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標題: | 論高達美藝術哲學的模仿論 On the Theory of Mimesis in Gadamer's Philosophy of Art |
作者: | Shih-Han Huang 黃詩涵 |
指導教授: | 陳榮華 |
關鍵字: | 高達美,模仿,藝術哲學,哲學詮釋學,柏拉圖, Gadamer,mimesis,philosophy of art,philosophical hermeneutics,Plato, |
出版年 : | 2015 |
學位: | 碩士 |
摘要: | 模仿論長久以來被認為是過時的理論。但本文將說明高達美模仿論如何挑戰此成見。在指出高達美藝術哲學汲取了古典模仿概念裡去除藝術神秘化的「重認」元素後,我們將說明高達美如何推翻了柏拉圖所堅持的原型對模仿支配,活化了兩者的雙邊關係,因而其模仿論解決了柏拉圖模仿論的困難,而且能夠說明各個類型的藝術品。這些討論清楚證明了高達美革新了這個古老傳統,建構出一個合理的當代模仿論。 Mimetic theory of art has been seen as an outdated theory for a long time, but this thesis shows how Gadamer’s theory of mimesis challenges this prejudice. After demonstrating that Gadamer inherits the element of “recognition” from classical concept of mimesis, we explain how Gadamer repudiates the dominance of original over imitation that Plato insists, and thus his theory of mimesis resolves the problems resulting from Plato’s insistence and is able to explain the phenomena of various artworks. These discussions provide a clear illustration that Gadamer refreshes the old tradition, and in addition constructs a reasonable contemporary theory of mimesis. |
URI: | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/55122 |
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顯示於系所單位: | 哲學系 |
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