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完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 康旻杰(Min-Jay Kang) | |
dc.contributor.author | Wei Lin | en |
dc.contributor.author | 林偉 | zh_TW |
dc.date.accessioned | 2021-06-17T04:47:46Z | - |
dc.date.available | 2018-08-03 | |
dc.date.copyright | 2018-08-03 | |
dc.date.issued | 2018 | |
dc.date.submitted | 2018-08-01 | |
dc.identifier.citation | Applbaum, Kalman (1996), The Endurance Of Neighborhood Associations In A Japanese Commuter City. Urban Anthropology and Studies of Cultural Systems and World Economic Development, Vol. 25, No. 1, pp. 1-39.
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dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/71000 | - |
dc.description.abstract | 嘻哈,在文化帝國主義的脈絡下,從紐約被傳播到世界各地,以不同的方式影響著社會大眾。就筆者投身於台灣嘻哈社群幾年來的經驗認為,社群內的同質性¬¬——都會、年輕、中間階層、男性——是最主要的問題:回顧文化工業的發展過程,資產階級與其中間階層擁護者逐漸獲得話語權,台灣的嘻哈轉變成為擁有充裕文化資本行動者展示生活風格的工具;且誰才是「真的嘻哈」的原真性/正統性論戰成為社群內的鬥爭場域。然而,無論是「嘻哈基本教義派」或是「唱片工業主流派」,似乎都僅限於形式主義上的爭論,無視於台灣作為文化勞動的新國際分工的真實現況。在這樣的問題意識下,筆者重回嘻哈文化發展之初的社會運動與抵抗性精神,希望找到在現況爭論場域外的新回應,因而轉向關注我的故鄉:基隆。基隆曾是台灣最大的國際港,連結台灣與世界各地的工業生產鏈。九〇年代後台灣進入後工業化社會產業轉型,基隆成為最台灣最明顯的萎縮城市之一。身為基隆成長與發展的嘻哈社群一員,在與其他行動者於2016年成立組織,希望以「嘻哈」作為改善在地青年環境的號召工具、而非捲入「何為嘻哈」的鬥爭中;並且在此中,以參與式行動行動研究視角討論組織行動所面臨的結構性與組織內部的難題。在這些論述與行動之外,更期待以某種新式的藝術行動討論基隆的都市性格,為城市與市民社會發展提供不同的想像。 | zh_TW |
dc.description.abstract | Hip-hop, in the context of cultural imperialism, was disseminated worldwide from New York, influencing numerous people in different ways. Having participated in Taiwan’s hip-hop community for several years, the homogeneity of this community of predominately young, urban, and middle-class males is a main concern of mine. In regards to the developmental process of cultural industry, the capitalists and their middle-class followers exercise control over discourse. Hip-hop in Taiwan has been transformed into a lifestyle for those with sufficient cultural capital and the definition of “real hip-hop” has become the most popular point of debate; artists readily categorized into “old-school” and mainstream camps.
However, both camps are trapped by formalism and the actual conditions of Taiwan’s society and its position in the international division of cultural labor are consequently obscured by issues of perceived authenticity. Considering these problems, I attempt to find a new response beyond this field of conflict by reintroducing the original resistant spirit of the hip-hop social movement. I thus focus my concern on the problems of my hometown, Keelung City. Keelung is located on Taiwan’s north coast and is home to the largest international harbor in Taiwan, linking the island’s capital-area to the world, especially during the industrial era. With Taiwan entering the age of post-industrialization, the importance of the harbor has decreased, resulting in the shrinkage of the harbor-city. According to statistics, Keelung has the highest rate of drug-related crimes, suicide, and commuting labor. As a hip-hop activist and scholar, I began organizing local youths and co-founded the Keelung Hip-hop Association in 2016. We attempt to use hip-hop to unite similar actors and create a platform for seeking and exchanging resources, with which we hope to improve the local environment for artists and empower local youths involved in changing the city. After discussing the structural and inner struggles we are facing while acting, in addition, we try to figure out the characteristics of the city with our art activities, and provide a new imagination of the city with civil society. | en |
