請用此 Handle URI 來引用此文件：
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| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 謝筱玫(Hsiao-Mei Hsieh) | |
| dc.contributor.author | Chia-Hua Tsai | en |
| dc.contributor.author | 蔡佳樺 | zh_TW |
| dc.date.accessioned | 2022-11-24T09:26:17Z | - |
| dc.date.available | 2022-11-24T09:26:17Z | - |
| dc.date.copyright | 2022-01-17 | |
| dc.date.issued | 2021 | |
| dc.date.submitted | 2021-12-15 | |
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| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/81723 | - |
| dc.description.abstract | 本論文旨在探索戲劇實踐如何促進當代美國社會對種族政治與種族和解的批判性討論。「被宰制的身體」作為理解社會運動和藝術表達之間動態的修辭語彙，描述了美國黑人在結構性種族主義暴力下的脆弱性。本文藉由分析千禧世代的非裔美國劇作家安托瓦內特.那恩萬度（Antoinette Nwandu）的《踰越》、賈姬.西布里斯.德魯伊（Jackie Sibblies Drury）的《洞見》和傑瑞米.歐.哈里斯（Jeremy O. Harris）的《奴隸戲》，從劇作家在作品中呈現黑人身體受壓迫的情形，不僅探究當前的種族關係，也說明他們如何憑藉審視種族主義的歷史根源及其遺跡，重新思索黑人性（blackness）與抵抗、能動性以及自我賦權之意。通過作品裡對種族不公的論述，與演出後各自引發輿論廣泛關注與討論，本文強調戲劇實踐作為一種積極的社會參與形式，重新構想了一個空間，在此之中針對結構性暴力進行誠實的對話，可能是突破當前種族僵局的另一種途徑。 | zh_TW |
| dc.description.provenance | Made available in DSpace on 2022-11-24T09:26:17Z (GMT). No. of bitstreams: 1 U0001-1312202115054200.pdf: 2004278 bytes, checksum: 2a12b21479873f5532f8914f2c1dcda9 (MD5) Previous issue date: 2021 | en |
| dc.description.tableofcontents | Acknowledgements...i English Abstract...ii Chinese Abstract...iii Introduction: The Wailing Souls in Troubled Times...1 Chapter One: A Body Held Captive: (Re)presenting the Precariousness of Black Lives in Antoinette Nwandu’s Pass Over...23 Chapter Two: A Body Not of One’s Own: Negotiating with the Hegemony of the White Gaze in Jackie Sibblies Drury’s Fairview...48 Chapter Three: A Body Lives with Scars: Confronting the Past with the Racist Present in Jeremy O. Harris’ Slave Play...71 Conclusion: In Search of Black Bodies and Reconciliation...97 Works Cited...108 | |
| dc.language.iso | en | |
| dc.subject | 非裔美國戲劇 | zh_TW |
| dc.subject | 黑人的命也是命 | zh_TW |
| dc.subject | 種族政治 | zh_TW |
| dc.subject | 種族和解 | zh_TW |
| dc.subject | 黑人性 | zh_TW |
| dc.subject | racial reconciliation | en |
| dc.subject | African American theatre | en |
| dc.subject | blackness | en |
| dc.subject | Black Lives Matter | en |
| dc.subject | racial politics | en |
| dc.title | 被宰制的身體：Black Lives Matter時代的黑人性與種族政治展演 | zh_TW |
| dc.title | The Subjugated Bodies: Blackness and the Performance of Racial Politics in the Age of Black Lives Matter | en |
| dc.date.schoolyear | 110-1 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 姜翠芬(Hsin-Tsai Liu),施懿芹(Chih-Yang Tseng) | |
| dc.subject.keyword | 黑人的命也是命,種族政治,種族和解,黑人性,非裔美國戲劇, | zh_TW |
| dc.subject.keyword | Black Lives Matter,racial politics,racial reconciliation,blackness,African American theatre, | en |
| dc.relation.page | 117 | |
| dc.identifier.doi | 10.6342/NTU202104532 | |
| dc.rights.note | 未授權 | |
| dc.date.accepted | 2021-12-15 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 戲劇學研究所 | zh_TW |
| 顯示於系所單位： | 戲劇學系 | |
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| U0001-1312202115054200.pdf 未授權公開取用 | 1.96 MB | Adobe PDF |
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