請用此 Handle URI 來引用此文件:
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/74638
標題: | 括弧中的回聲:論1990年代臺灣小說中的獨白書寫 Echoes in the Bracket: On the Significance of the Monologue in 1990s’ Taiwan Fictions |
作者: | Ching Chen 陳靜 |
指導教授: | 蘇碩斌(Shuo-Bin Su) |
關鍵字: | 獨白書寫,反身性,朱天文,邱妙津,賴香吟, monologue,reflexivity,Chu Tien-Wen,Chiu Miao-chin,Lai Hsiang-Yin, |
出版年 : | 2019 |
學位: | 碩士 |
摘要: | 1990年代的臺灣,出現一批專注書寫自我內心的作家,以第一人稱「我」的獨白形式寫作,其中深刻的自我剖析,在文學史中具有特殊意義。獨白並非90年代才出現的形式,而是從戰前便存在於文壇,每個時代的獨白姿態與腔調映現了當下的社會氛圍;然而在90年代寫作者所產生的集體告白之下,個人卻又擁有各自獨特的書寫位置與反身過程。本文先梳理幾個不同時代的獨白書寫現象,包括臺灣日治時期、中國五四時期、臺灣60及70年代現代主義時期,並特別彰顯90年代解嚴與都市化的文化背景下,因為公領域「他者」消解後的「自我」,面對空虛所產生獨白對話及個人反思。本文將提出三個分析框架,包括:(一)獨白中的對話性;(二)獨白作為一種敘事機制;(三)獨白書寫能使敘事者發現「自我」、及文本縫隙中產生「反身性」。利用三個分析框架,選取90年代獨白書寫的典型個案──朱天文、邱妙津、賴香吟的小說文本為討論對象,指出他們置身同一時代而呈現的不同獨白形式、書寫位置、反身性展現。 In the 1990s Taiwan, a group of writers who focused on expressing their inner thoughts and wrote in the form of monologue by using the first person narrative “I” emerged. The self analyzes reflected in their works have a unique meaning in the history of Taiwan literature. Nevertheless, monologues did not come into existence till the 1990s but existed prior to the Second World War. The monologues in each era reflected each era’s social status. However, the “collective confessions” made by the writers in the 1990s had their own specific points of view and process of reflexivity. This essay starts by combing through the periods including Taiwan’s Japanese ruling period, China during the May Fourth Movement, Modernism in the 1960s to 1970s Taiwan, and will emphasize specially the 1990s, when the martial law had been lifted and the cities were going through modernization, during which the “they” regressed and the “I”, when facing the feeling of emptiness, began to reflect upon their own and talking to themselves in monologues. The essay consists of three case studies of the writers Chu Tien-Wen, Chiu Miao-chin and Lai Hsiang-Yin, who wrote in monologue styles in the 1990s. Three frameworks are applied: 1. “The Dialogicity in Monologues”, 2. “Monologue as a narrative form”, and 3. “The function of monologue: how it helps the narrator discover ‘self’ and how ‘reflexivity’ is generated through textual crevices”, and further addresses and discusses the different styles, the point of view, and the reflexivity demonstrated in these three writers’ works. |
URI: | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/74638 |
DOI: | 10.6342/NTU201902575 |
全文授權: | 有償授權 |
顯示於系所單位: | 臺灣文學研究所 |
文件中的檔案:
檔案 | 大小 | 格式 | |
---|---|---|---|
ntu-108-1.pdf 目前未授權公開取用 | 2.98 MB | Adobe PDF |
系統中的文件,除了特別指名其著作權條款之外,均受到著作權保護,並且保留所有的權利。