請用此 Handle URI 來引用此文件:
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/55797
完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 吳雅鳳(Ya-Feng Wu) | |
dc.contributor.author | Ke-Ni Shao | en |
dc.contributor.author | 邵可霓 | zh_TW |
dc.date.accessioned | 2021-06-16T05:08:37Z | - |
dc.date.available | 2015-08-25 | |
dc.date.copyright | 2014-08-25 | |
dc.date.issued | 2014 | |
dc.date.submitted | 2014-08-19 | |
dc.identifier.citation | Primary Texts
Collins, Wilkie. The Woman in White. Ed. John Sutherland. Oxford: Oxford UP, 2008. Shakespeare, William. Hamlet: Prince of Denmark. Edit. Philip Edwards. New York: Cambridge UP, 1985. Print. Secondary Materials Assand, Hardin. “‘The Young, the Beautiful, and the Pious’: Contending with Ophelia in the Eighteenth Century.” Reading Readings: Essays on Shakespeare Editing in the Eighteenth Century. 1997. 224-43. Print. Auerbach, Nina. Woman and the Demon: The Life of a Victorian Myth. Cambridge: Harvard UP, 1982. Print. Barringer, Tim. Reading the Pre-Raphaelites. London: Yale UP, 1998. Print. Barlow, Paul. “Millais’s Ruskin.” Time Present and Time Past: The Art of John Everett Millais. Burlington: Ashgate, 2005. 31-54. Print. Binion, Rudolph. Love Beyond Death: The Anatomy of a Myth in the Arts. New York: New York UP, 1993. Print. Marilyn Brock From Wollstonecraft to Stoker: Essays on Gothic and Victorian Sensation Fiction. Jefferson, N.C: McFarland & Co, 2009. Print. Brantlinger, Patrick. “What is ‘Sensational’ about the ‘Sensation Novel’?” Nineteenth-Century Fiction 37.1 (1982): 1-28. Print. Brooks, Chris. Signs for the Times: Symbolic Realism in the Mid-Victorian World. London: George Allen & Unwin, 1984. Print. Boyle, Thomas. Black Swine in the Sewers of Hampstead: Beneath the Surface of Victorian Sensationalism. New York: Viking, 1989. Print. Charney, Hanna, and Maurice Charney. “The Language of Madwomen in Shakespeare and His Fellow Dramatists.” Signs 3.2 (1977): 451-60. Print. Christ, Carol T. The Finer Optic: The Aesthetic of Particularity in Victorian Poetry. London: Yale UP, 1975. Print. Cvetkovich, Ann. Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism. New Jersey: Rutgers UP, 1992. Print. Des Cars, Laurence. The Pre-Raphaelites: Romance and Realism. London: Thames & Hudson, 2000. Print. --. Literature, Technology and Modernity, 1860-2000. Cambridge: Cambridge UP, 2004. Print. Sensation and Modernity in the 1860s. New York: Cambridge UP, 2009. Print. Des Cars, Laurence. The Pre-Raphaelites: Romance and Realism. London: Thames & Hudson, 2000. Print. Flint, Kate. The Victorians and the Visual Imagination. Cambridge: Cambridge UP, 2000. Print. Floyd-Wilson, Mary. “Ophelia and Femininity in the Eighteenth Century: ‘Dangerous Conjectures in Ill-Breeding Minds.’” Women’s Studies 21 (1992): 397-409. Print. Fontana, Ernest. “Pre-Raphaelite Suicides.” Journal of Pre-Raphaelite Studies 7 (1998): 28-37. Print. Hares-Stryker, Carolyn. “Lily Maids and Watery Rests: Elaine of Astolat.” Victorian Literature and Culture 22 (1994): 129-50. Print. Gates, Barbara. “Suicidal Women: Fact or Fiction?” Victorian Suicide: Mad Crimes and Sad Stories. Princeton: Princeton UP, 1988. 125-50. Print. Kendrick, Walter M. “The Sensationalism of The Woman in White.” Nineteenth-Century Fiction 32.1 (1977): 18-35. Print. Lamb, Susan. “Applauding Shakespeare’s Ophelia in the Eighteenth Century: Sexual Desire, Politics, and the Good Woman.” Women as Sites of Culture: Women’s Roles in Cultural Formation from the Renaissance to Twentieth Century. Ed. Susan Shifrin. Hampshire: Ashgate, 2002. 