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完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 劉亮雅(Liang-ya Liou) | |
dc.contributor.author | Yann-ru You | en |
dc.contributor.author | 游雁茹 | zh_TW |
dc.date.accessioned | 2021-06-16T07:11:12Z | - |
dc.date.available | 2014-07-16 | |
dc.date.copyright | 2014-07-16 | |
dc.date.issued | 2012 | |
dc.date.submitted | 2014-07-07 | |
dc.identifier.citation | Abate, Michelle Ann. “Reading Red: The Man with the (Gay) Red Tie in Faulkner's The Sound and the Fury.” Mississippi Quarterly 54.3 (2001): 293-312. Print.
Akoma, Chiji. “The ‘Trick’ of Narratives: History, Memory, and Performance in Toni Morrison’s Paradise.” Oral Tradition 15.1 (2000): 3-25. Print. Anderson, Eric Gary. “Environed Blood: Ecology and Violence in The Sound and the Fury and Sanctuary. Faulkner and the Ecology of the South. Jackson; London: Mississippi UP, 2005. 30-46. Print. Anderson, Melanie R. “‘What would be on the other side?’: Spectrality and Spirit Work in Toni Morrison's Paradise.” African American Review 42.2 (2008): 307-21. Print. Aswell, Duncan. “The Recollection and the Blood: Jason's Role in ‘The Sound and the Fury.’” Mississippi Quarterly 21 (1968): 211-18. Print. Atieh, Majda R. “Another Night, Another Story: the Frame Narrative in Toni Morrison's Paradise and Alf Laylah Wa Laylah (The Arabian Nights).” Contemporary African American Fiction: New Critical Essays. Ed. Dana A. Williams. Columbus: Ohio State UP, 2009. 119-35. Print. Barker, Deborah E. and Ivo Kamps. “Much Ado About Nothing: Language and Desire in The Sound and the Fury.” Mississippi Quarterly 46.3 (1993): 373-93. Print. Baum, Catherine B. “‘The Beautiful One’: Caddy Compson as Heroine of ‘The Sound and the Fury.’” Modern Fiction Studies 13 (1967): 33-44. Print. Bell, Sarah Virginia. “William Faulkner's Creative Evolution: The Influence of Henri Bergson's Philosophy upon Three Major Novels.” Diss. University of Georgia, 1989. Print. Benson, Jackson J. “Quentin's Responsibility for Caddy's Downfall in Faulkner's ‘The Sound and the Fury.’” Notes on Mississippi Writers 5 (1972): 63-4. Print. Bleikasten, Andre. The Ink of Melancholy: Faulkner's Novels from The Sound and the Fury to Light in August. Bloomington: Indiana UP, 1990. Print. Bouson, J. Brooks. “‘He’s Bringing Along the Dung We Leaving Behind’: The Intergenerational Transmission of Racial Shame and Trauma in Paradise.” Quiet as It’s Kept: Shame, Trauma, and Race in the Novels of Toni Morrison. Albany: State University of New York Press, 2000. 191-216. Print. Bowling, Lawrence Edward. “Faulkner: Technique of ‘The Sound and the Fury.’” Kenyon Review 10 (1948): 552-66. Print. Breu, Christopher. “Privilege’s Mausoleum: The Ruination of White Southern Manhood in The Sound and the Fury.” Southern Masculinity: Perspectives on Manhood in the South since Reconstruction. Ed. Craig Thompson Friend. London: University of Georgia Press, 2009. 106-28. Print. Brown, May Cameron. “The language of Chaos: Quentin Compson in ‘The Sound and the Fury.’” American Literature 51 (1980): 544-53. Print. Bryant, Cedric Gael. “Mirroring the Radical ‘Other’: The Deacon and Quentin.” Southern Review 29.1 (1993): 30-40. Print. Burke, Peter. “History as Social Memory.” Memory: History, Culture, and the Mind. Ed. Thomas Butler. Oxford, UK; New York, NY, USA: B. Blackwell, 1989. 97-113. Print. Christiansen, AnnaMarie. “Passing as the ‘Tragic’ Mulatto: Constructions of Hybridity in Toni Morrison’s Novels.” Complicating constructions: race, ethnicity, and hybridity in American texts. Ed. David S. Goldstein and Audrey B. Thacker. Seattle; London: Washington UP, 2007. 74-98. Print. Christopher, Lindsay M. “The Geographical Imagination in Toni Morrison's Paradise.” Rocky Mountain E-Review 63.1 (2009): 89-95. Print. Clarke, Deborah. “Erasing and Inventing Motherhood: The Sound and the Fury and As I Lay Dying.” Robbing the Mother: Women in Faulkner. Jackson: University Press of Mississippi, 1994. 19-50. Print. --. “Of Mothers, Robbery, and Language: Faulkner and The Sound of Fury.” Faulkner and Psychology. Ed. Ann J. Abadie and Donald M. Kartiganer. Jackson: University Press of Mississippi, 1994. 56-77. Print. Dahill-Baue, William. “Insignificant Monkeys: Preaching Black English in Faulkner's The Sound and the Fury and Morrison's The Bluest Eye and Beloved.” Mississippi Quarterly 49.3 (1996): 457-73. Print. Dalsgard, Katrine. 