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| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 王梅霞(Mei-Hsia Wang) | |
| dc.contributor.author | Yueh Cheng | en |
| dc.contributor.author | 鄭月 | zh_TW |
| dc.date.accessioned | 2021-06-16T17:30:34Z | - |
| dc.date.available | 2013-01-25 | |
| dc.date.copyright | 2012-08-19 | |
| dc.date.issued | 2012 | |
| dc.date.submitted | 2012-08-15 | |
| dc.identifier.citation | 引用文獻
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Evelyn Blackwood, pp. 19-33. New York: Haworth. Archetti, Eduardo P. 1999 Masculinities: Football, Polo and the Tango in Argentina. New York: Berg Press. Boellstorff, Tom 2007 Queer Studies in the House of Anthropology, Annu. Rev. Anthropol. 36:17-35. Brown, Stephen 2002 “Con discriminacion y repression no hay democracia”: The Lesbian Gay Movement in Argentina, Latin American Perspectives, Vol. 29, No.2, Gender, Sexuality, and Same-Sex Desire in Latin America. pp. 119-138. Butler, Judith 1990 Gender Trouble: Feminism and the Submersion of Identity. New York: Routledge. 1995 ‘Melancholy Gender/Refused Identification,’ in M. Berger, B. Wallis, and S. Watson (eds.), Constructing Masculinity, New York: Routledge, pp. 21-3. 1996 “Gender as Performance”, pp. 109-118 in Peter Osborne (ed.) A Critical Sense: Interview with Intellestuals. New York: Routledge. 1997 Excitable Speech: A Politics of the Performative. New York: Routledge. Collier, Simon 1995 “The Tango is Born: 1880s-1920s,” pp. 18-65 in Tango! The Dance, the Song, the Story. New York: Thames and Hudson, Inc. Cowan, Jane K. 1990 Dance and the Body Politic in Northern Greece. Princeton, NJ: Princeton University Press. Denniston, Christine 2003 Couple Dancing and the Beginning of Tango. 2007 The Meaning of Tango: the Story of the Argentinian Dance, Protico Books. Desmond, Jane C. 1996 “Embodying Difference: Issues in Dance and Cultural Studies”, pp. 33-64 in Celeste Fraser Delgado and Juan Esteban Muñoz (eds.) Everynight Life: Culture and Dance in Latin/o America. Durham, NC: Duke University Press. Douglas, Mary 2003 Purity and Danger : an Analysis of Concepts of Pollution and Taboo. London: New York : Routledge Eric Marcus 1997 當代同性戀歷史(一)。開心陽光出版。 1999 當代同性戀歷史(二)。開心陽光出版。 1999 當代同性戀歷史(三)。開心陽光出版。 Foucault, Michel. 1990 The History of Sexuality, Volume 1: An Introduction. London: Penguin. Faderman L. 1992 The Return of Butch and Femme: a phenomenon in lesbian and sexuality of the 1980s and 1990s, J. Hist. Sex. 2(4):578-98. Hanna, Judith L. 1987 To Dance is Human: A Theory of Nonverbal Communication. Chicago: University of Chicago Press. Mariana Falcón 2009 Queer Tango Buenos Aires. http://www.tangoqueer.com/ Morris, C. Rosalind 1995 All Made Up: Performance Theory and the New Anthropology of Sex and Gender, Annual Review of Anthropology, Vol. 24, pp.567-592. Robertson, Pamela 1996 Guity pleasures: Feminist camp from Mae West to Madonna. Durham: Duke Press. Rubin, G. 1992 Of Catamites and Kings: reflections on butch, gender and boundaries. In The Persistent Desire, ed. J Nestle, pp. 466-82. Boston: Alyson. Saraza, Vio 2009 Queer / Tango : Gender performance, objects of desire, and inhabited essence. http://viosaraza.com/blog/ Salessi, Jorge 1997 ‘Medics, Crooks, and Tango Queens: the National Appropriation of a Gay Tango,’ in Celeste F. Delgado and J. Esteban MuBoz(eds), Everynight Life: Culture and Dance in Latin/o America, Durham: Duke University Press, pp. 141-74. Savigliano, Marta E. 1995 Tango and the Political Economy of Passion: Tango, Exoticism and Decolonization, Boulder: Westview Press, p.60. 