請用此 Handle URI 來引用此文件:
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/15239
完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 蔡秀枝(Hsiu-chih Tsai) | |
dc.contributor.author | Zhi-Xuan Huang | en |
dc.contributor.author | 黃志軒 | zh_TW |
dc.date.accessioned | 2021-06-07T17:28:50Z | - |
dc.date.copyright | 2020-03-03 | |
dc.date.issued | 2020 | |
dc.date.submitted | 2020-02-26 | |
dc.identifier.citation | Works Cited
Primary Texts Fitzgerald, F. Scott. The Great Gatsby. Ed. Ruth Prigozy. Oxford: Oxford UP, 1998. Print. ——. Tales of the Jazz Age. Ed. Jackson R. Bryer. Oxford: Oxford UP, 2012. Print. Lefebvre, Henri. The Production of Space. Oxford, OX, UK: Blackwell, 1991. Print. Secondary Sources Bachelard, Gaston. The Poetics of Space. Boston: Beacon P, 1964. Print. Baker, Charles R. “F. Scott Fitzgerald’s The Great Gatsby.” American Writers Classics. Ed. Jay Parini. Vol. 2. New York: Charles Scribner’s Sons, 2004. 109-124. Print. Barrett, William. “Fitzgerald and America.” Partisan Review, May-June 1951. Rpt. in F. Scott Fitzgerald: Critical Assessments. Ed. Henry Claridge. 4 vols. East Sussex: Helm, 1991. Print. Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction. New York: Classic Books America, 2009. Print. Bradbury, Malcolm. The Modern American Novel. New York: Oxford UP, 1983. Print. Bruccoli, Matthew J. “The Text of The Great Gatsby.” The Great Gatsby. Ed. Matthew J. Bruccoli. New York: Simon & Schuster, 1995. 191-94. Print. Bryer, Jackson. “Introduction.” Tales of the Jazz Age. Ed. Jackson R. Bryer. Oxford: Oxford UP, 2012. vii-xxxii. Print. Chang, Hsiao-ling. Racial and Sexual Others in F. Scott Fitzgerald’s The Great Gatsby. MA Thesis, National Taiwan University, 2003. Print. Chung, CY. Space, Gender and Trauma in Virginia Woolf’s “Mrs. Dalloway” and Toni Morrison’s “Jazz.” 2013. National Taiwan U, Master’s thesis. Airiti Library, https://www.airitilibrary.com/Publication/alDetailedMesh?docid=U0001-1701201304434200/. Decker, Jeffery Louis. “Gatsby’s Pristine Dream: The Diminishment of the Self-made Man in the Tribal Twenties.” Novel: A Forum on Fiction 28.1 (1994): 52-71. Print. Donaldson, Scott. “The Trouble with Nick: Reading Gatsby Closely.” F. Scott Fitzgerald’s The Great Gatsby. Ed. Harold Bloom. NY: Infobase, 2010. 157-65. Print. Elden, Stuart. Understanding Henri Lefebvre: Theory and the Possible. London: Continuum, 2006. Print. Ferber, Michael. A Dictionary of Literary Symbols. Cambridge: Cambridge UP, 2007. Print. Giltrow, Janet, and David Stouck. “Pastoral Mode and Language in The Great Gatsby.” F. Scott Fitzgerald’s The Great Gatsby. Ed. Harold Bloom. NY: Infobase, 2010. 97-108. Print. ——. “Style as Politics in The Great Gatsby.” Studies in the Novel 29.4 (1997): 476-90. Print. Gregory, Derek. Geographical Imaginations. Cambridge, MA: Blackwell, 1994. Print. ——. “Lacan and Geography: The production of Space Revisited.” Space and Social Theory: Interpreting Modernity and Postmodernity. Eds. Georges Benko and Ulf Strohmayer. Cambridge, MA: Blackwell, 1997. 203-31. Print. Lehan, Richard. The Great Gatsby: The Limits of Wonder. Boston: Twayne, 1990. Print. Lewis, Roger. “Money, Love, and Aspiration in The Great Gatsby.” New Essays on The Great Gatsby. Ed. Matthew J. Bruccoli. Cambridge: Cambridge UP, 1985. 41-57. Print. Lukacs, John. “The Great Gatsby? Yes, a Historical Novel.” Novel History: Historians and Novelists Confront America’s Past and Each Other. Ed. Mark C. Carnes. New York: Simon & Schuster, 2001. 235-44. Print. Magistrale, Tony, and Mary Jane Dickerson. “The Language of Time in The Great Gatsby.” College Literature 16.2 (1989): 117-128. Print. McDonald, Jarom L. Sports, Narrative, and Nation in the Fiction of F. Scott Fitzgerald. New York: Routledge, 2007. Print. McGowan, Philip. “The American Carnival of The Great Gatsby.” Connotations 15.1-3 (2005/6): 143-158. Print. O’Donnell, Patrick. “Introduction.” The Curious Case of Benjamin Button and Other Jazz Age Stories. Ed. Patrick O’Donnell. New York: Penguin, 2008. vii-xxiii. Print. Parkinson, Kathleen. Penguin Critical Studies: “The Great Gatsby.” England: Clays Ltd, St Ives plc, 1987, Print. Petry, Alice. “Notes for Chapter 2.” Fitzgerald’s Craft of Short Fiction: The Collected Stories, 1920-1935. 