請用此 Handle URI 來引用此文件：
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| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 張小虹(Hsiao-hung Chang) | |
| dc.contributor.author | Chia-wei Ko | en |
| dc.contributor.author | 柯嘉瑋 | zh_TW |
| dc.date.accessioned | 2021-06-16T03:52:38Z | - |
| dc.date.available | 2019-03-13 | |
| dc.date.copyright | 2015-03-13 | |
| dc.date.issued | 2015 | |
| dc.date.submitted | 2015-01-12 | |
| dc.identifier.citation | Atwood, Margaret. In Other Worlds: SF and the Human Imagination. New York: Nan A. Talese/Doubleday, 2011. Print.
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Bergthaller, Hannes. “Housebreaking the Human Animal: Humanism and the Problem of Sustainability in Margaret Atwood's Oryx and Crake and The Year of the Flood.” English Studies 91.7 (2010): 728-43. Print. Bogue, Ronald. 'Deleuze and Guattari and the Future of Politics: Science Fiction, Protocols and the People to Come.' Deleuze Studies 5 (2011): 77-97. Print. Bouson, J. Brooks. “‘It's Game over Forever’: Atwood's Satiric Vision of a Bioengineered Posthuman Future in Oryx and Crake.” The Journal of Commonwealth Literature 39.3 (2004): 139-56. Print. ---. “‘We’re Using up the Earth. It’s Almost Gone’: A Return to the Post-Apocalyptic Future in Margaret Atwood’s The Year of the Flood.” The Journal of Commonwealth Literature 46.1 (2011): 9-26. Print. Daylight, Russell. 'The Passion of Saussure.' Language & Communication 32.3 (2012): 240-48. Print. Deleuze, Gilles, and Claire Parnet. 'Many Politics.' Dialogues. Trans. Hugh Tomlinson and Barbara Habberjam. 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Dyer-Witheford, Nick, and Greig De Peuter. Games of Empire: Global Capitalism and Video Games. Minneapolis: U of Minnesota Press, 2009. Print. Evans, Shari. “’Not unmarked’: From Themed Space to a Feminist Ethics of Engagement in Atwood's Oryx and Crake.' Femspec 10.2 (2010): 35-58. Print. Free, George. 'Language, Speech and Writing: Merleau-Ponty and Derrida on Saussure.' Human Studies 13.4 (1990): 293-307. Print. Garforth, Lisa. 'No Intentions? Utopian Theory after the Future.' Journal for Cultural Research 13.1 (2009): 5-27. Print. Gordin, Michael D., Helen Tilley, and Gyan Prakash. 'Utopia and Dystopia beyond Space and Time.' Introduction. Utopia/Dystopia: Conditions of Historical Possibility. Eds. Michael D. Gordin, Helen Tilley, and Gyan Prakash. Princeton, NJ: Princeton UP, 2010. 1-17. Print. Grosz, E. A. Architecture from the Outside: Essays on Virtual and Real Space. Cambridge, MA: MIT, 2001. Print. 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Eds. Jorn Rusen, Michael Fehr and Thomas W. Rieger. New York: Berghahn, 2005. 17-31. Print. Lampert, Jay. Deleuze and Guattari's Philosophy of History. London: Continuum, 2006. Print. Lane, David. “The Worldly and the Otherworldly: on the ‘Utopianism’ of Deleuze’s Thought.” Philament 12 (2008): 86-106. Print. Lawn, Jennifer. 'The Word as Remnant: Margaret Atwood and Janet Frame.' New Windows on a Woman's World: Essays for Jocelyn Harris. Ed. Colin Gibson and Lisa Marr. Dunedin, N.Z.: Dept. of English, University of Otago, 2005. 385-401. Print. Levitas, Ruth. The Concept of Utopia. New York: Philip Allan, 1990. Print. Lopez Rua, Paula. 'The Manipulative Power of Word-formation Devices in Margaret Atwood's Oryx and Crake.' Revista alicantina de estudios ingleses 18 (2005): 149-65. Print. McEuen, Paul L. 'Science Fiction: A Post-pandemic Wilderness.' Nature: International Weekly Journal of Science 22 Aug. 2013: 398-99. Nature Publishing Group, 21 Aug. 2013. Web. 11 Apr. 2014. 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'The Curious Relationships Between Politics and Utopia.'Utopia Method Vision: The Use Value of Social Dreaming. Eds. Tom Moylan and Raffaella Baccolini. Bern: Peter Lang, 2007. 25-46. Print. 'Talisman, n.2.' OED Online. Oxford University Press, March 2014. Web. 2 April 2014. Talpalaru, Margrit. “Extinctathon: Margaret Atwood’s Urge for an Immanent Episteme.” Canada and Beyond 3.1-2 (2013): 243-65. Print. Wenninger, Agnieszka. 'Territory(ies) Internet: Deleuzian Perspective on Ownership and Identity on the Web.' Web. 21 Apr. 2014. Wisker, Gina. Margaret Atwood: An Introduction to Critical Views of Her Fiction. Basingstoke: Palgrave Macmillan, 2012. Print. Wray, Stefan. 'Rhizomes, Nomads, and Resistant Internet Use.' 7 July 1998. Web. 21 Apr. 2014. | |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/55236 | - |
