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完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 陳重仁 | zh_TW |
dc.contributor.advisor | Chung-jen Chen | en |
dc.contributor.author | 侯旻君 | zh_TW |
dc.contributor.author | Min-Jyun Hou | en |
dc.date.accessioned | 2021-06-17T09:05:51Z | - |
dc.date.available | 2023-11-10 | - |
dc.date.copyright | 2021-02-22 | - |
dc.date.issued | 2021 | - |
dc.date.submitted | 2002-01-01 | - |
dc.identifier.citation | Works Cited
Alter, Alexandra. “For Kazuo Ishiguro, The Buried Giant Is a Departure.” Rev. of The Buried Giant, by Kazuo Ishiguro. New York Times. New York Times, 19 Feb. 2015. Web. 10 Mar. 2019. Borowska-Szerszun, Sylwia. “The Giants Beneath: Cultural Memory and Literature in Kazuo Ishiguro’s The Buried Giant.” Crossroads (Białystok, Poland) 15.4 (2016): 30–41. Web. 10 Mar. 2019. Bukowska, Joanna. “Kazuo Ishiguro’s The Buried Giant as a Contemporary Revision of Medieval Tropes.” Multiculturalism, Multilingualism and the Self: Literature and Culture Studies, Ed. Jacek Mydla, Małgorzata Poks, and Leszek Drong. Cham:Springer International Publishing, 2017. 29-43. Web. 15 Jan. 2021. Charlwood, Catherine. “National Identities, Personal Crises: Amnesia in Kazuo Ishiguro’s The Buried Giant.” Open Cultural Studies 2.1 (2018): 25–38. Web. 10 Mar. 2019. ---. “‘Stop … and Remember’: Memory and Ageing in Kazuo Ishiguro’s Novels.” American, British, and Canadian studies 31.1 (2018): 86–113. Web. 15 Jan. 2021. Cheng, Chu-chueh. “Cosmos in Similitude in Nocturns.” Kazuo Ishiguro in a Global Context, Ed. Cynthia F. Wong and Hülya Yildiz. London: Routledge, Taylor & Francis, 2017. 121-31. Print. ---. The Margin Without Centre: Kazuo Ishiguro. New York: Peter Lang, 2010. Print. Christoff, Alicia. “Review of The Buried Giant: A Novel.” Psychoanalytic psychology 33.4 (2016): 626–31. EBSCOhost. Web. 10 Mar. 2019. Cowley, Jason. Rev. of The Buried Giant, by Kazuo Ishiguro. Financial Times. Financial Times, 27 Feb. 2015. Web. 10 Mar. 2019. Crocker, Holly. “White People in Pictures: Forgetting Histories and Kazuo Ishiguro’s The Buried Giant.” Rev. of The Buried Giant, by Kazuo Ishiguro. ARCADE. Stanford U, 2 Apr. 2018. Web. 10 Mar. 2019. D’hoker, Elke “Unreliability Between Mimesis and Metaphor: The Works of Kazuo Ishiguro.” Narrative Unreliability in the Twentieth-Century First-Person Novel. Berlin, Boston: De Gruyter, 2008. 147-70. Print. Drąg, Wojciech. Revisiting Loss: Memory, Trauma and Nostalgia in the Novels of Kazuo Ishiguro. Newcastle upon Tyne: Cambridge Scholars Press, 2014. Print. Falcus, Sarah, and Maricel Oró-Piqueras. “Ageing without Remembering: Fantasy, Memory and Loss in Kazuo Ishiguro’s The Buried Giant.” Journal of Ageing Studies 55 (2020): n.pag. Web. 15 Jan. 2021. Fricke, Stefanie. “Reworking Myths: Stereotypes and Genre Conventions in Kazuo Ishiguro’s Work.” Kazuo Ishiguro in a Global Context, Ed. Cynthia F. Wong and Hülya Yildiz. London: Routledge, Taylor & Francis, 2017. 23-37. Print. Gaiman, Neil. “Kazuo Ishiguro’s The Buried Giant.” Rev. of The Buried Giant, by Kazuo Ishiguro. New York Times. New York Times, 25 Feb. 2015. Web. 10 Mar. 2019. Güngör, Duru. “Time and the Threefold I in Never Let Me Go.” Kazuo Ishiguro in a Global Context, Ed. Cynthia F. Wong and Hülya Yildiz. London: Routledge, Taylor & Francis, 2017. 