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完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 魏思博(Vivienne Westbrook) | |
dc.contributor.author | Pin-Han Li | en |
dc.contributor.author | 李品涵 | zh_TW |
dc.date.accessioned | 2021-06-16T07:09:47Z | - |
dc.date.available | 2018-07-15 | |
dc.date.copyright | 2014-07-15 | |
dc.date.issued | 2014 | |
dc.date.submitted | 2014-07-08 | |
dc.identifier.citation | Primary Materials
Encyclopedia Britannica Online. June 2014. Chicago: Encyclopedia Britannica. 10 June 2014. OED Online. June 2013. Oxford: Oxford University Press. 4 August 2013 <http://www.oed.com/view/Entry/132208?redirectedFrom=oratorio+>. The Geneva Bible: A Facsimile of the 1560 Edition. Lloyd E. Berry. Intro. Peaboy, Massachusetts: Hendrickson, 2007. Print. The Holy Bible: New King James Version. Nashville, Tennessee: Thomas Nelson, 2006. Print. The Times. Times Digital Archive, [1785-2007]. Thomson-Gale. <http://infotrac.galegroup.com/itw/infomark/0/1/1/purl=rc6_TTDA?sw_aep=twnsc013 >. 29 Nov. 2012. Aristotle. Poetics and Rhetoric. Trans. S. H. Butcher; W. Rhys Roberts. New York: Barnes and Noble Classics, 2005. Print. Bisse, Thomas. A rationale on cathedral worship or choir-service. A sermon preach'd in the cathedral church of Hereford, at the anniversary meeting of the choirs of Worcester, Glocester, and Hereford, Sept. 7. 1720. By Tho Bisse, D. D. and Chancellor of the said Church. Publish'd at the Request of the Audience. .London: printed for W. and J. Innys at the Prince's Arms at the West-End of St. Paul's, [1721]. Eighteenth Century Collections Online. <http://find.galegroup.com/ecco/retrieve.do?qrySerId=Locale%28en%2C%2C%29%3AFQE%3D%28BN%2CNone%2C7%29T008406%24&sort=Author&docLevel=TEXT_GRAPHICS&inPS=true&prodId=ECCO&userGroupName=twnsc013&doDirectDocNumSearch=false&tabID=T001&resultListType=RESULT_LIST&searchId=R1¤tPosition=1&contentSet=ECCOArticles&showLOI=&bookId=0371401800&collectionId=T008406&relevancePageBatch=CW119502185>. 24 May 2014. Coghill, Neville. “The Papers of Neville Coghill 1930-79”. MS. Photogr. c. 8, fols. 1-5 and fols. 51-62. Oxford: The Bodleian Library of Oxford University. ---. “The Papers of Neville Coghill 1930-79”. MS. Eng. misc. a. 32, fols. 1-2. Oxford: The Bodleian Library of Oxford University. ---. “The Papers of Neville Coghill 1930-79”. MS. Eng. misc. c. 1013, fols. 104-7. 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National Taiwan University - NSC. 2 Aug. 2013 <http://find.galegroup.com/ecco/infomark.do?&source=gale&prodId=ECCO&userGroupName=twnsc013&tabID=T001&docId=CW113230759&type=multipage&contentSet=ECCOArticles&version=1.0&docLevel=FASCIMILE>. Handel, George Frederick. George Frederick Handel’s Work. Ed. Friedrich Chrysander. Leipzig [1861] Bavarian State Library. < http://daten.digitale-sammlungen.de/0001/bsb00016736/images/>. Hutcheon, Linda. A Theory of Adaptation. New York; London: Routledge, 2006. Print. Liddell, Henry George; Robert Scott. A Greek-English Lexicon. Oxford: Clarendon P; Oxford UP, 1996. Print. Milton, John. The Complete Shorter Poems. Ed. John Carey. Harlow, English: Pearson Educated Limited, 2007. Print. ---. Complete Poems and Major Prose. Merritt Y. Hughes. Ed. Indianapolis; Cambridge: Hackett P, 1957. Print. ---. Poems: Reproduced in Facsimile from the Manuscript in Trinity College, Cambridge, with a Transcript. Menston: Scolar P, 1972. Print. ---. A defence of the people of England in answer to Salmasius's defence of the King. London. [1695] Early English Books Online. MOST Humanities & Social Sciences Research Resources. 