'The One All-Black Town Worth the Pain: (African) American Exceptionalism, Historical Narration, and the Critique of Nationhood in Toni Morrison's Paradise.' African American Review 35.2 (2001): 233-48. Print. Davidson, Rob. 'Racial Stock and 8-rocks: Communal Historiography in Toni Morrison's Paradise.' Twentieth Century Literature 47:3 (2001): 355-73. Print. Davis, Thadious M. “The Other Family and Luster in ‘The Sound and the Fury.’” CLA Journal 20 (1976): 245-61. Print. Davis, William V. “June 2, 1928: Further Thoughts on Time in 'The Sound and the Fury.’” Notes on Mississippi Writers 11 (1979): 84-5. Print. 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Jackson: University Press of Mississippi, 2003. 89-106. Print. Duvall, John N. “Toni Morrison and the Anxiety of Faulknerian Influence.” Unflinching gaze: Morrison and Faulkner re-envisioned. Ed. Carol A. Kolmerten, Stephen M. Ross, and Judith Bryant Wittenberg. Jackson: University Press of Mississippi, 1997. 3-16. Print. Faber, M. D. “Faulkner's ‘The Sound and the Fury’: Object Relations and Narrative Structure.” American Imago 34 (1977): 327-50. Print. Faulkner, Williams. “The Text of The Sound and the Fury.” The Sound and the Fury: An Authoritative Text, Backgrounds, and Contexts. Ed. David Minter. New York: W. W. Norton & Company, 1994. Print. --. “Appendix. Compson 1699-1945.” The Sound and the Fury: An Authoritative Text, Backgrounds, and Contexts. Ed. David Minter. New York: W. W. Norton & Company, 1994. Print. Feng, Wenkun. “On the Idea of Time Reflected in William Faulkner's The Sound and the Fury.” Foreign Literature Studies 29.5 (2007): 131-6. Print. Flint, Holly. “Toni Morrison's Paradise: Black Cultural Citizenship in the American Empire.” American Literature 78.3 (2006): 585-612. Print. Foucault, Michel. “Nietzsche, Genealogy, History.” Language, Counter-Memory, Practice: Selected Essays and Interviews. Ed. Donald. F. Bouchard. Ithaca; New York: Cornell University Press, 1977. 139-64. Print. Fowler, Doreen. “‘Little Sister Death’: The Sound and the Fury and the Denied Unconscious.” Faulkner and Psychology. Ed. Ann J. Abadie and Donald M. Kartiganer. Jackson: University Press of Mississippi, 1994. 3-20. Print. Fox, Gail. “Biblical Connections in Toni Morrison's Paradise.” Notes on Contemporary Literature 34.3 (2004): 7-8. Print. Fultz, Lucille P. “Playing with Narrative: Figuring the Reader, Figuring History.” Toni Morrison: Playing with Difference. Urbana; Chicago: University of Illinois Press, 2003. 77-98. Print. Gauthier, Marni. “The Other Side of Paradise: Toni Morrison's (Un)making of Mythic History.' 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Horton, Merrill. “Quentin Compson's Suicide: A Source in Balzac.” Faulkner Journal 17.1 (2001): 59-67. Print. Humphrey, Robert. “The Form and Function of Stream of Consciousness in William Faulkner's ‘The Sound and the Fury.’” University of Kansas City Review 19 (1952): 34-40. Print. Hunt, Kristin. “Paradise Lost: the Destructive Forces of Double Consciousness and Boundaries in Toni Morrison's Paradise.” Reading under the Sign of Nature: New Essays in Ecocriticism. Ed. John Tallmadge and Henry Harrington. Salt Lake City: Utah UP, 2000. 117-27. Print. Hustis, Harriet. “Masculinity as/in Comic Performance in As I Lay Dying and The Sound and the Fury.” Faulkner Journal 15.1/2 (1999/2000): 107-23. Print. Hutton, Patrick H. “Michel Foucault: History as Counter-Memory.” History as an Art of Memory. Hanover: University Press of New England, 1993. 106-23. Print. Huyssen, Andreas. “Introduction to Urban Palimpsests and the Politics of Memory.” Present Pasts: Urban Palimpsests and the Politics of Memory. Stanford, California: Stanford University Press, 2003. 1-10. Print. Jenkins, Candice M. “Pure Black: Class, Color, and Intraracial Politics in Toni Morrison's Paradise.” Modern Fiction Studies 52.2 (2006): 270-96. Print. Jessee, Sharon. “The Contrapuntal Historiography of Toni Morrison's Paradise: Unpacking the Legacies of the Kansas and Oklahoma All-Black Towns.' American Studies: a tri-annual interdisciplinary journal 47:1 (2006): 81-112. Print. Kaluza, Irena. The Functioning of Sentence Structure in the Stream-of-Consciousness Technique of William Faulkner's “The Sound and the Fury”: A Study in Linguistic Stylistics. Krakow: Nakladem Uniwersytetu, 1967. Print. Kartiganer, Donald M. “‘The Sound and the Fury’ and Faulkner's Quest for Form.” ELH: Journal of English Literary History 37 (1970): 613-39. Print. 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dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/57912 | - |