111-19. Print. Guo, Deyan. “Trauma, Memory and History in Kazuo Ishiguro’s Fiction.” Theory and Practice in Language Studies 2.12 (2012): 2508–16. Web. 10 Mar. 2019. Hong, Terry. “The Buried Giant – the Much Anticipated Seventh Novel of Kazuo Ishiguro – Does Not Disappoint.” The Christian Science Monitor. The Christian Science Publishing Society, 3 Mar. 2015. Web. 10 Mar. 2019. Ishiguro, Kazuo. The Buried Giant. New York: Vintage, 2015. Print. ---. My Twentieth Century Evening and Other Small Breakthroughs-The Nobel Lecture. London: Faber & Faber, 2017. Print. ---. Interview by Hope Whitmore. “Nobel Laureate Kazuo Ishiguro: The Kingdom of Memory, A Conversation with Hope Whitmore.” Barnes & Noble Review. Barnes & Noble, 5 Oct. 2017. Web. 15 Jan. 2021. Kakutani, Michiko. “Review: In The Buried Giant, Ishiguro Revisits Memory and Denial.” Rev. of The Buried Giant, by Kazuo Ishiguro. New York Times. New York Times, 23 Feb. 2015. Web. 10 Mar. 2019. Lang, James M. “Public Memory, Private History: Kazuo Ishiguro’s The Remains of the Day.” Clio 29.2 (2000): 143-65. Print. Lee, Yu-cheng 李有成. Jìyì 記憶 [Memory]. Taipei: Asian Culture, 2016. Print. ---. “Reinventing the Past in Kazuo Ishiguro’s A Pale View of Hills.” Chang Gung Journal of Humanities and Social Sciences 1.1 (2008): 19-32. Print. Le Guin, Ursula K., “‘Are They Going to Say This Is Fantasy?’.” Book Review Café. Book View Café Publishing, 2 Mar. 2015. Web. 10 Mar. 2019. Lewis, Barry. Kazuo Ishiguro. Manchester: Manchester UP, 2000. Print. Lichtig, Toby. “What on Earth: Kazuo Ishiguro’s Sprawling Yarn of Pixies, Ogres and Amnesia.” Rev. of The Buried Giant, by Kazuo Ishiguro. Times Literary Supplement. TLS, 18 Mar. 2015 Web. 10 Mar. 2019. Lorek-Jezińska, Edyta. “Testimonies of Absence: Trauma and Forgetting in The Buried Giant by Kazuo Ishiguro.” Crossroads (Białystok, Poland) 15.4 (2016): 42-51. Web. 15 Jan. 2021. Lukić, Zlata. “Individual Versus Collective Memory in Kazuo Ishiguro’s The Buried Giant.” Filolog (Banja Luka) (2016): 355–69. Web. 10 Mar. 2019. Lupack, Alan. “The Buried Giant by Kazuo Ishiguro (Review).” Arthuriana 25.3 (2015): 118–120. Project Muse. Web. 10 Mar. 2019. Matthews, Sean. “‘I’m Sorry I Can’t Say More’: An Interview with Kazuo Ishiguro.” Kazuo Ishiguro: Contemporary Critical Perspectives, Ed. Sean Matthews and Sebastian Groes. London: Continuum, 2009. 114-25. Print. “memory, n.” OED Online. Oxford UP, Web. 10 Dec. 2019. Meyler, Bernadette. “Aesthetic Historiography: Allegory, Monument, and Oblivion in Kazuo Ishiguro’s The Buried Giant.” Critical Analysis of Law: An International & Interdisciplinary Law Review 5.2 (2018): 74-89. EBSCOhost. Web. 15 Jan. 2021. Nalbantian, Suzanne. Memory in Literature: From Rousseau to Neuroscience. Basingstoke: Palgrave Macmillan, 2004. Print. ---. “Autobiographical Memory in Modernist Literature and Neuroscience.” The Memory Process: Neuroscientific and Humanistic Perspectives, Ed.Suzanne Nalbantian, Paul M. Matthews, and James L. McClelland. Cambridge: MIT Press, 2011. Print. Newton, Adam Zachary. Narrative Ethics. Cambridge: Harvard UP, 1995. Print. Öztabak-Avci, Elif. “‘You Never Know Who You’re Addressing’: A Study of the Inscribed ‘You’ in The Remains of the Day.” Kazuo Ishiguro in a Global Context, Ed. Cynthia F. Wong and Hülya Yildiz. London: Routledge, Taylor & Francis, 2017. 