4 March 2014. <http://huso.stpi.narl.org.tw/husoc/husokm>. ---. Paradise regain'd a poem in IV books : to which is added Samson Agonistes. London: Printed by J.M. for John Starkey. [1671] Early English Books Online. MOST Humanities & Social Sciences Research Resources. May 20, 2014. < http://huso.stpi.narl.org.tw/husoc >. Peile, John, Ed. Milton’s Tercentenary Documents. The University of Cambridge, 1908. Poel, William. William Poel Collection. GB 0347 D139. London: Battersea Library. Sanders, Julie. Adaptation and Appropriation. London; NY: Routledge, 2006. Print. Stam, Robert. “Introduction: The Theory and Practice of Adaptation.” Literature and Film: A Guide to the Theory and Practice of Film Adaptation. Robert Stam; Alessandra Raengo. Ed. Oxford: Blackwell, 2004. Print. Takahashi, Mutsuo. “Noh Samson Pre-performance Talk.” Trans. Hiroko Sano. National Noh Theater, Tokyo, Japan. 21 August 2012. Talk. ---. “Noh Samson.” Trans. Hiroko Sano. National Noh Theater, Tokyo, Japan. 21 August 2012. ---, Hiroko Sano, and Tatsumi Manjirou. Interview by Keiichirou Tsuchiya. On Samson Trans. Wei-fan Cheng. International Milton Symposium, 2012. Tokyo. Secondary Materials Achinstein, Sharon. “Samson Agonistes”. A Companion to Milton. Thomas N. Corns. Ed. Oxford: Blackwell P, 2003. Print. ---. Literature and Dissent in Milton’s England. Cambridge: Cambridge UP, 2003. Print. Bakhtin, M. M. The Dialogic Imagination: Four Essays. Trans. Michael Holquist; Caryl Emerson. Texas, Austin: U of Texas P, 1981. Print. Brooks, Douglas A., ed. Milton and the Jews. Cambridge: Cambridge UP, 2008. Print. Burbery, Timothy J.. Milton the Dramatist. Pittsburgh: Duquesne UP, 2007. Print. Burrows, Donald. “The Word-Books for Handel’s Performances of ‘Samson’.” The Musical Times 146-1890 (2005): 7-15. Fri. August 12 2012. Corns, Thomas N, ed. The Milton Encyclopedia. New Haven: Yale UP, 2012. Print. Corrigan, Timothy. “Literature on Screen, a History: in the Gap”. Ed. Deborah Cartmenll and Imelda Whelehan. A Cambridge Companion to Literature on Screen. Cambridge: Cambridge UP, 2007. Print. Daniel, David. The Bible in English. New Haven; London: Yale UP, 2003. Print. Donnelly, Philip. Milton’s Scriptural Reasoning: Narrative and Protestant Toleration. Cambridge; New York: Cambridge UP, 2009. Print. Fish, Stanley. “Spectacle and Evidence in ‘Samson Agonistes’.” Critical Inquiry 15-3 (1989): 556-586. JSTOR. Fri. August 12 2012. ---. How Milton Works. Massachusetts, Cambridge: Harvard UP, 2001. Print. Gaukroger, Stephen. Ed. The Soft Underbelly of Reason: The Passions in the Seventeenth Century. London; New York: Routledge, 1998. Print. Grose, Christopher. Milton and the Sense of Tradition. New Haven; London: Yale UP, 1988. Print. Grossman Marshall. Reading Renaissance Ethics. New York; London:Routledge, 2007. Print. Hale, John. Milton’s Languages: The Impact of Multilingualism on Style. New York; Cambridge: Cambridge UP, 1997. Print. Haskin, Dayton. “Samson Agonistes on the Stage at Yale.” Milton Quarterly 19-2 (1985): 48–52. Henriksen, Erin. Milton and the Reformation Aesthetics of the Passion. Leiden; Boston : Brill, 2010. Print. Hicks, Anthony. “Handel and the Idea of an Oratorio.” The Cambridge Companion