《屍奔》及其劇本說明

Abstract

本論文分成兩大部份，前半是劇本本文，後半則是針對畢業劇本所作的創作說明。 劉承穎，一個現實生活崩塌的電影編劇，如同行屍走肉的生活著，遭遇困難便逃遁進夢境裡。夢裡的世界一切美好的事物都觸手可及，一切消息暢通無阻，一切資訊傳遞方便迅速。最可怕的是，什麼看起來都是可能的，一切看起來一點限制都沒有。至少總是有人如此告訴你。在這個如夢幻境裡，還能不能有夢？該如何做夢？夢想什麼？

This thesis consists of two parts— the script, its explaination and analysis. Cheng-Ying, Liu, a screenwriter living a decadent life as a walking dead, always escapes into the her deep subconsciousness whenever she encounters difficulties. In the dreamland she builds, all things are easily reached, all information is unobstructed, everything seems promising and without restrictions. At least, there is always someone to tell you so. Can she possibly dream a dream in the dreamlike world? Dream of what? And how she dreams?