105-24. Print. Lyons, Bridget Gellert. “The Iconography of Ophelia.” ELH 44.1 (1977): 60-74. Print. Mangham, Andrew. Violent Women and Sensation Fiction: Crime, Medicine and Victorian Popular Culture. New York: Palgrave Macmillan, 2007. Print. Marsh, Jan. Pre-Raphaelite Women: Images of Femininity in Pre-Raphaelite Art. London: Weidenfeld and Nicolson, 1987. Print. Miller, D. A. The Making of the Modern Body: Sexuality and Society in the Nineteenth Century. California: U of California P, 1986. Print. Pearce, Lynne. Woman/Image/Text: Readings in Pre-Raphaelite Art and Literature. New York: Harvester Wheatsheaf, 1991. Print. Peterson, Kaara. “Framing Ophelia: Representation and the Pictorial Tradition.” Mosaic: a Journal for the Interdisciplinary Study of Literature 31.3 (1998): 1-24. Web. 22 November 2011. Prettejohn, Elizabeth. The Art of the Pre-Raphaelites. London: Tate, 2007. Print. Psomiades, Kathy Alexis. Beauty’s Body: Femininity and Representation in British Aestheticism. Stanford: Stanford UP, 1997. Print. Poulson, Christine. “A Checklist of Pre-Raphaelite Illustrations of Shakespeare’s Plays.” The Burlington Magazine 122.925 (1980): 244-250. Print. Raby, Peter. Fair Ophelia: Harriet Smithson Berlioz. Cambridge: Cambridge UP, 2003. Print. Rance, Nicholas. Wilkie Collins and Other Sensation Novelists: Walking the Moral Hospital. Madison: Fairleigh Dickinson UP, 1991. Print. Rhodes, Kimberly. Ophelia and Victorian Visual Culture: Representing Body Politics in the Nineteenth Century. Burlington: Ashgate, 2008. Print. --. “Degenerating Detail: John Everett Millais and Ophelia’s ‘Muddy Death.’” John Everett Millais: Beyond the Pre-Raphaelite Brotherhood. Ed. Debra N. Mancoff. London: Yale UP, 2001. 43-68. Print. Robinson, Kenneth. Wilkie Collins: A Biography. London 1951. 1974. Print. Romanska, Magda. “Ontology and Eroticism: Two Bodies of Ophelia.” Women’s Studies 34 (2005): 485-513. Print. Ronk, Martha C. “Representations of Ophelia.” Criticism 36.1 (1994): 21-38. Print. Rosenfeld, Jason and Alison Smith. Millais. London: Tate, 2007. Print. Salotto, Eleanor. Gothic Returns in Collins, Dickens, Zola, and Hitchcock. New York: Palgrave Macmillan, 2006. Print. Showalter, Elaine. “Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism.” William Shakespeare: Hamlet. Ed. Susanne L. Wofford. Boston: St. Martin’s, 1994. 220-40. Print. Talairach-Vielmas, Laurence. Wilkie Collins, Medicine and the Gothic. Cardiff, UK: U of Wales, 2009. Print. Wechsler, Judith. “Performing Ophelia: The Iconography of Madness.” Theatre Survey 43.2 (2002): 201-21. Print. Werness, Hope B. “The Modest Maiden in the Nineteenth-Century Art: Evolution of a Theme.” Woman’s Art Journal 5.2 (1984-85): 7-10. Print. Wynne, Deborah. The Sensation Novel and the Victorian Family Magazine. New York: Palgarve MacMillan, 2001. Print. | |
dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/55797 | - |
dc.description.abstract | 本論文探討英國十九世紀中風行一時的「白衣女郎」女性再現形象,主要研究文本有二:米雷於1852年完成的《奧菲莉雅》一畫,與柯林斯於1860年出版的的煽情小說,《白衣女郎》。在米雷的拉斐爾前派畫作《奧菲莉雅》中,拉斐爾前派藝術家們成功將一將死女性與其悲劇轉化為悲嘆與美的象徵,使她不僅得以瀕死之姿登堂入室藝術殿堂,並成為性意味觀看下的絕佳素材。與米雷同代的小說家朋友,柯林斯,於數年後發表的煽情小說,將此藝術行銷策略發揚光大。與前者類似的是,柯林斯在文字畫面中使用大量的敘述性細節,在緊湊的節奏中,小說中受迫害的女性們的主體性與痛苦在眾多繁瑣細節中漸漸飄然淡出。讀者們被柯林斯牽引著得以以近距離觀看她們那經歷了苦難的美,而在他的安排下,痛苦會過去、美會留下,最終那惡人有惡報、甜蜜新家庭的陳腐結局,成功讓消費了痛苦與美的讀者,無罪一身輕。