to Handel. Ed. Donald Burrows. Cambridge: Cambridge UP, 2011. Print. Hill, Christopher. Milton and the English Revolution. London; Boston: Faber and Faber, 1977. Print. Hogwood, Christopher. Handel. New York: Thames and Hudson, 1995. Print. Hunter, William, John T. Shawcross, John M. Steadman, Purvis E. Boyette and Leonard Nathanson, ed. A Milton Encyclopedia. London: Associated UP, 1978-1983. Print. Jebb, Sir Richard C. “Samson Agonistes and the Hellenic Drama”. London: British Academy, 1908. Print. Johnson, Samuel. The Works of Samuel Johnson: 1the Rambler. Ed. Arthur Murphy. London: W Pickering. Web. 1st Nov. 2013. <http://books.google.com.tw/books?id=4ABEAAAAYAAJ&pg=PA139&lpg=PA139&dq=johnson+rambler+139&source=bl&ots=svVsDvSm-2&sig=JgtOakeMXyFOIAK-xc3jhmPyXAc&hl=en&sa=X&ei=6mtzUtbAO4fYkAXm-IHwDw&ved=0CEIQ6AEwBA#v=onepage&q=johnson%20rambler%20139&f=false> Kitzes, Adam H.. The Politics of Melancholy from Spenser to Milton. New York; London: Routledge, 2006. Print. Konparu, Kunio. The Noh Theater: Principles and Perspectives. New York: Weatherhill/Tankosha, 1983. Print. Konstan, David. The Emotions of the Ancient Greeks Studies in Aristotle and Classical Literature. Toronto: Toronto UP, 2006. Print. Kranidas, Thomas. “Dalila’s Role in Samson Agonistes.” Studies in English Literature, 1500-1900 6-1 (1966): 125-137. Fri. August 12 2012. Krouse, Michael. Milton’s Samson and the Christian Tradition. NY: Princeton UP, 1974. Print. Languet, Hubert. Vindiciae, contra Tyrannos. Trans and Ed. George Garnett. Cambridge; NY: Cambridge UP, 1994. Print. Lewalski, Barbara K.. Milton’s Brief Epic. London; Providence: Brown U, 1966. Print. Lieb, Michael. Milton and the Culture of Violence. Ithaca: Cornell UP, 1994. Print. Locke, Ralph. “Constructing the Oriental ‘Other’: Saint Saens’s ‘Samson et Dalila’.” Cambridge Opera Journal 3-3 (1991): 261-302. Fri. August 12 2012. Loewenstein, David. Milton and the Drama of History. Cambridge; New York: Cambridge UP, 1990. Print. Low, Anthony. “Milton’s ‘Samson’ and the Stage, with Implications for Dating the Play.” Huntington Library Quarterly 40-4 (1977): 313-324. Fri. August 12 2012. ---. The Blaze of Noon: A Reading of Samson Agonistes. NY; London: Columbia UP, 1974. Print. Masson, David. The Life of John Milton: Narrated in Connexion with the Political, Ecclesiastical, and Literary History of His Time. Gloucester, Mass.: Peter Smith, 1965. Print. Miller, David. Samurai Warriors. New York: St. Martin’s P. 1999. Print. Mohamed, Feisal G.. Milton and the Post-Secular Present: Ethics, Politics, Terrorism. Stanford, California: Stanford UP, 2011. Print. Nukariya, Kaiten. The Religion of the Samurai: A Study of Zen Philosophy and Discipline in China and Japan. New York: Cosimo Classics, 2005. Print. O’Gorman, Frank. The Long Eighteenth Century: British Political and Social History 1688-1832. London: Arnold, 2009. Print. Parker, William Riley. Milton’s Debt to Greek Tragedy in Samson Agonistes. Baltimore: The Johns Hopkins P, 1937. Print. Patrides, C. A.. Milton and the Christian Tradition. Oxford: Clarendon P, 1979. Print. Poole, Matthew. Synopsis criticorum aliorumque S. Scripturae interpretum. London, 1669. Early English Books Online. 