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完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 黃宗慧(Tsung-huei Huang) | |
dc.contributor.author | Hsuan-Hui Wei | en |
dc.contributor.author | 魏瑄慧 | zh_TW |
dc.date.accessioned | 2021-06-15T00:16:00Z | - |
dc.date.available | 2011-08-26 | |
dc.date.copyright | 2011-08-26 | |
dc.date.issued | 2011 | |
dc.date.submitted | 2011-08-15 | |
dc.identifier.citation | Works Cited
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The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge: The MIT Press, 1990. Buse, Peter, et al. Benjamin’s Arcades: An Unguided Tour. Manchester: Manchester UP, 2005. Cohen, Margaret. Profane Illumination: Walter Benjamin and the Paris of Surrealist Revolution. Berkeley: U of California P, 1993. ---. “Benjamin’s phantasmagoria: the Arcades Project.” Ferris 199-220. The Collective Works of Edgar Allen Poe. 2011. The Edgar Allen Poe Society of Baltimore, Inc. 20 March 2011 <http:// www.eapoe.org/works/>. Comay, Rebecca. “Benjamin and the ambiguities of Romanticism.” Ferris 134-51. de Mann, Paul. “The Rhetoric of Temporality.” Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. Minneapolis: University of Minnesota Press, 1983. 187-228. de Kesel, Marc. Eros and Ethics: Reading Jacques Lacan’s Seminar Ⅶ. Trans. SigiJöttkandt. Albany: State University of New York Press, 2009. Dufresne, Todd. Tales from the Freudian Crypt: the Death Drive in Text and Context. Stanford: Stanford UP, 2000. Dunand, Anne. “The End of Analysis Ⅱ.” Feldstein and Fink 251-56. Eagleton, Terry. Walter Benjamin, or Towards a Revolutionary Criticism. London:Verso, 2009. Eiland, Howard. “Reception in Distraction.” McLaughlin and Rosen 51-66. Evans, Dylan. An Introductory Dictionary of Lacanian Psychoanalysis. New York: Routledge, 1996. Feldstein, Richard, Bruce Fink and Marie Jaanus, eds. Reading Seminar Ⅸ: Lacan’s Four Fundamental Concepts of Psychoanalysis. Albany: State University of New York, 1995. Fenves, Peter. “Of Philosophical Style—from Leibniz to Benjamin.” McLaughlin and Rosen 67-88. Ferris, David S. ed. The Cambridge Companion to Walter Benjamin. Cambridge:Cambridge UP, 2004. Finchelstein, Federico. “Fascism Becomes Desire: On Freud, Mussoliniand Transnational Politics.” The Transnational Unconscious: Essays in the History of Psychoanalysis and Transnationalism. Ed. Joy Damousi and Mariano Ben Plotkin. New York: Palgrave Macmillan, 2009. Fink, Bruce. The Lacanian Subject: Between Language and Jouissance. Princeton: Princeton UP, 1995. ---. “The Real Cause of Repetition.” Feldstein and Fink 223-29. Freud, Sigmund. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Ed. James Strachey. 24 vols. London: The Hogarth P, 1948-74. ---. Beyond the Pleasure Principle. 1920. SE XVIII. London: The Hogarth P, 1955. 1-64. ---. Fetishism. 1927. SE XXI. London: The Hogarth P, 1964. 149-57. ---. Fragment of an Analysis of a Case of Hysteria. 1905. SE Ⅶ. London: The Hogarth P, 1953. 1-122. ---. Group Psychology and the Analysis of Ego. 1921. SE XVIII. London: The Hogarth P, 1955. 65-143. ---. Instincts and Their Vicissitudes. 1915. SE XIV. London: The Hogarth P, 1957. 109-40. ---. The Interpretation of Dreams. 1900. SE Ⅴ. London: The Hogarth P, 1953. 339-717. ---. A Metapsychological Supplement to the Theory of Dreams. 1917. SE XIV. London: The Hogarth P, 1957. 217- 235. ---. Mourning and Melancholia. 1917. SE XIV. London: The Hogarth P, 1957. 236-58. ---. On Narcissism: An Introduction. 1914. SE XIV. London: The Hogarth P, 1957. 67-102. ---. Project for a Scientific Psychology. 1895. SEⅠ. London: The Hogarth P, 1966. 281-397. ---. Remembering, Repeating, and Working-Through. 1914. SE XII. London: The Hogarth P, 1958. 145-56. Gardner, Philip. Hermeneutics, History, and Memory. London: Routledge, 2010. Gilloch, Graeme. Myth and Metropolis: Walter Benjamin and the City. Cambridge: Polity Press, 1996. Gueguen, Pierre-Gilles. “Transference as Deception.” Feldstein and Fink 77-90. Gunning, Tom. “The Exterior as Intérieur: Benjamin’s Optical Detective.”McLaughlin and Rosen 105-30. Hass, Lawrance. Merleau-Ponty’s Philosophy. Bloomington: Indiana UP, 2008. Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley: University of California Press, 1994. Jonathan, Malt. Obscure Objects of Desire: Surrealism, Fetishism, and Politics. Oxford: Oxford UP, 2004. Karlsson, Gunnar. “Beyond the Pleasure Principle: The Affirmation of Existence.” Scandinavian Psychoanalytic Review 21 (1998): 37-52. Killen, Andreas. Berlin Electropolos: Shock, Nerves, and German Modernity. Berkeley: University of California Press, 2006. Lacan, Jacques. The Four Fundamental Concepts of Psycho- Analysis. Ed. Jacques- Alain Miller. Trans. Alan Sheridan. New York: Norton, 1981. ---. “Merleau-Ponty: In Memoriam.” Trans. Wilfried Ver Eecke and Dirk de Schutter. Merleau-Ponty and Psychology. Ed. Keith Hoeller. Atlantic Highlands: Humanities Press, 1993. 73-81. ---. The Seminar of Jacques Lacan, Book Ⅶ: The Ethics of Psychoanalysis 1959-1960. Trans. Dennis Porter. New York: Notron, 1992. ---. The Seminar of Jacques Lacan, Book Ⅸ: Identification: 1961-1962. Unpublished. Trans. Cormac Gallagher. London: Karmac Books, 2002. ---. “The Subversion of the Subject and the Dialectic of Desire in the Freudian Unconscious.” Écrits. Trans. Bruce Fink. New York: Norton, 2002. 671-702. Lagache, Daniel. “Some Aspects of Transference.” The Works of Daniel Lagache: Selected Papers 1938-1964. Trans. Elisabeth Holder. London: Karnac Books, 1993. 109-28. Laplanche J, and J.-B. Pontalis. The Language of Psycho- Analysis. Trans. Donal Nicholson-Smith. New York: Norton, 1973. Lee, Leo Oufan (李歐梵)。《人文今朝》(Humanities Now: Perspectives across Cultures)。Oxford: Oxford UP, 2011. Ley Roff, Sarah. “Benjamin and Psychoanalysis.” Ferris 115-33. Lindroos, Kia. Now-Time/Image-Space: Temporalization of Politics in Walter Benjamin’s Philosophy of History and Art. Jyväskylä: SoPhi, 1998. Löwy, Michael. Fire Alarm: Reading Walter Benjamin’s ‘On the Concept of History.’London: Verso, 2005. McLaughlin, Kevin and Philip Rosen, eds. Benjamin Now: Critical Encounters with The Arcades Project. Spec. issue of boundary 2 30.1 (2003). Durham: Duke UP. Melberg, Arne. Theories of Mimesis. Cambridge: Cambridge UP, 1995. Miriam Hansen. Foreword. Public Sphere and Experience: Toward an Analysis of Bourgeois and Proletarian Public Sphere. By Oskar Negt and Alexander Kluge. Trans. Peter Labanyi. Minneapolis: U of Minnesota P, 1993. ix-xlix. Prendergast, Christopher. “Benjamin and Correspondances.” Reinton and Andersson 146-59. Reinton, Ragnhild E., and Dag T. Andersson, eds. Walter Benjamin: Language, Literature, History. Oslo: Solum Forlag, 2000. Reinton, Ragnhild Evang. “Writing: The Fruit or the Grave of Thought?—On Writing and Reading in Walter Benjamin.” Rinton and Andersson 86-110. Shen, Chin-chung (沈志中)。《瘖啞與傾聽 : 精神分析早期歷史 研究》。臺北:行人文化實驗室出版社,2009。 Ranciére, Jacques.《影像的宿命》 (Le Destin Des Images)。黃 建宏譯。臺北:典藏,2011。 Thompson, Hilary. “Time and its Countermeasures: Modern Messianisms in Woolf, Benjamin, and Agamben.” Modernism and Theory: A Critical Debate. Ed. Stephen Ross. London: Routledge, 2009. 86-98. Warner, Marina. Phantasmagoria: Spirit Visions, Metaphors, and Media into the Twenty-First Century. Oxford: Oxford UP, 2006. Weber, Samuel. “Streets, Squares, Theaters: A City on the Move—Walter Benjamin’s Paris.” McLaughlin and Rosen 17-30 Weigel, Sigrid. Body- and Image-Space: Re-reading Walter Benjamin. Trans. Georgina Paul, Rachel McNicholl and Jeremy Gaines. London: Routledge, 1996. Wohlfarth, Irving. “Walter Benjamin and the Idea of a Technological Eros: A Tentative Reading of ‘Zum Planetarium.’” Reinton and Andersson 111-45. Wood, Gillen D’Arcy. The Shock of the Real Romanticism and Visual Culture, 1760-1860. New York: Palgrave, 2001. | |
dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/41332 | - |