本文中分析當時視覺文化與文學中煽情化的女性形象,並分析大眾閱讀此形象的過程,最終意在針砭此閱讀消費女性的文化習性,與男性藝術家刻意創建煽情刺激與女性形象間關連的做法。此策略性做法誇大了女性與唯美性之間的關連,最終使消費者與觀者對於隨處可見的那些扁平化、過度裝飾化、過度唯美化的女性身體再現感到見怪不怪。本論文不僅嘗試解釋「白衣女郎」形象在大眾文化的普遍性與受歡迎程度,更試著藉由分析上述二文本,找到批評家與大眾在消費與觀看唯美化女體時的批判性距離。 | zh_TW |
dc.description.abstract | This thesis studies the iconic image of “the woman in white” in mid-nineteenth century England in two representative texts: John Everett Millais’s painting, Ophelia (1851-52); and Wilkie Collins’s sensation novel, The Woman in White (1860). By analyzing the reading process and / of the image of sensationalized femininity of the time, this thesis attempts to point out male artists’ deliberate playing between sensation and femininity, and their construction of its link as seemingly natural and inherent. The purpose of this study lies in underlining an effective pattern for representing female icons, a strategy that is assisted by dramatically performing the connection between beauty and sensation, while ultimately reducing female bodies to an over decorated, flattened image for trade.
This pattern of representation will first be examined in the case of Millais’s Pre-Raphaelite Ophelia. Through this painting, the Pre-Raphaelite artist established a formula that showcases the transformation of a dying woman into an idol of pathos and beauty—a morally acceptable image for sexualized gaze. A decade later, Millais’s novelist friend, Collins, elaborates the formula in a suspense tale with loads of similar triviality. By meticulously painting the image of elevated femininity while gradually eliminating its colorful individuality, the artist-writer Collins and his puppet artist in the novel provide readers a canvas of well-manufactured sensation in the prime form of a suffering woman. With a carefully designed perspective, Collins, as Millais does, allow readers to be entertained as they feel her pain in an intimate and excusable way. By analyzing the image of “the woman in white” in these two texts, this thesis provides an answer to its popularity in the cultural imagination and the market and attempts to locate an analytical position where both feminist researchers and general readers need as we consume these icons of beauty. | en |
dc.description.provenance | Made available in DSpace on 2021-06-16T05:08:37Z (GMT). No. of bitstreams: 1 ntu-103-R97122013-1.pdf: 1421935 bytes, checksum: 592b8b5ac38a1f674fc0e5a869ae42b1 (MD5) Previous issue date: 2014 | en |
dc.description.tableofcontents | Acknowledgement i
Abstract iii Abstract in Chinese iv Introduction 1 Chapter One: Millais’s Ophelia 20 Chapter Two: The Artist and the Image of Femininity Within The Woman in White 42 Chapter Three: Collins as the Artist and the Feminized Bodies in The Woman in White 55 Conclusion: “Mixed Feelings” 76 Works Cited 80 | |
dc.language.iso | en | |
dc.title | 閱讀維多利亞白衣女郎的耽美圖像:《奧菲莉雅》與《白衣女郎》 | zh_TW |
dc.title | Reading the Icon of Beauty and Sensation in The Woman in White and Ophelia | en |
dc.type | Thesis | |
dc.date.schoolyear | 102-2 | |
dc.description.degree | 碩士 | |
dc.contributor.oralexamcommittee | 李欣穎(Hsin-Ying Li),王沐嵐(Mou-Lan Wong) | |
dc.subject.keyword | 《白衣女郎》,煽情,女性肖像,米雷,奧菲莉雅,維多利亞視覺文化,柯林斯, | zh_TW |
dc.subject.keyword | The Woman in White,Sensation,Icons of Femininity,John Everett Millais,Ophelia,Victorian visual culture,Wilkie Collins, | en |
dc.relation.page | 83 | |
dc.rights.note | 有償授權 | |
dc.date.accepted | 2014-08-19 | |
dc.contributor.author-college | 文學院 | zh_TW |
dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
顯示於系所單位: | 外國語文學系 |
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