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New York: Columbia UP, 2001. Print. Smith, Ruth. Handel’s Oratorios and Eighteenth-Century Thought. Cambridge: Cambridge UP, 1995. Print. Speaight, Robert. William Poel and the Elizabethan Revival. Cambridge: Harvard UP, 1954. Print. Steadman, John M.. “’Passions Well Imitated’: Rhetoric and Poetics in the Preface to Samson Agonistes.” Calm of Mind: Tercentenary Essays on Paradise Regained and Samson Agonistes. Ed. Joseph Wittreich. Cleveland; London: P of Case Western Reserve U, 1971. Print. Stollman, Samuel S.. “Milton's Understanding of the ‘Hebraic’ in 'Samson Agonistes.” Studies in Philology 69-3 (1972): 334-347. JSTOR. Mon. June 14 2013. Thaler, Alvin. “Milton in the Theater.” Studies in Philology 17-3 (1920): 269–308. JSTOR. Tues. August 9 2012. Tilmouth, Christopher. Passion’s Triumph over Reason: A History of the Moral Imagination from Spenser to Rochester. Oxford: Oxford UP, 2007. Print. 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Print. | |
dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/57889 | - |
dc.description.abstract | 近幾年在研究彌爾頓學術界,「參孫力士」一直是重點研究之一,但「參孫力士」的改編研究卻是被學者們所忽略。本論文著重在其西方到東方的戲劇改編以及討論各時代的主要改編作品與其時代背景的關係。從建立起其時代背景,第二章開始論述「參孫力士」的情感架構,以討論彌爾頓如何在十七世紀英國背景下,重新塑造參孫,如何運用聖經文本以及基於亞理斯多德詩學中的討論,再定義自己的悲劇以及悲劇英雄的意義 。第三章探究韓德爾對本詩在1743年的清唱劇的改編,討論韓德爾的「參孫」如何有效地透過音樂凸顯此情感豐富的英雄,以及在改編理論中,檢視韓德爾的參孫是否成功地詮釋他自己的想法。第四章基於包寶瑞教授(Professor Timothy J. Burbery)在「彌爾頓:戲劇家」(Milton: the Dramatist)對於本詩改編的歷史研究,透過改編理論的架構,討論二十世紀的主要改編者如何把首詩改編成為戲劇。第五章分析目前言唯一也是最新的日本能劇改編,「散尊」。其討論高橋睦郎先生,一位聞名全球的日本詩人也是本劇的劇本作者,如何在禪宗佛教,能劇,日本武士的背景下,重新建構這個東方參孫。此新的作品,代表著高橋先生對於彌爾頓在本詩的希伯來,古希臘以及基督教化參孫的批評。本章也討論高橋先生如何重新建構這個新的參孫,以期冀以他新角度的閱讀,能對二十一世紀的日本觀眾和彌爾頓學者有所貢獻。 | zh_TW |
dc.description.abstract | Although Samson Agonistes has been one of the focuses of Miltonic scholarship in recent decades, adaptations of Samson Agonistes have tended to be neglected by Miltonic scholars. This dissertation focuses on adaptations, West to East, through their contexts. Having established the contexts for the different adaptations, chapter two then establishes the emotional context of Samson Agonistes to discuss Milton’s appropriation of the biblical texts, his redefinition of tragedy and tragic hero based on Aristotle’s Poetics, and historical backgrounds in the recreation of his Samson through Samson’s emotional architecture. The third chapter explores Handel’s adaptation of Samson Agonistes in 1743 to discuss how effectively Handel’s Oratorio Samson foregrounds this emotional hero through music, and how Handel’s Samson works for his own political and historical contexts in terms of adaptation theory. The fourth chapter discusses how the major adapters in the twentieth century in the West adapted this poem into stage performances based on the historical survey by Professor Timothy J. Burbey in his Milton: the Dramatist. The fifth chapter analyzes the recent and only Japanese adaptation of Samson Agonistes, Noh Samson. It also discusses how Mr. Mutsuo Takahashi, a globally known Japanese poet and a writer of this Noh adaptation, reinvented an Eastern Samson in the context of Zen Buddhism, Noh Theater, and the Japanese warrior, the samurai (侍). This is a new work of art that represents Mr. Takahashi’s critical responses to the way in which Milton presented Samson as a Hebraic, Hellenic, and Christianized hero in this poem. Hence, this chapter also discusses how successfully Mr. Takahashi recreated this new Samson, and the extent to which he contributes another way of reading in the 21st century for both the Japanese audience and Miltonists. | en |
