單人劇三部曲：《閨密》及其創作說明

Abstract

本論文旨在探討創作者如何以「單人劇」作為敘事與表演的媒介，呈現性別、家庭與身份議題，並反思創作過程中自我經驗與劇場語言之間的互動關係。作品《閨密》由三部曲構成，分別圍繞母女關係、愛情與失落、以及多元性別議題。不僅在於紀錄創作歷程，更希望透過理論與實踐交互印證。透過自我評估與文學獎評審講評，檢討創作的侷限與未來方向。

This thesis explores how the creator employs the monodrama form as a medium of narration and performance to portray issues of gender, family, and identity, while reflecting on the interaction between personal experience and theatrical language throughout the creative process. The work Secrets in the Inner Chamber consists of a trilogy, each part centering respectively on mother–daughter relationships, love and loss, and gender diversity. Beyond documenting the creative process, the study aims to examine how theory and practice mutually inform one another. Through self-assessment and jury feedback from a literary award, the research also evaluates the limitations of the work and envisions possible future directions.