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請用此 Handle URI 來引用此文件: http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/91712
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dc.contributor.advisor廖勇超zh_TW
dc.contributor.advisorYung-Chao Liaoen
dc.contributor.author徐彩庭zh_TW
dc.contributor.authorTsai-Ting Hsuen
dc.date.accessioned2024-02-22T16:21:53Z-
dc.date.available2024-02-23-
dc.date.copyright2024-02-22-
dc.date.issued2024-
dc.date.submitted2024-01-31-
dc.identifier.citation“Agatha Christie in a Movie, a Play and a Short Story.” The Spain Journal, The Spain Journal, 28 Aug. 2019, thespainjournal.com/agatha-christie-in-a-movie-a-play-and-a-short-story/. Accessed 24 Dec. 2023.
Ahmed, Sara. The Promise of Happiness. Duke UP, 2010.
---.What’s the Use?: On the Uses of Use. Duke UP, 2019.
Bailey, Michael D. Magic: The Basics. Routledge, 2018.
---. “The Disenchantment of Magic: Spells, Charms, and Superstition in Early European Witchcraft Literature.” The American Historical Review, vol. 111, no. 2, 1 Apr. 2006, pp. 383–404.
Baker, Emerson W. “The Salem Witch Trials.” Oxford Research Encyclopedia of American History, Oxford UP, 7 July 2016, oxfordre.com/americanhistory/americanhistory/abstract/10.1093/acrefore/9780199329175.001.0001/acrefore-9780199329175-e-324?p=emailAQcHPc.HyXiPU&d=/10.1093/acrefore/9780199329175.001.0001/acrefore-9780199329175-e-324. Accessed 24 Dec. 2023.
Banks, Emily. “Insisting on the Moon: Shirley Jackson and the Queer Future.” Shirley Jackson and Domesticity: Beyond the Haunted House, edited by Jill E. Anderson and Melanie R. Anderson, Bloombury, 2021, pp. 169–188.
Beliveau, Ralph. “Shirley Jackson and American Folk Horror: The Public Face of Private Demons.” Shirley Jackson: A Companion, edited by Kristopher Woofter, Peter Lang, 2021, pp. 21–34.
Berlant, Lauren Gail. Cruel Optimism. Duke UP, 2011.
Bloom, Harold. Shirley Jackson (Bloom’s Major Short Story Writers). Chelsea House, 2001.
Burger, Alissa. “Casting a Literary Spell: The Domestic Witchcraft of Shirley Jackson.” Shirley Jackson and Domesticity: Beyond the Haunted House, edited by Jill E. Anderson and Melanie R. Anderson, Bloomsbury, 2021, pp. 97–112.
Chang, Shuli 張淑麗.“Rì chángshēng huóyán jiù” 日常生活研究 [Everyday Life Theory]. Rénwén Yǔ Shèhuì Kēxué Yánjiù人文與社會科學簡訊 [Humanities and Social Sciences Newsletter Quarterly], vol. 10, no. 3, 2008, pp. 22-28.
Chronister, Kay. “‘On the Moon at Last’: We Have Always Lived in the Castle, Female Gothic, and the Lacanian Imaginary.” Gothic Studies, vol. 22, no. 2, 2020, pp. 131–47.
Downey, Dara. It Came from the 1950s!: Popular Culture, Popular Anxieties, edited by Darryl Jones et al., Palgrave, 2011, pp. 176–97.
---. “‘No One Can Ever Find Me’: Gingerbread Houses in Shirley Jackson’s Fiction.” Shirley Jackson: A Companion, edited by Kristopher Woofter, Peter Lang, 2021, pp. 87–98.
Durrant, Jonathan, and Michael D. Bailey. Historical Dictionary of Witchcraft. Scarecrow Press, 2012.
Edelman, Lee. No Future: Queer Theory and the Death Drive. Duke UP, 2005.
Emmons, Caroline S. “Introduction.” Cold War and McCarthy Era: People and Perspectives, edited by Caroline S. Emmons, Bloomsbury Publishing, 2010, pp. xv–xxiv.
Fahs, Breanne, editor. Burn It Down!: Feminist Manifestos for the Revolution. Verso, 2020.
