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| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 劉亮雅 | |
| dc.contributor.author | Chi-Hui Lin | en |
| dc.contributor.author | 林琦慧 | zh_TW |
| dc.date.accessioned | 2021-05-20T20:46:16Z | - |
| dc.date.available | 2008-07-18 | |
| dc.date.available | 2021-05-20T20:46:16Z | - |
| dc.date.copyright | 2008-07-18 | |
| dc.date.issued | 2008 | |
| dc.date.submitted | 2008-07-10 | |
| dc.identifier.citation | Works Cited
Atwood, Margaret. Lady Oracle. Toronto: Seal, 1977. ---. Survival. Toronto: Anansi, 1972. ---. Selected Poems. New York: Simon and Schuster, 1978. ---. Second Words. Boston: Beacon, 1984. ---. Dancing Girls and Other Stories. New York: Bantham, 1985. ---. Selected Poems II. Boston: Houghton Mifflin Co., 1987. ---. Negotiating with the Dead: A Writer on Writing. New York: Anchor Books, 2002. Barzilai, Shuli. “‘Say That I Had a Lovely Face’: The Grimms’ ‘Rapunzel,’ Tennyson’s ‘Lady of Shalott,’ and Atwood’s Lady Oracle.” Tulsa Studies in Women’s Literature 19 (2000): 231-54. ---. “The Bluebeard Syndrome in Atwood’s Lady Oracle: Fear and Femininity.” Marvels & Tales: Journal of Fairy-Tale Studies 19 (2005): 249-73. Becker, Susanne. “Postmodern Feminine Horror Fiction.” Modern Gothic. Ed. Victor Sage and Allan Lloyd Smith. New York: Manchester UP, 1996. 71-80. ---. Gothic Forms of Feminine Fictions. Manchester: Manchester UP, 1999. Blood, Sylvia K. Body Work: The Social Construction of Women’s Body Image. London: Routledge, 2005. Bordo, Susan. Unbearable Weight: Feminism, Western Culture, and the Body. Berkeley: U of California P, 1993. Botting, Fred. Gothic. London: Routledge, 1996. Caruth, Cathy. Unclaimed Experience: Trauma, Narrative, and History. Baltimore: Johns Hopkins UP, 1996. Chodorow, Nancy. The Reproduction of Mothering: Psychoanalysis and the Sociology of Gender. Berkeley: U of California P, 1978. Christ, Carol P. Diving Deep and Surfacing: Women Writers on Spiritual Quest. Boston: Beacon, 1986. Cixous, Hélène and Catherine Clément. The Newly Born Woman. Minneapolis: U of Minnesota P, 1986. Day, William Patrick. In the Circles of Fear and Desire: A Study of Gothic Fantasy. Chicago: U of Chicago P, 1985. Fee, Margery. The Fat Lady Dances: Margaret Atwood’s Lady Oracle. Toronto: ECW, 1993. Freud, Sigmund. “The Uncanny.” 1919. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Ed. and trans. James Strachey. 24vols. London: Hogarth, 1977. 17: 218-52. ---. “Mourning and Melancholy.” 1917. SE. 14: 239-58. ---. Beyond the Pleasure Principle. 1920. SE. 18:1-64. Grace, Sherrill E. “Courting Bluebeard with Bartók, Atwood, and Fowles: Modern Treatment of the Bluebeard Theme.” Journal of Modern Literature 11 (1984): 245-62. ---. “In Search of Demeter: The Lost, Silent Mother in Surfacing.” Margaret Atwood: Vision and Forms. Ed. Kathryn VanSpanckeren, and Jan Garden Castro. Carbondale: Southern Illinois UP, 1988. 