dc.description.provenance | Made available in DSpace on 2021-06-17T04:47:46Z (GMT). No. of bitstreams: 1 ntu-107-R03544004-1.pdf: 7382900 bytes, checksum: 903d1012595bf30745845abc729e6bbc (MD5) Previous issue date: 2018 | en |
dc.description.tableofcontents | 目錄
謝誌…………………………………………………………………………… i 中文摘要……………………………………………………………………… ii 英文摘要……………………………………………………………………… iii 第一章 緒論..………………………………………………………………… 1 第一節 緣起問題意識..………………………………………………… 1 第二節 文獻回顧..……………………………………………………… 1 (一)嘻哈文化工業化:從貧民窟到全球化…………………… 5 (二)嘻哈文化殖民:嘻哈文化的台灣在地化歷程…………… 7 (三)品味階序:台灣嘻哈族群的觀察………………………… 11 (四)「極端在地」:聚焦基隆的城市回應……………………… 13 第三節 研究方法 (一)文獻回顧與現實情況對照………………………………… 21 (二)參與式行動研究與自傳式民族誌………………………… 22 (三)行動與工具………………………………………………… 25 第二章 「嘻哈」帝國的蔓延:台灣在地回應與困境..…………………… 28 第一節 嘻哈文化帝國蔓延..…………………………………………… 28 (一)嘻哈文化簡史:工業化與全球化歷程…………………… 28 (二)台灣嘻哈文化史…………………………………………… 33 第二節 台灣的在地回應與困境..……………………………………… 39 (一)台灣嘻哈社群的同質性與差異…………………………… 39 (二)行動者選擇與困境:在地生根與走向國際……………… 47 第三節 小結…….…………….………………………………………… 54 第三章 尋找第三條路?擺脫困境的策略探討..…………………………… 56 第一節 嘻哈文化中的「地方」..……………………………………… 56 (一)近代音樂如何代表/再現地方?………………………… 56 (二)嘻哈中的「極端地方」是如何翻轉?…………………… 61 第二節 基隆作為「地方」……………………….………………….… 66 (一)基隆作為地方 ……………………….………………….… 66 (二)基隆的嘻哈文化史…………………….………………...… 74 (三)基隆的嘻哈文化與「地方」………….………………...… 79 第三節 小結…………….………………………….………………....… 85 第四章 再現地方:地方的組織行動過程..………….………………...… 87 第一節 「基隆市嘻哈文化推廣協會」……………….……….…… 87 (一)重回故鄉的行動歷程……………….………………...… 87 (二)行動者/利害關係人分析………….………………...… 94 (三)組織化過程與行動者反身思考…….………………...… 97 第二節 組織的行動...……………………………………………...… 101 (一)嘻哈「藝術」要如何再現/代表地方?.…………...… 101 (二)與地方的關係?………………………….…………...… 104 (三)目前行動與反身性思考………………….…………...… 110 (四)組織行動之外…………………………….…………...… 116 第三節 小結………………..………………………….…………...… 122 第五章 結論……………………..………………………….…………...… 125 第一節 行動研究的反省與取徑..…………………….…………...… 125 (一)地方青少年「次文化」的反省………….…………...… 125 (二)地方青少年對於區域發展的回應之意義.…………...… 126 第二節 後續行動與研究建議.…………………………..………...… 127 參考文獻…………………………………………………….…………...… 129 附錄………………………………………………………….…………...… 137 田野筆記…………………………………………………….…………...… 152 圖目錄 圖1: 基隆市位置與行政分區圖………………………….…………...… 15 圖2: 研究方法…………………………………………….…………...… 27 圖3: 葛瑞哥里權力之眼與地方感之建立……………….…………...… 57 圖4: 基隆市文化中心…………………………………….…………...… 67 圖5: 文化中心的練舞空間……………………………….…………...… 68 圖6 葛瑞哥里的「權力之眼」概念之運用.…………….…………...… 71 圖7: 會議記錄照………………………………………….…………...… 93 圖8: 基隆嘻哈族群與相關團體關係圖………………….…………...… 96 圖9: 市中心次文化團隊活動領域分佈圖……………….…………...… 105 圖10: 社群關係與空間分佈疊圖………………………….………….… 106 | |
dc.language.iso | zh-TW | |
dc.title | 「嘻哈」帝國的新國際分工與在地回應——以基隆市嘻哈文化推廣協會為例 | zh_TW |
dc.title | New International Division and Local Response of ‘Hip-Hop’ Imperialism—An Empirical Study of Keelung Hip-Hop Association | en |
dc.type | Thesis | |
dc.date.schoolyear | 106-2 | |
dc.description.degree | 碩士 | |
dc.contributor.oralexamcommittee | 何東洪(Tung-Hung Ho),林浩立(Hao-Li Lin) | |
dc.subject.keyword | 嘻哈文化,基隆市民社會,文化帝國主義,文化勞動的新國際分工,參與式行動研究, | zh_TW |
dc.subject.keyword | Hip-hop,Keelung City,Cultural Imperialism,New International Division of Cultural Labor,Participatory Action Research, | en |
dc.relation.page | 182 | |
dc.identifier.doi | 10.6342/NTU201802021 | |
dc.rights.note | 有償授權 | |
dc.date.accepted | 2018-08-01 | |
dc.contributor.author-college | 工學院 | zh_TW |
dc.contributor.author-dept | 建築與城鄉研究所 | zh_TW |
顯示於系所單位: | 建築與城鄉研究所 |
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