Franklin, Ruth. Shirley Jackson: A Rather Haunted Life. e-book ed, Liveright, 2016.
Frazer, James George. The Golden Bough. e-book ed., The Floating Press, 2009.
Freeman, Elizabeth. Time Binds: Queer Temporalities, Queer Histories. Duke UP, 2010.
Friedan, Betty. The Feminine Mystique. e-book ed., W.W. Norton, 2001.
Friedman, Lenemaja. Shirley Jackson. Twayne, 1975.
Gibson, Marion. Witchcraft Myths in American Culture. Taylor & Francis, 2007.
---. Witchcraft: The Basics. Routledge, 2018.
Graves, Stephanie A. “Wicked Creature(s): Delirium and Difference in The Witchcraft of Salem Village.” Shirley Jackson: A Companion, edited by Kristopher Woofter, Peter Lang, 2021, pp. 211–218.
Guiley, Rosemary Ellen. The Encyclopedia of Witches, Witchcraft and Wicca. 3rd ed., Facts on Fire, 2008.
Halberstam, Jack. The Queer Art of Failure. Duke UP, 2011.
Hall, David D. “Witchcraft and the Limits of Interpretation.” The New England Quarterly, vol. 58, no. 2, 1985, pp. 253–281.
Hardin, Ashleigh. “‘Listening to What She Had Almost Said’: Containment and Duality in Shirley Jackson’s We Have Always Live in the Castle.” Shirley Jackson, Influences and Confluences, edited by Melanie R. Anderson and Lisa Kröger, Routledge, 2016, pp. 111–22.
Hattenhauer, Darryl. Shirley Jackson’s American Gothic. State U of New York P, 2003.
Heinrich, Kramer, and James Sprenger. Malleus Maleficarum. Translated by Montague Summers, J.Rodker, 1928.
Hughes, Sarah. “Shirley Jackson: The US Queen of Gothic Horror Claims Her Literary Crown.” The Guardian, 22 Oct. 2016, www.theguardian.com/books/2016/oct/22/shirley-jackson-america-queen-gothic-noir. Accessed 24 Dec. 2023.
Hutton, Ronald. The Witch: A History of Fear, from Ancient Times to the Present. Yale UP, 2017.
Ingram, Shelly. “Speaking of Magic: Folk Narrative in Hangsaman and We Have Always Lived in the Castle.” Shirley Jackson, Influences and Confluences, edited by Melanie Anderson and Kröger Lisa, Routledge, 2016, pp. 54–75.
Jackson, Shirley. The Witchcraft of Salem Village. Random House, 2001.
---. We Have Always Lived in the Castle. Penguin, 2016.
Karlsen, Carol F. The Devil in the Shape of a Woman: Witchcraft in Colonial New England. W.W. Norton, 1998.
Krafft, Andrea. “‘Laughing through the Words’ Recovering Housewife Humor in Shirley Jackson’s We Have Always Lived in the Castle.” Shirley Jackson, Influences and Confluences, edited by Melanie Anderson and Kröger Lisa, Routledge, 2016, pp. 97–110.
Lewis, Ioan M., and Jeffrey Burton Russell. “Witchcraft.” Encyclopædia Britannica, Encyclopædia Britannica, 21 Dec. 2023, www.britannica.com/topic/witchcraft#ref414807. Accessed 24 Dec. 2023.
Malburne-Wade, Meredith M. Revision as Resistance in Twentieth-Century American Drama. Palgrave Macmillan, 2015.
May, Elaine Tyler. Homeward Bound: American Families in the Cold War Era. Basic Books, 1988.
McCann, Hannah, and Whitney Monaghan. Queer Theory Now: From Foundations to Futures. Red Global Press, 2020.
Mintz, Steven, and Susan Kellogg. Domestic Revolutions: A Social History of American Family Life. The Free Press, 1988.
Muñoz, José Esteban. The Then and There of Queer Futurity. New Your UP, 2009.
Murphy, Bernice M., editor. Shirley Jackson: Essays on the Literary Legacy. McFarland, 2005.