dc.description.provenance | Made available in DSpace on 2021-06-16T07:09:47Z (GMT). No. of bitstreams: 1 ntu-103-R00122010-1.pdf: 2856372 bytes, checksum: f572753cc0767af8a89a4d5e964f1b42 (MD5) Previous issue date: 2014 | en |
dc.description.tableofcontents | 口試委員會審定書………………………………………………..……………………………….…i
Acknowledgement…..……………………………………………………………………………..…ii 中文摘要………………………………………………………..……………………………...……iv Abstract……..………………………………………………………………………….…………….v List of Figures……………………………………………………………………………………….vi Chapter One: Introduction……………………………………………………………………………1 A. An Emotional Hero…………………………………………………………………………..…1 B. The Stage Adaptations of Samson Agonistes…………………………………………………………4 C. Adaptation……………………………………………………………………………………..10 Chapter Two: An Emotional Hero: Milton’s Adaptation of Samson in Samson Agonistes………..20 A. Emotional Framework………………………………………………………………………..25 B. Excessive Emotions: Despair and Agony…………………………………………………….28 C. The Reformation Process………………………………………………………….………….30 D. The Purification of Emotions…………….…………………………………………………...44 E. An Emotional Hero for Milton’s own Time and Subsequent Adapters…………..…………..46 Chapter Three: Handel’s Oratorial Adaptations of Samson Agonistes……………..………………..51 A. Music and Emotions in this Oratorial Adaptation……………………………………………52 B. Samson—An Oratorio………………………………………………………………………...55 B. Emotional Disruption…………………………………………………………………………57 C. Gradual Regaining of Peace………….……………………………………………………….61 D. Final Triumph for Eighteenth-Century English People………………………………………68 E. Intercontextuality: From Milton to Handel…………………………………………………...71 Chapter Four: The Samson(s) in the Stage Adaptations in the West……………………………….74 A. William Poel’s Adaptations in 1900 and 1908……………………………………………….74 B. Neville Coghill’s Adaptations in 1930, 1935, and 1951……………………….……………..77 C. William Shaw’s Adaptation in 1979 and Phyllis Look’s Adaptation in 1985……….……….82 D. From an Inner Drama to Stage Plays…………………………………………………………84 Chapter Five: Noh Samson (散尊)for Samson Agonistes………….……………………………………..86 A. Emotional Structure…………………………………………………………………………..89 B. Noh Music and the Emotions of the Shite………………………..………………………….………91 C. The Warrior Ghost: Noh Samson (Shite)……………………………………………………..92 D. A Vengeful Warrior Ghost in the Context of the Samurai (侍)………………………...…....94 E. The Shite, the Waki, and the Chorus…………...……………………………………………102 F. The Shite and the Shitetsure: Noh Samson and Delilah………..……………………………105 H. Noh Samson: not Milton………………………………………………………….…………109 Chapter Six: Conclusion…………………………………………………………………………...115 Bibliography……………………………………………………………………………………….119 Appendix(figures)………………………………………………………….………………………129 | |
dc.language.iso | en | |
dc.title | 參孫力士:戲劇改編與情感研究 | zh_TW |
dc.title | The Afterlives of Samson Agonistes on Stage | en |
dc.type | Thesis | |
dc.date.schoolyear | 102-2 | |
dc.description.degree | 碩士 | |
dc.contributor.oralexamcommittee | 葛瑞斐(John Griffith),王寶祥(Pao-Hsiang Wang) | |
dc.subject.keyword | 參孫力士,彌爾頓,改編,情感,韓德爾的參孫,能劇, | zh_TW |
dc.subject.keyword | Samson Agonistes,John Milton,adaptation,emotions,Handel’s Oratorio Samson,Noh theater, | en |
dc.relation.page | 135 | |
dc.rights.note | 有償授權 | |
dc.date.accepted | 2014-07-08 | |
dc.contributor.author-college | 文學院 | zh_TW |
dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
顯示於系所單位: | 外國語文學系 |
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