199-206. Print. Piper, Henry D. Fitzgerald’s The Great Gatsby: The Novel, The Critics, The Background. New York: Scribner, 1970. Print. Poe, Allan. Edgar Allan Poe: The Dover Reader. New York: Dover Publications Inc., 2014. Print. Popen, Shari. “Aesthetic Spaces/Imaginative Geographies.” A Boal Companion: Dialogues on Theatre and Cultural Politics. Eds. Jan Cohen-Cruz and Mady Schutzman. London: Routledge, 2006. Print. Prigozy, Ruth. “Introduction.” The Great Gatsby. Ed. Ruth Prigozy. Oxford: Oxford UP, 1998. vii-xxxv. Print. Raleigh, John H. Time, Place, and Idea: Essays on the Novel. London: Southern Illinois UP, 1968. Print. Rowe, Joyce A. Equivocal Endings in Classic American Novels: “The Scarlet Letter,” “Adventures of Huckleberry Finn,” “The Ambassadors,” “The Great Gatsby.” New York: Cambridge UP, 1988. Print. Soja, Edward. W. Thirdspace: Journeys to Los Angeles and Other Real-and-Imagined Places. Cambridge, MA: Blackwell, 1996. Print. Sullivan, Garrett A. “Introduction: Planting Oblivion.” Memory and Forgetting in English Renaissance Drama. New York: Cambridge UP, 2005. 1-24. Print. Tally, T. Robert. “The Space of the Novel.” The Cambridge Companion to the Novel. Ed. Eric Bulson. New York: Cambridge UP, 2018. 152-167. Print. ——. Spatiality. London & New York: Routledge, 2013. Print. Tate, Mary J. Critical Companion to F. Scott Fitzgerald: A Literary Reference to His Life and Work. New York: Facts on File, 2007. Print. Tsai, Hsiu-chih. “Mixture and Transition-The Urban Space(s) in Flannery O’Connor’s ‘Everything That Rises Must Converge.’” Review of English and American Literature 10 (2007): 73-134. Print. Wagner, Nathan, “Turning Back Time: Duration, Simultaneity, and the Timeless in Fitzgerald and Fincher’s Benjamin Button.” MA Thesis, Georgia State University, 2010. <http://scholarworks.gsu.edu/english_theses/85>. Print. White, Patti. Gatsby’s Party: The System and the List in Contemporary Narrative. West Lafayette, IN: Purdue UP, 1992. Print. Zhang, Aiping. Enchanted Places: The Use of Setting in F. Scott Fitzgerald’s Fiction. Westport, Conn.: Greenwood, 1997. Print. | |
dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/15239 | - |
dc.description.abstract | 本論文試圖以空間理論檢驗史考特.費茲傑羅的《大亨小傳》,尤其透過昂希.列斐伏爾的巨作《空間的生產》來剖析本部作品。透過列斐伏爾該書中的概念三元組,亦即「可以被感知(the perceived)的空間實踐」、「建構(the conceived)空間的再現(representations of space)」以及「實際生活(the lived)的再現空間(representational spaces)」,本論文將探討蓋茨比在世時曾短暫產生的空間,貌似瓜果豐碩,但他所曾經達成的美國夢卻在離世後消失,蕩然無存並化為虛無。
本論文第一章將介紹費茲傑羅的歷史生平與《大亨小傳》的多數學者的批評及解讀。第二章則將援引列斐伏爾的空間理論,試圖瞭解「戰略空間」(strategic space)如何把早已邊緣化的少數族群更進一步推向邊界,而此於小說中的典型代表人物即為蓋茨比。儘管蓋茨比力圖認同並歸化與自身迥異的文化,他始終無法成為列斐伏爾理論中「決定、財富與資訊的焦點」。相反地,湯姆.布坎南則掌握近似國家力量(state power)的權力,能輕鬆規範並將弱勢族群的利益,假借大眾之手將其推至邊緣。 第三章將細讀《大亨小傳》中具樞紐地位的四處地點。本論文認為湯姆、黛西與蓋茨比一開始居住的處所,便已說明他們各自注定扮演的角色,也清楚闡述為何蓋茨比最終必須回歸扮演湯姆口中「來歷不明的無名人士」。而蓋茨比的死亡,也將他推向虛無,他構建的身分,也將於離世後不再運作,並喪失任何存在意義。 本論文的結論為,讀者若透過極少被關注的空間理論進行閱讀《大亨小傳》,將有可能瞭解蓋茨比曾顛覆傳統空間並產生自己的替代空間。讀者也能更瞭解蓋茨比在追求實現美國夢的同時,需如何翻轉傳統的空間分化,而他又如何在各種嘗試中屢次失敗,最終幻化虛無。 | zh_TW |
dc.description.abstract | This master’s thesis examines F. Scott Fitzgerald’s The Great Gatsby through the trajectory built upon Space theorists, primarily through Henri Lefebvre’s The Production of Space. By using Lefebvre’s notion of the perceived-conceived-lived triad, this thesis argues that Gatsby has created a void, one that was once a production of seemingly fruitful space but that gives little meaning after his departure to a world he had at one time fashioned in his pursuit of the American Dream, which eventually effervesces and comes to an end of voidness.