Nollen, Elizabeth. “The ‘Terrible’ House as Locus of Female Power in We Have Always Lived in the Castle.” Shirley Jackson: A Companion, edited by Kristopher Woofter, Peter Lang, 2021, pp. 99–110.
Oates, Joyce Carol. “The Witchcraft of Shirley Jackson: Joyce Carol Oates.” The New York Review of Books, 8 Aug. 2020, www.nybooks.com/articles/2009/10/08/the-witchcraft-of-shirley-jackson/?lp_txn_id=1368066. Accessed 24 Dec. 2023.
Oppenheimer, Judy. Private Demons: The Life of Shirley Jackson. G. P. Putnam’s Sons, 1988.
Parks, John G. “Chambers of Yearning: Shirley Jackson’s Use of the Gothic.” Twentieth Century Literature, vol. 30, no. 1, 1984, pp. 15–29.
Passon, Stacie, director. We Have Always Lived in the Castle, Further Films, 2018.
Prorokova-Konrad, Tatiana. “Lesbianism, Disability, and Pain: Shirley Jackson’s We Have Always Lived in the Castle as a Pathography.” The Portrait of an Artist as a Pathographer: On Writing Illnesses and Illnesses in Writing, edited by Sarkar Jayjit and Jagannath Basu, Vernon Press, 2021, pp. 127–42.
Purkiss, Diane. The Witch in History: Early Modern and Twentieth-Century Representations. Routledge, 1996.
Rowling, J. K. Harry Potter and The Half-Blood Prince. Arthur A. Levine Books, 2005.
Rubenstein, Roberta. “House Mothers and Haunted Daughters: Shirley Jackson and Female Gothic.” Tulsa Studies in Women’s Literature, vol. 15, no. 2, 1996, pp. 309–31.
Sandy Denny. “Who Knows Where the Time Goes.” YouTube, 4 Mar. 2009, https://www.youtube.com/watch?v=5oBMDcLf6WA. Accessed 26 Dec. 2023.
Trask, Richard B. “The Devil Hath Been Raised”: A Documentary History of the Salem Village Witchcraft Outbreak of March 1692. Yeoman Press, 1997.
Wallace, Honor McKitrick. “‘The Hero Is Married and Ascends the Throne’: The Economics of Narrative End in Shirley Jackson’s ‘We Have Always Lived in the Castle.’” Tulsa Studies in Women’s Literature, vol. 22, no. 1, 2003, pp. 173–191.
Wigington, Patti. “What Is Kitchen Witchcraft?” Learn Religions, Learn Religions, 15 May 2019, www.learnreligions.com/about-kitchen-witches-2562549. Accessed 24 Dec. 2023.
Woodruff, Stuart C. “The Real Horror Elsewhere: Shirley Jackson’s Last Novel.” Southwest Review, vol. 52, no. 2, 1967, pp. 152–162.
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dc.identifier.urihttp://tdr.lib.ntu.edu.tw/jspui/handle/123456789/91712-
dc.description.abstract雪莉・傑克森在她第一本小說的作者介紹中被描述為「當代作家中唯一的業餘女巫」。眾多學者相信傑克森對超自然力量的興趣成為她在壓抑的生活中獲取力量的方式。作者生前最後一本小說,《從此,我們過著幸福快樂的日子》充滿易被判定為巫術的儀式描繪。然而,這些巫術般的儀式在故事中卻面臨失效。前例研究甚少處理儀式的失敗,也未能解釋此失敗與賦權意象共存的矛盾情形。本論文旨在透過酷兒理論與女巫、巫術,及獵巫相關的歷史研究詮釋此現象。文中分析將導向儀式並未失敗的結論,並論證故事中的儀式仍具有轉化力量,且此力量源於主角非傳統的日常生活實踐而非超自然神力。引言將介紹文本背景並進行文獻回顧。第一章建立文本、北美女巫歷史,及1950年代美國社會之間的關聯。同時,以歷史事件為引,本章節將以酷兒情動理論(queer affects)檢視“常模”(the norms)的霸權地位。第二章將探討巫術的力量源頭與家庭生活之連結。透過酷用(queer use) 理論,本章將女巫般的日常生活形塑為魔法儀式的力量泉源,並以此抵禦常模。第三章將藉由酷兒負面性(queer negativity)的視角討論小說結局,並將之建構為在對抗常模的戰爭中所取得的勝利。而酷兒時間性(queer temporality) 也將作為分析工具,討論顛覆常模的後續事件發展。最後,結論總結研究發現,並列舉本論文未竟之處及未來尚待探討之議題。zh_TW