49-58. Print. Phelan, James. Living to Tell About It: a Rhetoric and Ethics of Character Narration. Ithaca: Cornell UP, 2005. Print. Rich, Nathaniel. “The Book of Sorrow and Forgetting.” Rev. of The Buried Giant, by Kazuo Ishiguro. The Atlantic. Atlantic Media Company, 17 Feb. 2015. Web. 10 Mar. 2019. Shaffer, Brian W. Understanding Kazuo Ishiguro. Columbia: U of South Carolina, 1998. Print. Stacy, Ivan. “Looking out into the Fog: Narrative, Historical Responsibility, and the Problem of Freedom in Kazuo Ishiguro’s The Buried Giant.” Textual Practice 35.1 (2019):109-28. EBSCOhost. Web. 15 Jan. 2021. Stephan, Matthias. “Do You Believe in Magic? The Potency of the Fantasy Genre.” Coolabah 18.18 (2016): 3–15. Web. 10 Mar. 2019. Sim, Wai-chew. Globalization and Dislocation in the Novels of Kazuo Ishiguro. Lewiston, New York: Edwin Mellen, 2006. Print. ---. Kazuo Ishiguro. London: Taylor & Francis, 2009. Print. Teo, Yugin. Kazuo Ishiguro and Memory. London: Palgrave Macmillan UK, 2014. Print. ---. “Memory, Nostalgia and Recognition in Ishiguro’s Work.” Kazuo Ishiguro in a Global Context, Ed. Cynthia F. Wong and Hülya Yildiz. London: Routledge, Taylor & Francis, 2017. 39-47. Print. ---. “Testimony and the Affirmation of Memory in Kazuo Ishiguro’s Never Let Me Go.” Critique: Studies in Contemporary Fiction 55. 2 (2014): 127–37. Taylor & Francis Online. Web. 10 Mar. 2019. Tougaw, Jason. “Amnesia and Identity in Contemporary Literature.” Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities, and Sciences. Ed. Sebastian Groes. London: Palgrave Macmillan UK, 2016. 280-85. Print. “The Nobel Prize in Literature 2017.” NobelPrize.org. Nobel Media, 5 Oct. 2017. Web. 10 Mar. 2019. Usui, Masami. “Making a ‘Once-upon-a-Time’ Mythology in Kazuo Ishiguro’s The Buried Giant.” International Journal of Humanities and Social Science 10.7 (2016): 2547-51. Web. 10 Mar. 2019. Vernon, Matthew, and Margaret A. Miller. “Navigating Wonder: The Medieval Geographies of Kazuo Ishiguro’s The Buried Giant.” Arthuriana 28.4 (2018): 68–89. EBSCOhost. Web. 15 Jan. 2021. Vorda, Allan, et al. “An Interview with Kazuo Ishiguro.” Mississippi Review 20.1/2 (1991): 131-54. JSTOR. Web. 10 Mar. 2019. Walkowitz, Rebecca L. Born Translated: the Contemporary Novel in an Age of World Literature. New York: Columbia UP, 2015. Print. ---. Cosmopolitan Style: Modernism Beyond the Nation. New York: Columbia UP, 2006. Print. ---. “Ishiguro’s Floating Worlds.” ELH 68.4 (2001):1049–76. JSTOR. Web. 10 Mar. 2019. Wang, Ching-chih. Homeless Strangers in the Novels of Kazuo Ishiguro: Floating Characters in a Floating World. Lewiston, New York: Edwin Mellen, 2008. Print. Wong, Cynthia F. Kazuo Ishiguro. 2nd ed., Tavistock: Northcote House, 2005. Print. ---. “Oppositional Narratives of Nocturnes.” Kazuo Ishiguro in a Global Context, Ed. Cynthia F. Wong and Hülya Yildiz. London: Routledge, Taylor & Francis, 2017. 133-43. Print. ---. “The Shame of Memory: Blanchot’s Self-Dispossession in Ishiguro’s A Pale View of Hills.” Clio 24.2 (1995):127-45. EBSCOhost. Web. 10 Mar. 2019. Wood, James. “The Uses of Oblivion.” Rev. of The Buried Giant, by Kazuo Ishiguro. The New Yorker. The New Yorker, 23 Mar. 2015. Web. 10 Mar. 2019 | - |
dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/74672 | - |
dc.description.abstract | 在石黑一雄(Kazuo Ishiguro)的第三人稱小說《被埋葬的記憶》(The Buried Giant)中,敘事策略與記憶的方式密不可分。這本小說提供了不同的敘事觀點,從多樣的角度,述說了一個關於記憶的故事。藉由拼湊各角色的個人敘事,讀者察覺出他們皆有著一個共同的記憶。雖然小說採不同於以往的敘事風格來書寫,記憶依舊為本小說的主題。石黑一雄不僅描繪了個人對於自己過去的記憶與遺忘,更展現了國家對其歷史的記憶與遺忘。本論文以蘇珊.納爾班提恩(Suzanne Nalbantian)所研究之文學中的記憶呈現為基礎,並藉由納爾班提恩閱讀敘事的方法,來檢視《被埋葬的記憶》中的記憶敘事。第一章著重在石黑一雄的敘事風格,通過討論其小說中的不可靠敘事,了解個人記憶如何能在各自的敘事中被呈現。即使這些敘事看似不完整,卻仍揭露了一個需受譴責的集體過去。第二章從小說設定的歷史背景、文學傳統和奇幻元素等面向,來分析石黑一雄的敘事風格,並討論其如何創造出一個失憶的世界。本論文的結論是,這本小説的記憶敘事,不應被解讀成平淡的記述。經由石黑一雄的描寫,個人記憶與集體記憶,相互交織,而非站在彼此的對立面。這本小說除了呈現個人記憶,另一方面,也關注國家的集體記憶。與石黑一雄之前的作品一樣,《被埋葬的記憶》講述了關於記憶的動人故事。 | zh_TW |
