請用此 Handle URI 來引用此文件：
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| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 黃毓秀(Yu-xiu Huang) | |
| dc.contributor.author | Hui-Chun Lai | en |
| dc.contributor.author | 賴惠君 | zh_TW |
| dc.date.accessioned | 2021-06-13T04:34:40Z | - |
| dc.date.available | 2006-07-25 | |
| dc.date.copyright | 2006-07-25 | |
| dc.date.issued | 2006 | |
| dc.date.submitted | 2006-07-19 | |
| dc.identifier.citation | Adelman, Janet. 'Iago's Alter Ego: Race as Projection
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Bristol, Michael D. Big-time Shakespeare. London: Routledge, 1996. Butcher, Philip. 'Othello's Racial Identity.' Shakespeare Quarterly 3.3 (1952): 243-47. Byles, Joan Montgomery. 'The Problem of the Self and the Other in the Language of Ophelia, Desdemona and Cordelia.' American Image 46.1 (1989): 37-60. Byron, George Gordon. The Letters of Lord Byron. Ed. R. G. Howarth. London: Dent, 1936. Calderwood, James L. The Properties of Othello. Amherst: Massachusetts, 1989. Callaghan, Dympna.''Othello was a White Man': Properties of Race on Shakespeare's Stage.' Alternative Shakespeares, Volume 2 . Ed. Terence Hawkes. London: Routledge, 1996. 192-215. 2 vols. ---. Woman and Gender in Renaissance Tragedy: A Study of King Lear, Othello, the Duchess of Malfi and the White Devil. New York: Harvester Wheatshelf, 1989. Campbell, Lily B. 'Othello: A Tragedy of Jealousy.' Shakespeare's Tragic Heroes. London: Cambridge UP, 1930. 148-74. Cartelli, Thomas. Repositioning Shakespeare: National Formations, Postcolonial Appropriations. London: Routledge, 1999. Charney, Maurice. 'Doctrine in the Tragedies.' Shakespeare on Love and Lust. New York: Columbia UP, 2000. 79-127. Coleridge, Samuel Taylor. Coleridge's Shakespearean Criticism. Ed. Terence Hawkes. Harmondsworth: Penguin, 1969. Contarini, Gaspar. The Commonwealth and Government of Venice. Trans. Lewis Lewkenor. London. 1599. Dollimore, Jonathan. 'Desire is Death.' Subject and Object in Renaissance Culture. Ed. Margreta de Grazia, Maureen Quilligan, and Peter Stallybrass. New York: Cambridge UP, 1996. 369-85. ---. Sexual Dissidence: Augustine to Wilde, Freud to Foucault. Oxford: Oxford UP, 1991. Driscoll, James P. 'Change in Othello.' Identity in Shakespearean Drama. London: Bucknell UP, 1943. 70-89. Dusinberre, Julet. Shakespeare and the Nature of Women. Houndmills: Macmillan, 1996. Erickson, Peter. 'Maternal Images and Male Bonds.' Patriarchal Structures in Shakespeare's Drama. Berkeley: California UP, 1985. 66-122. Evans, Dylan. An Introduction Dictionary of Lacanian Psychoanalysis. London: Routledge, 1996. ---. 'From Kantian Ethics to Mystical Experience: An Exploration of Jouissance.' Key Concepts of Lacanian Psychoanalysis. Ed. Dany Nobus. New York: Other, 1999. 1-28. Fiedler, Leslie A. The Stranger in Shakespeare. New York: Stein and Day, 1972. Fineman, Joel. 'Fratricide and Cuckoldry: Shakespeare's Doubles.' Representing Shakespeare: New Psychoanalytic Essays. Ed. Murray M. Schwartz and Coppélia Kahn. Baltimore: Johns Hopkins UP, 1980. 150-69. Whitney, Geffrey. A Choice of Emblemes and Other Devises for the Moste Parte Gathered Out of Sundrie Writers. Leyden: Christopher Plantyn, 1586. Woodbridge, Linda. Women and the English Renaissance: Literature and the Nature of Womankind, 1540-1620. Britain: Harvest, 1984. Vaughan, Virgin Mason. “Othello”: A Contextual History. Cambridge: Cambridge UP, 1994. Vitkus, Daniel J. “Turning Turk in Othello: The Conversion and Damnation of the Moor.” Shakespeare Quarterly 48.2 (1997): 145-76. Zizek, Slavoj. For They Know Not What They Do: Enjoyment as a Political Factor. London: Verse, 1991. Zupanic, Alenka. “The Subject of the Law.” Cogito and the Unconscious. Ed. Zizek. Durham: Duke UP, 1998. 41-73. | |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/33324 | - |
