佐藤春夫の台湾旅行関係の作品における風景の描写 ―星と月、雨と虹、海と湖を中心に―

Abstract

本論文旨在探討日本作家佐藤春夫於1920年夏天旅行至台灣後的相關作品。佐藤春夫旅台後，寫下數十篇的台灣旅行相關作品。其作品中，有許多關於台灣風景的描寫。例如，星星和月亮、雨和彩虹、海洋和湖泊等。因此，筆者想深入探討這些風景中可能包含的意義與象徵。此外，筆者想著眼於作為一名旅行者的佐藤春夫，分析他眼中的台灣。 第一章緒論，說明研究動機、先行研究、研究目的、研究方法、研究範圍與本論文的架構。第二章至第四章分別探討佐藤春夫的台灣旅行相關作品中有關星星和月亮、雨和彩虹、海洋和湖泊的風景描寫。經過分析《星》、《日月潭遊記》、《蝗蟲的大旅行》、《鷹爪花》、《魔鳥》、《旅人》、《霧社》、《女誡扇綺譚》、《奇談(日章旗之下)》之九篇作品後，可以窺見佐藤春夫除了如實地描繪台灣的風景之美外，更將他的私人情感、思緒等諸多情感投射到了台灣旅行相關作品的風景之中。同時，透過台灣旅行相關作品的風景研究，也可以窺見佐藤春夫的心境轉折、創作意識與寫作風格。

This paper investigates Japanese writer Haruo Sato’s works while he traved to Taiwan in the summer of 1920. After his travel, he completed over ten pieces of traveling writing about Taiwan. In his traveling writing, there are several descriptions about Taiwan’s landscape. For example, stars and moon, rain and rainbow, sea and lake. As a result, the author would like to discuss the possible meaning and the symbol of these landscapes. In addition, the author would also like to focus on the view of Haruo Sato as a traveler to analyze his perspective of Taiwan. The first chapter is an introduction, which expains research motive, literature review, research purpose, reserach method, research range and structure. The second chapter to the fourth chapter, analyzes the discription of stars and moon, rain and rainbow, sea and lake from “Star”(“Hoshi”星),“Journey to the Sun Moon Lake”(“Nichigetsudan ni Asobuki”日月潭遊記),“The Locust’s Great Journey”(“Inago no dairokō”蝗蟲的大旅行),“Eagle Claw Blossom”(“Takatsumebana”鷹爪花),“The Devilbird”(“Machō”魔鳥), “Traveler”(“Tabibito”旅人), “Wushe ”(“Musha”霧社),“Strange Tale of the Precepts for Women’s Fan” (“Jokaisen kitan”女誡扇綺譚),A Strange Story”(“Kidan”奇談(日章旗之下)).In conjunction with these traveling writings, the author found Haruo Sato not only write Taiwan’s landscape’s truly, but also project his private emotion and his thoughts into theese traveling writing. At the same time, through the investigation of landscape in his traveling writing, the author can also found that Haruo Sato’s mood transition, creative consciousness and his writing style.