dc.description.abstractShirley Jackson was described as “the only contemporary writer who is a practicing amateur witch” in the author biography of her first novel. Most critics perceive this passion for the supernatural as Jackson’s way of seizing power in a repressive life. Her last novel, We Have Always Lived in the Castle (1962) is filled with explicit descriptions of rituals that could be identified as witchcraft. Nevertheless, these witchcraft-like rituals fail in the story. Precedent studies rarely address this failure and have not yet directly explained the paradoxical existence of failure and empowerment. This thesis aims to unravel this complicated situation, drawing inspiration from queer theory and historical studies of witches, witchcraft, and witch hunts. My analysis leads to the conclusion that the magical rituals have not failed; instead, the transformative power exists and arises from the protagonists’ nonconventional daily practices rather than from supernatural force. Introduction will first present a background and literature review of the subject matter. It will also make explicit the research question and explain how the chosen methodologies will contribute to the discussion. Chapter I establishes the connection between the novel, the history of witches in North America, and American society in the 1950s. Drawing on historical events, it then examines “the norms” as a hegemony to be challenged by queer affects. Chapter II will explore the power of witchcraft and the links between witches and domesticity. Under the framework of queer use, the chapter will establish living a witchy everyday life as the true power in magical practices capable of resisting norms. Chapter III interprets the bewildering ending of the novel through the lens of queer negativity and asserts the denouement as a triumph over societal norms. Queer temporality will also be introduced as an analytic tool for addressing what could happen following the subversion. Finally, Conclusion summarizes the findings and highlights questions that await further exploration in future studies.en
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dc.description.tableofcontentsAcknowledgements i
Chinese Abstract iv
English Abstract v
Introduction 1
Chapter I. Witches, Witch-Hunts, and the Haunting of Happiness 21
1. The Making of a Witch: Who are the Witches? 23
2. Witch Hunts of Two Periods: The Seventeenth Century and the Mid-Twentieth Century 27
3. Happily Never After: Queer Affects and the Heteronormativity 34
Chapter II. Magic, Home, and the (Anti) Housewife 43
1. Origins of Power: Prevailing Beliefs Regarding the Sources of Power in Witchcraft 44
2. The Ties between Witchcraft and Domesticity 49
3. The Rebellion in Everyday Life: Queer Use and the Domestic Objects 52
Chapter III. Radical Survival Beyond Linear Temporality 63
1. (Un)becoming the Ladies: Queer Negativity and Silent Resistance 65
2. “Who Knows Where the Time Goes?”: Queer Temporality and Non-Chrononormative Futurity 71
Conclusion 81
Works Cited 85
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dc.language.isoen-
dc.title砂糖與砒霜: 酷兒化雪莉・傑克森《從此,我們過著幸福快樂的日子》中的巫術與日常生活zh_TW
dc.titleSugar and Arsenic: Queering Witchcraft and Everyday Life in Shirley Jackson’s We Have Always Lived in the Castleen
dc.typeThesis-
dc.date.schoolyear112-1-
dc.description.degree碩士-
dc.contributor.oralexamcommittee楊乃女;林宛瑄zh_TW
dc.contributor.oralexamcommitteeNai-Nu Yang;Wan-Shuan Linen
dc.subject.keyword雪莉・傑克森,《從此,我們過著幸福快樂的日子》,女巫,酷兒,情動,酷用,時間性,zh_TW
dc.subject.keywordShirley Jackson,We Have Always Lived in the Castle,witch,queer,affect,queer use,temporality,en
dc.relation.page91-
dc.identifier.doi10.6342/NTU202400421-
dc.rights.note同意授權(全球公開)-
dc.date.accepted2024-02-03-
dc.contributor.author-college文學院-
dc.contributor.author-dept外國語文學系-
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