dc.description.abstract | 本文將《聲音與憤怒》與《樂園》兩本小說並置於相同歷史背景中,以分別探討文本裡以北方觀點為中心的美國國族歷史、南方白人男性的歷史敘事、以及由非裔男性所建構的南方歷史,並進而批判性地檢視官方歷史之本質與建構過程,也一併探討性別與種族他者在兩部作品中的定位。《聲音與憤怒》及《樂園》皆以美國社會在歷史中的急遽變遷為背景,直接呈現或間接描繪了各式值得深究的歷史敘事──即便該論述背後之政治角力與權力拉鋸以不同的方式運作、並體現於不同層面上。本文由呂格爾(Paul Ricoeur)所談的「義務性記憶(obligated memory)」、皮埃爾.諾哈(Pierre Nora)所提出的「記憶場域(les lieux de memoire)」、以及傅柯(Michel Foucault)的「對抗記憶(counter-memory)」切入,旨在探究兩本小說中官方歷史的建構、運作、與瓦解。此外,本文也將一併討論南方歷史與性別�種族議題之間的連結。除了深究官方歷史敘事在性別與種族層面上的排他性之外,我也將細察邊緣角色在文本中對官方論述的潛在顛覆性。透過這些看似矛盾卻關鍵的人物定位,本文將進一步闡述官方歷史由內部崩解的可能性,並同時分析性別�種族他者在歷史建構與瓦解的過程中,所扮演之雙面角色、及其所具之曖昧性。 | zh_TW |
dc.description.abstract | By juxtaposing William Faulkner’s The Sound and the Fury (1929) and Toni Morrison’s Paradise (1997) in the same historical context, the thesis will respectively examine the North-centered national history of the U.S., the historical narrative of white male Southerners, and the southern history constructed by black men in the two novels--so as to critically scrutinize the problematic nature and the political construction of official histories, as well as how the gendered and racial Others are intriguingly positioned in these texts. Both set in a turbulent, historical transformation of the South, the two novels either portray or consist of problematic narratives on history--though the political struggles in these narratives are manifested on various levels and performed in different ways. Approaching the texts mainly with Paul Ricoeur’s idea of “obligated memory,” Pierre Nora’s notion of les lieux de memoire, and Michel Foucault’s conception of counter-memory, the thesis aims to explore the problematic construction, political operation, and inevitable breakdown of the official historical narratives in these novels. Moreover, the association between southern histories and gender/race issues will likewise be carefully discussed here. Besides looking into the gendered and racial exclusion of official histories, I will simultaneously investigate the marginalized characters’ paradoxical yet significant role as the potential counter-forces against such dominant discourses. By doing so, this thesis is going to further illustrate the very possibility of breaking up official histories from within, as well as the ambivalent role that the gendered and racial Others have played in both the construction and subversion of official discourses on southern histories. | en |
dc.description.provenance | Made available in DSpace on 2021-06-16T07:11:12Z (GMT). No. of bitstreams: 1 ntu-101-R99122010-1.pdf: 955727 bytes, checksum: 7ec53f5dc5a66453af7232e2aacd994e (MD5) Previous issue date: 2012 | en |
dc.description.tableofcontents | Introduction: Historicizing Faulkner’s The Sound and the Fury and Morrison’s Paradise ......... 1
Chapter One ......... 18 Writing History on Bodies as the Palpable Past in William Faulkner’s The Sound and the Fury Chapter Two ......... 54 From the Uses to Abuses of Collective Memory in Toni Morrison’s Paradise Conclusion ......... 96 Works Cited ......... 104 | |
dc.language.iso | en | |
dc.title | 以記憶重溯�塑過往:《聲音與憤怒》及《樂園》中的性別、種族、與美國南方歷史 | zh_TW |
dc.title | Tracing the Past Through (Ab)using Memories: Gender, Race, and Southern Histories in William Faulkner’s The Sound and the Fury and Toni Morrison’s Paradise | en |
dc.type | Thesis | |
dc.date.schoolyear | 102-2 | |
dc.description.degree | 碩士 | |
dc.contributor.oralexamcommittee | 蔡秀枝(Hsiu-chih Tsai),蕭立君(Li-Chun Hsiao) | |
dc.subject.keyword | 《聲音與憤怒》,《樂園》,南方歷史,記憶場域,義務性記憶,對抗記憶, | zh_TW |
dc.subject.keyword | The Sound and the Fury,Paradise,southern histories,les lieux de memoire,obligated memory,counter-memory, | en |
dc.relation.page | 115 | |
dc.rights.note | 有償授權 | |
dc.date.accepted | 2014-07-07 | |
dc.contributor.author-college | 文學院 | zh_TW |
dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
顯示於系所單位: | 外國語文學系 |
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