Chapter 1 gives an introduction of the historical background of Fitzgerald’s life as well as the general reading of The Great Gatsby. Chapter 2 appropriates the framework of primarily from Henri Lefebvre to understand how “strategic space” forces already minority groups exemplified by Gatsby “out toward the periphery.” Despite Gatsby’s attempt to assimilate in an entirely different culture from his own, he persistently fails to become that Lefebvre’s idea of the “locus of decision, wealth, power and information.” In stark contrast, Tom Buchanan easily assumes the role of a type of state power who regulates and marginalizes the interest of minorities, here Gatsby, through the medium of public interest. Chapter 3 examines the four locations pivotal to The Great Gatsby. My argument is that the preexisting and predestined houses in which Tom, Daisy, and Gatsby respectively resides clearly illustrates why Gatsby must be forced to return to his previous identity as “Mr Nobody from Nowhere” dubbed by Tom, and eventually turns into a void of vacuum subsequent to his death where his newly fashioned identity ceases to function or even with any existential meaning. This thesis concludes that a new understanding of The Great Gatsby can be achieved by exploring the frequently neglected role of space and its possibility to facilitate Gatsby to engender an alternative space of subversion, and how Gatsby’s challenge in his pursuit to fulfill an American Dream that allows him to overturn the conventional spatial compartmentalization in his world will eventually fail to the point of an oblivious void. | en |
dc.description.provenance | Made available in DSpace on 2021-06-07T17:28:50Z (GMT). No. of bitstreams: 1 ntu-109-R99122009-1.pdf: 2199216 bytes, checksum: ef7a5692f89c527ce69c24f783129ad1 (MD5) Previous issue date: 2020 | en |
dc.description.tableofcontents | Table of Contents
Master Thesis Certification by Oral Defense Committee . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . i Acknowledgements. . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ii Abstract (Chinese). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .iii Abstract (English). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . iv Table of Contents. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . v Chapter 1: Introduction.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 I. Literature Review. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 II. Contribution and Methodology. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 III. Chapter Division. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Fig. 1 Infographic: Every Scene In “The Great Gatsby. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14 Chapter 2: Theoretical Framework—Space Theories. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Chapter 3: The Worlds of Gatsby and the Blurring Dichotomy of His Failed American Dream. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 I. The Four Locations of Class Maneuver. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Fig. 2. “The Great Gatsby Setting Map”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 II. Three Respective Worlds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33 III. The Blurred Dichotomy and the Fall of the American Dream in The Great Gatsby. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40 Chapter 4: Conclusion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 Works Cited. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 | |
dc.language.iso | en | |
dc.title | 虛無的生產:《大亨小傳》中的空間意識 | zh_TW |
dc.title | The Production of a Void: Space in The Great Gatsby | en |
dc.type | Thesis | |
dc.date.schoolyear | 108-1 | |
dc.description.degree | 碩士 | |
dc.contributor.oralexamcommittee | 王寶祥(Pao-hsiang Wang),奚永慧(Wesley Xi) | |
dc.subject.keyword | 史考特.費茲傑羅,《大亨小傳》,昂希.列斐伏爾,《空間的生產》,概念三元組,戰略空間,虛無, | zh_TW |
dc.subject.keyword | F. Scott Fitzgerald,The Great Gatsby,Henri Lefebvre,The Production of Space,perceived-conceived-lived triad,strategic space,void, | en |
dc.relation.page | 60 | |
dc.identifier.doi | 10.6342/NTU202000634 | |
dc.rights.note | 未授權 | |
dc.date.accepted | 2020-02-27 | |
dc.contributor.author-college | 文學院 | zh_TW |
dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
顯示於系所單位: | 外國語文學系 |
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