| dc.description.abstract | Othello has been known as a tragedy of love and jealousy. However, shadowed by racism and misogyny popular in contemporary Europe and England, it is also a play of otherness. As a Moor in Venice, Othello, though he has built up his identity in Venetian symbolic order, he can hardly maintain it because of his otherness or Moorishness. Therefore, to escape the pain of being otherized and the difficulty to sustain his identity, Othello takes the miscegenation as a symbiotic refuge where he seems to be able to regain the once lost absolute jouissance and to have Desdemona support his identity. However, this symbiosis remains a fantasy and Othello’s circumstance in Venice is hardly improved by this marriage. Moreover, because of his otherness, Othello becomes the target of attack for Iago. Iago is a pervert who serves Venetian symbolic order and excludes the Other, Othello and even Desdemona. His service is achieved by intervening into the symbiosis as the father in the Oedipal triangle, and by making Venetian symbolic order which he represents in a perverse way as the superego or double of Othello. Following racism and misogyny represented by Iago in an obscene way, Othello, who has psychologically regressed from a neurotic subject to a pervert by the double, believes Desdemona’s adultery instantly and serves the perverse Venetian symbolic order by excluding her as the Other. But the regression does not stop because, by the racism constantly reminded by Iago, Othello is gradually divided into the Othello as a Venetian servant and the Othello as an abjected Moor. Unable to deny the existence of the Othello as abject, Othello finally breaks down as a psychotic and excludes himself as the last service of Venice. | en |
| dc.description.provenance | Made available in DSpace on 2021-06-13T04:34:40Z (GMT). No. of bitstreams: 1 ntu-95-R92122006-1.pdf: 418502 bytes, checksum: 5fb40a9a07342fe0269b6c8c595820fb (MD5) Previous issue date: 2006 | en |
| dc.description.tableofcontents | Table of Contents
Abstract . . . . . . . . . . . . . . . . . iii Acknowledgements . . . . . . . . . . . . . iv Introduction . . . . . . . . . . . . . . . 1 Chapter 1 Otherness Shared by Moors in Renaissance Europe and by Women in Early Modern England . . . . . . . 6 I. Predicaments and Otherness of Moors in Renaissance Europe . . . . . . . . . . . . . . . . . . . 7 II. Misogyny in Renaissance England . . . . . . 24 Chapter 2 The Symbiosis as Othello’s Refuge from Failed Integration into Venice . . . . . . . . . . . . . . . . 32 I. Theoretical Background of the Symbiosis . . .33 II. Othello’s Frustrated Hope of Being Accepted by Venetian Symbolic Order . . . . . . . . . . 41 III. Marriage as Symbiotic Refuge for Othello / an Abjected Stranger. . . . . . . . . . . . . 46 IV. Desdemona as a Devouring Mother and Othello as a Suffocated Child . . . . . . . . . . . . . .53 Chapter 3 Iago’s Plot Achieved by Double and Othello’s Breakdown as a Psychotic. . . . . . . . . . . . . . . . .60 I. Iago’s Motivation . . . . . . . . . . . . . 60 II. How Does Iago Trap Othello? . . . . . . . . 67 A.Iago as a Pervert . . . . . . . . . . . . . .67 B.Double between Iago and Othello as the Trick to Destroy Othello. . . . . . . . . . . . . . . 73 III. The Breakdown of Othello’s Psyche . . . . 78 Conclusion . . . . . . . . . . . . . . . . .85 Bibliography . . . . . . . . . . . . . . . .88 | |
| dc.language.iso | en | |
| dc.subject | 奧賽羅 | zh_TW |
| dc.subject | 心理分析 | zh_TW |
| dc.subject | psychoanalysis | en |
| dc.subject | othello | en |
| dc.title | 主體性危機與奧賽羅的頹滅 | zh_TW |
| dc.title | Subjectivity Crisis and Othello’s Downfall | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 94-2 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 奇邁可(Michael Keevak),雷碧琦 | |
| dc.subject.keyword | 心理分析,奧賽羅, | zh_TW |
| dc.subject.keyword | psychoanalysis,othello, | en |
| dc.relation.page | 96 | |
| dc.rights.note | 有償授權 | |
| dc.date.accepted | 2006-07-20 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
| 顯示於系所單位： | 外國語文學系 | |
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