dc.description.abstract | This thesis contends that the concept of “repetition” is the kernel of modernity. In order to elaborate how modern industrial and commercial activities bring about the bodily sensation of repetition and shock, Walter Benjamin compares this modern experience, Erlebnis, to phantasmagoria, a public entertainment which had been popular since the eighteen century. Benjamin’s phantasmagoria provides a focal point for “repetition.” Repetition in the era of modernity denotes the inevitable bodily sensation of shock resulted from the mechanical stimuli and mass-reproduced commodity. Different from some modern critics who try to fight against the grotesque sameness and fantasy in the era of capitalism and industrialism, Benjamin believes that the modern repetition has reached a point of no return. If people, especially the bourgeoisie, are blind to Erlebnis, they would be trapped into a more vicious circle of repetition, such as hysterical and obsessional neurosis. Therefore, Benjamin makes phantasmagoria as a structure of life as well as a strategy to challenge the bourgeois ideology. Benjamin argues that phantasmagorical repetition interrupts the linear temporal consciousness. Instead, the non-linear temporal consciousness in phantasmagoria helps people remember the lost history of “what had been” through the “now-time” shocking experience. Benjamin proposes that the temporal dialectical constellation of remembrance is similar to Copernican Revolution. The revolution of phantasmagorical repetition provides possibility of improving the social injustice and mundane bourgeois lives in the modern period.
Benjamin intends to illustrate how his concept of phantasmagoria could be realized by flâneurs or allegorists from different strategies including “the first and second technology,” “children’s play,” “Denkbilder,” and “empathy.” This thesis argues that Benjamin’s phantasmagorical theory undergoes a theoretical turn from the phantasmagorical urban experience to the phantasmagorical linguistic representation. This change can be understood from both Freudian theory of beyond the pleasure principle and Lacanian psychoanalysis about transference. From the psychoanalytical viewpoint, what Benjamin’s phantasmagorical revolution aims to look for can be understood as das Ding, the mOther. Although the death drive prompts people to repeat some demonic behaviors, it is through the repetition that people recognize their own desire. So long as people face their own desire, they get a chance to reconcile modern urban experiences with their lives. Through Benjamin’s phantasmagoria and psychoanalysis, we can understand better how the seemingly destructive messianic revolution could be a creative innovation and a redemptive hope in the era of modernity. | en |
dc.description.provenance | Made available in DSpace on 2021-06-15T00:16:00Z (GMT). No. of bitstreams: 1 ntu-100-R96122009-1.pdf: 17111135 bytes, checksum: 6258f2da437ce2665e5463f0e78233b5 (MD5) Previous issue date: 2011 | en |
dc.description.tableofcontents | Table of Contents
Introduction 1 Chapter One 15 Phantasmagoria in Benjamin’s Contexts Chapter Two 61 Dialogue between Benjaminian Phantasmagoria and Freudian Dreams Chapter Three 99 From Freud’s Beyond the Pleasure Principle to Lacan’s Death Drive: Intervening Benjamin’s Messianic Revolution Psychoanalytically Conclusion 140 Works Cited 149 | |
dc.language.iso | en | |
dc.title | 「重複」的革命力量:以精神分析觀點介入班雅明的魔燈現代性 | zh_TW |
dc.title | The Revolutionary Power of Repetition: A Psychoanalytical Intervention of Benjamin's Phantasmagoria | en |
dc.type | Thesis | |
dc.date.schoolyear | 99-2 | |
dc.description.degree | 碩士 | |
dc.contributor.oralexamcommittee | 李鴻瓊(Hung-chiung Li),劉毓秀(Yu-hsiu, Liu) | |
dc.subject.keyword | 班雅明,魔燈,漫遊者,重複,夢,遊戲,移情,傳會, | zh_TW |
dc.subject.keyword | Benjamin,Phantasmagoria,Flaneur,Repetition,Dream,Play,Empathy,Transference, | en |
dc.relation.page | 155 | |
dc.rights.note | 有償授權 | |
dc.date.accepted | 2011-08-15 | |
dc.contributor.author-college | 文學院 | zh_TW |
dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
顯示於系所單位: | 外國語文學系 |
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