2010 ‘Notes on Tango (as) Queer (Commodity)’, 16(3):135-143, in Anthropological Notebooks. Simon Collier 1992 The Popular Roots of the Argentine Tango. In History Workshop, No. 34, Latin American History (Autumn), pp. 92-100. Stølen, Kristi Anne. 1996a “The Power of Gender Discourses in a Multi-ethnic community in rural Argentina,” pp. 159-183 in Marit Melhuus and Kristi Anne Stølen(eds.) Machos, mistresses, madonnas : contesting the power of Latin American gender imagery. London: Verso Press. 1996b The Decency of Inequality: Gender, Power and Social Change on the Argentine Prairie. Oslo: Scandinavian University Press. Taylor, Julie 1987 “Tango” in Cultural Anthropology, Vol. 2, No.4(Nov), pp. 481-493 The Five Lesbian Brothers 2002《蕾絲新生活寶典－拉子五兄弟大公開》。藍貝芝譯。女書文化。 Tobin, Jeffrey P. 1998a Manly Acts: Buenos Aires, 24 March 1996. Unpublished Ph.D. dissertation. Houston: Rice University. 1998b “Tango and the Scandal of Homosexual Desire”, pp. 79-102 in William Washabaugh(ed.) The Passion of Music and Dance: Body, Gender and Sexuality. New York: Berg. Tsing, Anna Lowenhaupt 1993 In the Realm of the Diamond Queen. Princeton, NJ: Princeton Univ. Press. 350 pp. Turner, Victor Witter 1969 The Ritual Process : Structure and Anti-Structure. Chicago : Aldine Pub. Co. Walter, Ute 2007 The Meaning of the Inner Mindfulness for the Tango Argentino and Its Procurement in Classes by Inclusion of Selected Aspects of the Dialogue Process Method, Unpublished Ph.D. dissertation, the institute for educational science of the university of Hamburg. Wartluft, Elizabeth 2002 Who’s Leading? Gender Role Transformation in the Buenos Aires Community. http://dancingsoul.typepad.com/dancing_soul/ Weston, Kath 1993 Lesbian/Gay Studies in the House of Anthropology, Annual Review of Anthropology, Vol. 22, pp. 339-367. | |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/64113 | - |
| dc.description.abstract | 布宜諾市19世紀末所孕生的探戈舞蹈，是現代阿根廷文化的源頭之一，了解探戈的演進過程，得以窺見阿根廷近代政治歷史的發展。阿根廷在1983年過後，進入民主憲政時期，為當代的同志運動奠下了發展的基礎。在眾多社運團體於1990年代後蓬勃發展的同時，對探戈有興趣的性少數者也逐漸從隱匿的朋友舞會往公開的米隆加場域發展，在21世紀初形成「酷兒探戈」的前身─「同志米隆加」。
酷兒探戈與傳統探戈最大的不同是，它鼓勵在舞蹈之中自由對調帶領者和跟隨者的角色。本研究受到巴特勒的「性別操演」概念所啟發，藉由布宜諾市酷兒探戈場域和慶典的儀式過程性質，探討個體的性慾別特質如何在結構與反結構之間轉化、流動和重構。研究發現，酷兒探戈匯聚了大量的「反結構」特性，因此集結了一股對主流社會結構的「解構」力量。在反對父權與異性戀霸權之基礎上，酷兒們以一種較為柔和的方式─探戈舞蹈─深入人心，在扭轉傳統探戈僵固的二元結構過程中，逐步滲入一種較為平等的意識形態，並且為探戈舞蹈注入多元性別實踐的可能性。 酷兒探戈所發明的「角色對調」(role-exchange)舞步，彷彿是對20世紀初布宜諾市港口小混混(compadritos)在特殊時空背景下形成的男男同性探戈(práctica)之致敬，但是事實上更接近是一種反動的歷史結果。酷兒探戈不僅開闢了一個讓LGBTQ者可以跳探戈的場域；而且，它也為傳統探戈開闢了新的可能性，讓傳統兩性親身感受和理解兩種角色的性別操演特性，返還回來增加傳統探戈舞者彼此之間溝通的敏感度。 | zh_TW |
| dc.description.abstract | Tango Dancing, as an important part of cultural elements in Argentina, is originated from Buenos Aires at the end of 19 century. Surveying the history of tango dancing, we could get the picture of modern political and historical development at Argentina. In 1983, after the military dictatorship had collapsed and democratic elections were held, the expectations of lesbian and gay movement had grown. In 1990s, at the same time when many activists and communities flourished, LGBTQ who were interested in tango gradually had their milonga from private meeting to public sphere, which was the forerunner of queer tango, called “gay milonga”.