| dc.description.abstract | 本文針對瑪格麗特•愛特伍的《瘋癲亞當》三部曲提出「解域烏托邦」的閱讀方式。大部份烏托邦�敵托邦閱讀裡，評論家大都力圖分析小說作家對於當代社會的批評方式以及批評內容；解域烏托邦式閱讀則有別於大部分烏托邦�敵托邦式閱讀關注的「批評」，轉而關注小說文本之「創造」的生成過程，試圖以「創造」作為最基進的社會改革方式。「解域烏托邦」一詞強調法國理論家吉爾•德勒茲提出的「解畛域化」概念、佐以「烏托邦」所蘊含的社會改造企圖，打破烏托邦�敵托邦對於特定未來時間或特定封閉空間的想像，以「創造」作為實踐、以「改變」作為宗旨。
本論文分析焦點有三：主體生成、空間、語言。由此三方面切入愛特伍的《瘋癲亞當三部曲》，分別回應烏托邦�敵托邦對於時間、空間和語言的建構。如果說烏托邦�敵托邦裡的主體面對的是一個嚴格控管的時─空關係，那麼解域烏托邦旨在消融這種封閉的時─空關係，因此讓主體有新的生成可能。同理，若在烏托邦�敵托邦的閱讀裡，語言是為管控思想或抵抗體制的最佳利器，解域烏托邦則試圖讓語言本身以「創造」自身之「新」作為最激烈的革命手段。換言之，針對愛特伍的《瘋癲亞當》三部曲作為一種創造，解域烏托邦的概念企圖透過分子式的觀點以「創造」閱讀「創造」自身，而烏托邦�敵托邦讀法則是莫耳式的以「批評」閱讀「創造」。唯有透過創造作為號召、以創造作為行動，社會之改變才更有可能發生在此刻與此地。 | zh_TW |
| dc.description.abstract | This thesis proposes a “deterritopian” reading of Margaret Atwood’s MaddAddam trilogy. In most of the readings of utopian/dystopian fiction, critics tend to center on how and what the writer criticizes in order to offer a critique of the current society, while a deterritopian reading highlights the process of creation involved in utopian/dystopian fiction in order to explore how creation is made possible so that a genuine change of the society can be ushered in. Gilles Deleuze’s concept of deterritorialization will be foregrounded to explore how deterritopia incorporates the utopian desire to change the world and pushes the desire a step forward to the implementation of action, namely creation.
The thesis conducts a deterritopian reading from three aspects in Atwood’s MaddAddam trilogy: subjectivity, space, and language. They respectively correspond to how utopian/dystopian discourses deal with time, space, and language. If a utopia/dystopia stands for a strict control over the temporal-spatial relationship between the subject and the surroundings, then a deterritopia aims at opening up such a strict temporal-spatial control over the subject, and thus summons forth a brand new formation of subjectivity and space. Similarly, if in an idealistic utopia or an extremely nightmarish dystopia the language plays the crucial role of controlling thought, then a deterritopian language is able to dismantle the control towards its revolutionary change. As such, a deterritopian reading regards the trilogy as critique via creation, while utopian/dystopian readings conduct critique through criticism. It is by the emphasis on creation that we can put into practice an urgent action that changes the society right here and right now. | en |
| dc.description.provenance | Made available in DSpace on 2021-06-16T03:52:38Z (GMT). No. of bitstreams: 1 ntu-104-R01122007-1.pdf: 1260549 bytes, checksum: e5d19990bcf7073c0e6a4b4a864349e6 (MD5) Previous issue date: 2015 | en |
| dc.description.tableofcontents | Certificate i
Acknowledgements ii Abstract (Chinese) iii Abstract (English) iv Abbreviations of Primary Texts 1 Introduction: The MaddAddam Trilogy and Deterritopia 2 Chapter One “Oh Jimmy, you were so funny”: On Jimmy/Snowman’s Formation of Subjectivity 24 Chapter Two Extinctathon: “Do you want to play?” 43 Chapter Three Orix and Crak: The Creation of a New Language 59 Conclusion: Disaster and Deterritopia 80 Works Cited 88 | |
| dc.language.iso | en | |
| dc.subject | 敵托邦 | zh_TW |
| dc.subject | 解畛域化 | zh_TW |
| dc.subject | 《瘋癲亞當》三部曲 | zh_TW |
| dc.subject | 瑪格麗特‧愛特伍 | zh_TW |
| dc.subject | 解域烏托邦 | zh_TW |
| dc.subject | 烏托邦 | zh_TW |
| dc.subject | 吉爾‧德勒茲 | zh_TW |
| dc.subject | Margaret Atwood | en |
| dc.subject | Deterritorialization | en |
| dc.subject | Gilles Deleuze | en |
| dc.subject | Utopia | en |
| dc.subject | MaddAddam trilogy | en |
| dc.subject | Dystopia | en |
| dc.subject | Deterritopia | en |
| dc.title | 解域烏托邦與瑪格麗特•愛特伍的《瘋癲亞當》三部曲 | zh_TW |
| dc.title | Deterritopia and Margaret Atwood’s MaddAddam Trilogy | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 103-1 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 張惠娟(Hui-chuan Chang),胡錦媛(Chin-yuan Hu) | |
| dc.subject.keyword | 吉爾‧德勒茲,解畛域化,烏托邦,敵托邦,解域烏托邦,瑪格麗特‧愛特伍,《瘋癲亞當》三部曲, | zh_TW |
| dc.subject.keyword | Gilles Deleuze,Deterritorialization,Utopia,Dystopia,Deterritopia,Margaret Atwood,MaddAddam trilogy, | en |
| dc.relation.page | 92 | |
| dc.rights.note | 有償授權 | |
| dc.date.accepted | 2015-01-13 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
| 顯示於系所單位： | 外國語文學系 | |
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