霹靂布袋戲的角色主題音樂研究： 以「地冥」為例

Abstract

霹靂布袋戲，簡稱「霹靂」，在其三十五餘年的時間中創作出各種膾炙人口的作品，在音樂方面更是有著多元的創新。本研究將聚焦於霹靂當中的角色主題音樂，討論特定角色如何透過音樂塑造其形象。在霹靂布袋戲音樂的既有文獻上，多為樂譜與歌詞文本上的分析探討，對於偶迷作為聽者的感受討論較少。本研究將延續拓展前人的學術脈絡，以霹靂布袋戲2016年登場的角色「地冥」為例，探討角色如何透過主題音樂、角色裝扮及劇情角色性格，塑造出聽覺上的角色形象。 本研究將討論地冥在2016至2018年期間產生的四首角色主題音樂，如何透過劇集畫面的場景運用，以及實際活動中的演出安排來塑造專屬於地冥的角色形象。並結合音樂文本上的分析與喜愛地冥的偶迷對該角色音樂的感受與想法，探討角色主題音樂如何能建構出地冥的角色形象，成為偶迷能夠在聽覺上辨認的聲響特質。

Pili Puppet Theater, commonly known as "Pili," has produced numerous widely acclaimed works over its 35-year history, continuously innovating in the realm of music. This study focuses on character theme music within Pili, exploring how specific characters shape their image through music. Existing literature on Pili’s music primarily consists of analyses of sheet music and lyrics, with relatively little discussion on the experiences of fans as listeners. Building upon previous academic discourse, this study will take the character "Di-Min," who debuted in 2016, as a case study to examine how theme music, character design, and narrative development contribute to the auditory construction of a character's image. The research will examine four character theme songs/musical pieces produced for Di-Ming from 2016 to 2018, analyzing how they were utilized in the context of drama scenes and live performances to create a distinctive character image. By combining textual analysis of the music with insights from puppetry enthusiasts who appreciate Di-Ming, this study aims to investigate how character theme music constructs Di-Ming’s identity and becomes a recognizable auditory signature for fans.