The most important difference from queer tango and traditional tango is that we could change roles between leader and follower freely when dancing tango. This thesis considers the queer tango and festival of Buenos Aires as the ritual process, inspired by the theory of gender performativity from Butler, and discusses how gender and sexuality are transformed, floated and reformulated between the structure and anti-structure. The author finds out, the agency from the anti-structure of queer tango could decompose the social structure. Otherwise, against the patriarchy and heterosexual hegemony, differing from the fixed binary opposition in traditional tango, queer tango offers a kind of dance which is more equal and allows tanguero/a to discover more possibilities of multiple gender practices in tango dancing. Queer tango not only offers LGBTQ milonga for tango dancing, but also allows men-women to realize the gender performativity from being leader or follower, which could improve the sensibility between traditional tango dancers. | en |
| dc.description.provenance | Made available in DSpace on 2021-06-16T17:30:34Z (GMT). No. of bitstreams: 1 ntu-101-R95125001-1.pdf: 5549621 bytes, checksum: 1054a4684ee5e9cc3bb455b4c93f08c6 (MD5) Previous issue date: 2012 | en |
| dc.description.tableofcontents | 目 錄
口試委員會審定書 ……………………………………………………ii 誌謝 ……………………………………………………………………iii 中文摘要 ……………………………………………………………… vi 英文摘要 ………………………………………………………………vii 目錄 ………………………………………………………………… viii 圖表目錄 ……………………………………………………………… x 第一章 緒論 …………………………………………………………01 第一節 探戈與酷兒探戈 ……………………………………………07 第二節 文獻回顧 ……………………………………………………18 第三節 論文架構與研究方法 ………………………………………32 第四節 田野介紹 ……………………………………………………36 第二章 酷兒與遠行 …………………………………………………39 第一節 性意識與性別認同 …………………………………………41 第二節 原鄉處境 ……………………………………………………56 第三節 遠行的意義 …………………………………………………72 第四節 小結 …………………………………………………………81 第三章 酷兒與探戈 ……………………………………………… 82 第一節 role-exchange 與探戈中的兩性意象 ……………………86 第二節 role-exchange 與práctica ………………………………98 第三節 role-exchange與性別�慾特質 …………………………106 第四節 小結…………………………………………………………123 第四章 酷兒與慶典 ……………………………………………… 126 第一節 慶典的儀式性質 ………………………………………… 127 第二節 慶典的社會意義 ………………………………………… 139 第三節 酷兒探戈的意義 ………………………………………… 151 第四節 小結 ……………………………………………………… 163 第五章 討論與發現 ……………………………………………… 166 引用文獻 …………………………………………………………… 173 附錄 ………………………………………………………………… 179 附錄一 布宜諾市探戈演進時間表 ……………………………… 179 附錄二 各國都市酷兒探戈慶典時間整理 ……………………… 180 附錄三 布宜諾市2008年探戈地圖導覽 ………………………… 181 附錄四 名詞解釋 ……………………………………………………182 附錄五 布宜諾市2008年酷探慶典大師工作坊 ………………… 183 Acknowledgements ………………………………………………… 184 | |
| dc.language.iso | zh-TW | |
| dc.title | 反結構與解構：阿根廷酷兒探戈的多元性別實踐 | zh_TW |
| dc.title | Anti-Structure and Decompose：The Multiple Genders of Queer Tango in Buenos Aires | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 100-2 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 劉璧榛(Pi-Chen Liu),林文玲 | |
| dc.subject.keyword | 酷兒探戈,性別操演,儀式過程,反結構,解構,多元性別實踐, | zh_TW |
| dc.subject.keyword | queer tango,performativity,ritual process,anti-structure,decompose, | en |
| dc.relation.page | 184 | |
| dc.rights.note | 有償授權 | |
| dc.date.accepted | 2012-08-16 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 人類學研究所 | zh_TW |
| 顯示於系所單位： | 人類學系 | |
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