dc.description.abstract | This thesis explores the relationship between narrative and memory in Kazuo Ishiguro’s third-person novel, The Buried Giant (2015). The novel portrays the narratives of different characters, telling the story of memory from various angles. Piecing together these narratives, readers can detect a shared memory of these characters. Even though the novel is written in a style different from Ishiguro’s previous ones, the theme of memory is retained. Not only does Ishiguro illustrate how one remembers and forgets one’s past, but he demonstrates how a nation remembers and forgets its history. This thesis takes Suzanne Nalbantian’s research on the presentation of memory in literature to look into the narrative of memory in The Buried Giant. The first chapter focuses on Ishiguro’s narrative style. With a discussion on narrative unreliability, this chapter investigates how personal memory can be traced in each character’s narrative. These characters’ narratives, though fragmentary, reveal that they have a culpable past. The second chapter analyzes narratives regarding the historical setting, the literary traditions, and fantastic elements to see how Ishiguro creates a world where the collective memory is forgotten. This thesis concludes that the narrative of memory in the novel should not be read as flat-footed accounts of events. Personal and collective memory are not at polarity. Through Ishiguro’s narrative style, personal and collective memory are intertwined. The novel demonstrates memory of individuals, and on the other hand, it calls the attention to the collective memory of a nation. The Buried Giant tells a story of memory that is as mesmerizing as Ishiguro’s previous works. | en |
dc.description.provenance | Made available in DSpace on 2021-06-17T09:05:51Z (GMT). No. of bitstreams: 1 U0001-0102202117493000.pdf: 2379909 bytes, checksum: a9902d746875178c3952026c1468873d (MD5) Previous issue date: 2021 | en |
dc.description.tableofcontents | Table of Contents
Master's Thesis Certification i Acknowledgements ii Chinese Abstract iv English Abstract v Introduction 1 Chapter One: Memory Traces and Individual Quest 21 Narrative Unreliability in Ishiguro’s Works 23 An Ageing Couple’s Journey 28 Childhood Memory 35 An Old Knight’s Confession 39 Chapter Two: Buried Past and Collective Memory 45 War in Ishiguro’s Novels 46 Implication of King Arthur 57 Battle Line of Forgetting 58 Conclusion 67 Works Cited 72 | - |
dc.language.iso | en | - |
dc.title | 對失憶的反思:石黑一雄《被埋葬的記憶》中的記憶敘事 | zh_TW |
dc.title | Rethinking Amnesia: Narrative of Memory in Kazuo Ishiguro's The Buried Giant | en |
dc.type | Thesis | - |
dc.date.schoolyear | 109-1 | - |
dc.description.degree | 碩士 | - |
dc.contributor.oralexamcommittee | 李有成;王景智 | zh_TW |
dc.contributor.oralexamcommittee | Yu-cheng Lee;Ching-chih Wang | en |
dc.subject.keyword | 石黑一雄,被埋葬的記憶,敘事,記憶,蘇珊,納爾班提恩,記憶呈現, | zh_TW |
dc.subject.keyword | Kazuo Ishiguro,The Buried Giant,narrative,memory,Suzanne Nalbantian,presentation of memory, | en |
dc.relation.page | 78 | - |
dc.identifier.doi | 10.6342/NTU202100340 | - |
dc.rights.note | 未授權 | - |
dc.date.accepted | 2021-02-07 | - |
dc.contributor.author-college | 文學院 | - |
dc.contributor.author-dept | 外國語文學系 | - |
顯示於系所單位: | 外國語文學系 |
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