35-47. Greene, Gayle. Changing the Story: Feminist Fiction and the Tradition. Bloomington: Indiana UP, 1991. Hayes, Elizabeth T., ed. Images of Persephone: Feminist Readings in Western Literature. Gainesville: UP of Florida, 1994. Herman, Judith. Trauma and Recovery. New York: Basic Books, 1997. Hirsch, Marianne. The Mother / Daughter Plot: Narrative, Psychoanalysis, Feminism. Bloomington: Indiana UP, 1989. Hite, Molly. The Other Side of the Story. Ithaca: Cornell UP, 1989. Horvitz, Deborah, M. Literary Trauma: Sadism, Memory, and Sexual Violence in American Women’s Fiction. New York: State U of New York P, 2000. Howells, Coral Ann. Margaret Atwood. New York: St. Martin’s, 1995. ---. Love, Mystery, and Misery: Feeling in Gothic Fiction. London: Athlone, 1995. Hutcheon, Linda. The Canadian Postmodern: A Study of Contemporary English-Canadian Fiction. Toronto: Oxford UP, 1988. Ingersoll, Earl G., ed. Margaret Atwood: Conversations. Princeton: Ontario Review, 1990. Jackson, Rosemary. Fantasy: The Literature of Subversion. London: Routledge, 2003. Kahane, Claire. “The Gothic Mirror.” The M(o)ther Tongue: Essays in Feminist Psychoanalytic Interpretation. Ed. Shirley Nelson Garner, Claire Kahane, and Madelon Sprengnether. Ithaca: Cornell UP, 1985. 334-51. Kilgour, Maggie. The Rise of the Gothic Novel. London: Routledge, 1995. Laplanche, J., and J. B. Pontalis. The Language of Psycho-analysis. Trans. Donald Nicholson-Smith. New York: Norton, 1973. Ljungberg, Christina. To Join, to Fit, and to Make: The Creative Craft of Margaret Atwood’s Fiction. New York: Peter Lang, 1999. Massé, Michelle, A. In the Name of Love: Women, Masochism, and the Gothic. Ithaca: Cornell UP, 1992. McMillan, Ann. “The Transforming Eye: Lady Oracle and Gothic Tradition.” Margaret Atwood: Vision and Forms. Ed. Kathryn VanSpanckeren, and Jan Garden Castro. Carbondale: Southern Illinois UP, 1988. 48-64. Moers, Ellen. Literary Women. New York : Oxford UP, 1985. Modleski, Tania. Loving with a Vengeance. New York: Routledge, 1982. Orbach, Susie. Fat Is a Feminist Issue. London: W. W. Norton, 1979. Palmer, Paulina. Contemporary Women’s Fiction: Narrative Practice and Feminist Theory. New York: Harvester, 1989. Perrault, Charles. “Blue Beard.” 1697. Trans. Robert Samber. The Classic Fairy Tales. Ed. Iona and Peter Opie. Oxford: Oxford UP, 1974. 106-9. Pratt, Annis. Archetypal Patterns in Women’s Fiction. Brighton: Harvester, 1982. Rao, Eleonora. Strategies for Identity. New York: Peter Lang, 1993. ---. “Margaret Atwood’s Lady Oracle: Writing against Notions of Unity.” Margaret Atwood: Writing and Subjectivity. Ed. Colin Nicholson. New York: St. Martin’s, 1994. 133-52. Rich, Adrienne. Of Woman Born: Motherhood as Experience and Institution. New York: W. W. Norton & Co., 1986. Rigney, Barbara Hill. Margaret Atwood. Totowa, NJ: Barnes & Noble, 1987. Rosowski, Susan J. “Margaret Atwood’s Lady Oracle: Fantasy and the Modern Gothic.” Critical Essays on Margaret Atwood. Ed. Judith McCombs. Boston: G. K. Hall, 1988. 197-208. Royle, Nicholas. The Uncanny. New York: Manchester UP, 2003. Rubenstein, Roberta. Home Matters: Longing and Belonging, Nostalgia and Mourning in Women’s Fiction. New York: Palgrave, 2001. Russ, Joanna. “Somebody Is Trying to Kill Me and I Think It’s My Husband: The Modern Gothic.” Journal of Popular Culture 6 (1973): 666-91. Sceats, Sarah. Food, Consumption, and the Body in Contemporary Women’s Fiction. Cambridge: Cambridge UP, 2000. Sciff-Zamaro, Roberta. “The Re/ Membering of the Female Power in Lady Oracle.” Canadian Literature 112 (1987): 32-8. Sedgwick, Eve Kosofsky. The Coherence of Gothic Conventions. New York: Methuen, 1986. Stein, Karen F. Margaret Atwood Revisited. New York: Twayne, 1999. Szalay, Edna. “The Gothic as Maternal Legacy in Margaret Atwood’s Lady Oracle.” Neohelicon 28 (2001): 216-33. Tennyson, Alfred. “The Lady of Shalott.” The Poems of Tennyson: Volume One. Ed. Christopher Ricks. London: Longman, 1987. Van der Kolk, Bessel, and Onno Van der Hart. “The Intrusive Past: The Flexibility of Memory and the Engraving of Trauma.” American Imago 48 (1991): 425-54. Vickroy, Laurie. Trauma and Survival in Contemporary Fiction. Charlottesville: U of Virginia P, 2002. Williams, Anne. Art of Darkness: A Poetics of Gothic. Chicago: U of Chicago P, 1995. Wilson, Sharon Rose. Margaret Atwood’s Fairy-Tale Sexual Politics. Jackson: UP of Mississippi, 1993. Wolf, Naomi. The Beauty Myth.New York: Doubleday, 1992. Worthington, Kim L. Self as Narrative: Subjectivity and Community in Contemporary Fiction. Oxford: Clarendon, 1996. Zimmerman, J. E. Dictionary of Classical Mythology. New York : Harper & Row, 1964. | |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/9868 | - |
| dc.description.abstract | This thesis examines how Margaret Atwood’s Lady Oracle critically employs Gothic conventions to discuss a female artist’s traumatic relationship with her mother and her quest for her own multiple identities through unconventional Gothic writings. As an Atwoodian anti-Gothic novel, Lady Oracle focuses on female body, identity, and complicated mother-daughter relationship. By appropriating Sigmund Freud’s concept of the uncanny and theory of trauma, I argue that Atwood explores a female artist’s traumatic experiences in her childhood and adolescence, highlights her dilemma between desire for artistic career and for fulfilling ideal femininity, and finally investigates the artist’s reconciliation with her dead mother and acceptance of her multiple selves. Chapter One examines Atwood’s appropriation of Gothic elements and her revision of three fairy tales, including “The Bluebeard,” “The Red Shoes,” and “The Little Mermaid.” Chapter Two analyzes the protagonist’s traumatic experiences and repetition compulsion as well as her maternal legacy. Chapter Three illuminates the protagonist’s psychical journeys to communicate with her mother and her past selves. The last chapter discusses the ambiguous ending of this novel. | en |
| dc.description.provenance | Made available in DSpace on 2021-05-20T20:46:16Z (GMT). No. of bitstreams: 1 ntu-97-R92122011-1.pdf: 329184 bytes, checksum: c68bfb458e9d53a042b4522487d07662 (MD5) Previous issue date: 2008 | en |
| dc.description.tableofcontents | Table of Contents
Introduction Atwoodian Anti-Gothic: The Perils of Gothic Thinking………1 Chapter One A Portrait of the Artist as a Young Woman……………………12 Chapter Two Trauma and Maternal Legacy…………………………………………32 Chapter Three Joan Foster’s Underground Journeys: Writing and Self-Discovery………………………………………………………………57 Conclusion……………………………………………………………75 Works Cited……………………………………………………………82 | |
| dc.language.iso | en | |
| dc.title | 愛特伍式歌德：瑪格麗特•愛特伍《女祭師》中的創傷與書寫 | zh_TW |
| dc.title | Atwoodian Gothic: Trauma and Writing in Margaret Atwood's Lady Oracle | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 96-2 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 劉毓秀,黃宗慧 | |
| dc.subject.keyword | 愛特伍式歌德,女性身體,主體性,創傷,母女關係, | zh_TW |
| dc.subject.keyword | Atwoodian Gothic,female body,identity,trauma,mother-daughter relationship, | en |
| dc.relation.page | 84 | |
| dc.rights.note | 同意授權(全球公開) | |
| dc.date.accepted | 2008-07-10 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
| 顯示於系所單位： | 外國語文學系 | |
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