性人生 39 第三章 從偽裝到文化可能性:定位偽娘的性別麻煩 41 3.1偽娘的性別麻煩:再讀Butler 41 3.2「偽裝」的觀點:Lacan與Riviere的精神分析 43 3.3轉向文化 45 3.4偽娘的偽裝 47 3.5展演的失敗與偽娘的顛覆 50 3.6小結:定位偽娘與文化可能性 55 第四章 打造臺灣的扮裝空間與偽娘社群 58 4.1從酷兒御宅族到臺灣偽娘 58 4.2想像:「日本」與虛構角色 59 4.3社會之內或之外 63 4.4從東京到臺灣北部 68 4.5扮裝空間:偽娘的創業與夢想 70 4.5.1從社群經驗到創業 71 4.5.2偽娘基地的運作規則 74 4.5.3姊妹的夢想 75 4.6姊妹之間:連結與張力 78 4.6.1姊妹:想像的共同體 78 4.6.2性傾向、慾望與性階序 79 4.6.3在偽娘基地的跨性別者 81 4.7共享姊妹時光 82 4.7.1泳池派對 82 4.7.2彩虹婚禮 83 第五章 平行時空與遊戲世界 86 5.1平行時空 86 5.2重返未曾經歷的青春 87 5.3管理時間 95 5.4遊戲世界 97 5.4.1偽娘作為角色扮演遊戲 98 5.4.2偽娘作為遊戲玩家的身份 101 5.5小結:不只是性別 103 第六章 結論:跨入偽娘時空 105 6.1自己的房間 106 6.2在男人的世界,女人是什麼? 107 6.3超越真假 108 參考文獻 111 | |
| dc.language.iso | zh-TW | |
| dc.subject | 時間性 | zh_TW |
| dc.subject | 偽娘 | zh_TW |
| dc.subject | 扮裝 | zh_TW |
| dc.subject | 跨性別 | zh_TW |
| dc.subject | 性別越界 | zh_TW |
| dc.subject | 酷兒時空 | zh_TW |
| dc.subject | wei-niang | en |
| dc.subject | temporality | en |
| dc.subject | queer time and space | en |
| dc.subject | gender transgression | en |
| dc.subject | transgender | en |
| dc.subject | cross-dress | en |
| dc.title | 跨入偽娘時空:北臺灣扮裝社群的性別越界 | zh_TW |
| dc.title | In a Wei-niang Time and Space: Gender Transgression in the Cross-dressing Community of Northern Taiwan | en |
| dc.date.schoolyear | 109-2 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 張正衡(Hsin-Tsai Liu),林文玲(Chih-Yang Tseng),劉文 | |
| dc.subject.keyword | 偽娘,扮裝,跨性別,性別越界,酷兒時空,時間性, | zh_TW |
| dc.subject.keyword | wei-niang,cross-dress,transgender,gender transgression,queer time and space,temporality, | en |
| dc.relation.page | 120 | |
| dc.identifier.doi | 10.6342/NTU202102605 | |
| dc.rights.note | 同意授權(全球公開) | |
| dc.date.accepted | 2021-08-26 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 人類學研究所 | zh_TW |
| 顯示於系所單位: | 人類學系 | |
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