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| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 吳雅鳳(Ya-Feng Wu) | |
| dc.contributor.author | Meng-Chiao Chuang | en |
| dc.contributor.author | 莊孟樵 | zh_TW |
| dc.date.accessioned | 2021-05-20T20:42:28Z | - |
| dc.date.available | 2011-07-23 | |
| dc.date.available | 2021-05-20T20:42:28Z | - |
| dc.date.copyright | 2008-07-23 | |
| dc.date.issued | 2008 | |
| dc.date.submitted | 2008-07-23 | |
| dc.identifier.citation | Adams, Hazard. Blake and Yeats: The Contrary Vision. New York: Russell & Russell, 1955.
---. The Book of Yeats’s Poems. Tallahassee: Florida State UP, 1990. ---. The Book of Yeats’s Vision: Romantic Modernism and Antithetical Tradition. Ann Arbor: U of Michigan P, 1995. Adams, Steve L., et al., eds. Yeats’s Vision Papers. 4 vols. Iowa: U of Iowa P, 1992. Albright, Daniel. W. B. Yeats The Poems. London: Everyman’s Library, 1990. Allen, James Lovic. “The Road to Byzantium: Archetypal Criticism and Yeats” The Journal of Aesthetics and Art Criticism 32.1 (1973): 53-64. Allison, Jonathan, ed. Yeats’s Political Identities. Ann Arbor: U of Michigan P, 1966. Bloom, Harold. Yeats. Oxford: Oxford UP, 1970. ---. The Anxiety of Influence: a Theory of Poetry. New York: Oxford UP, 1973. Bornstein, George. Yeats and Shelley. Chicago: U of Chicago P, 1970. ---. “Remaking Himself: Yeats's Revisions of His Early Canon.” Text: Transactions of the Society for Textual Scholarship 5 (1991): 339-58. Bradford, Curtis. Yeats at Work. Carbondale: Illinois UP, 1965. Brown, Terence. The Life of W. B. Yeats: A Critical Biography. Oxford: Blackwell, 1999. Campbell, Harry Modean. “Yeats’s ‘Sailing to Byzantium.’” Modern Language Notes 70.8 (1955): 585-589. Carpenter, Frederic I. “A Lesser ‘Byzantium’” College English 28.8 (1967): 614-615. Cullingford, Elizabeth. Gender and History in Yeats’s Love Poetry. Cambridge: Cambridge UP, 1993. ---. Yeats, Ireland and Facism. London: Macmillon, 1981. Eliot, T. S. “The Poetry of W. B. Yeats.” Southern Reviews (Winter 1941 / 42): 444-50. De Man, Paul. The Rhetoric of Romanticism. New York: Columbia UP, 1984. Ellmann, Richard. The Identity of Yeats. London: Faber and Faber, 1954. ---. Yeats: The Man and the Masks. New York: Norton, 1948. Engelberg, Edward. The Vast Design: Patterns in W. B. Yeats’s Aesthetics. Toronto: U of Toronto P, 1964. Faherty, Michael. The Poetry of W. B. Yeats New York: Macmillan, 2005. Finneran, Richard J., ed. Introduction. Critical Essays on W. B. Yeats. Boston: G. K. Hall, 1986. Fletcher, Ian. W. B. Yeats and his Contemporaries. Brighton, Suessex: Harvester, 1987. Foster, R. F. W. B. Yeats: a life. 2 vols. New York: Oxford UP, 1997. Frye, Northrop. “Yeats and the Language of Symbolism.” Fables of Identity. New York: Harcourt, Brace & World, 1963. Harper, George Mills. The Making of Yeats’s A Vision. 2 vols. Houndmills: Macmillan, 1987. Harper, Margaret Mills. Wisdom of Two: the Spiritual and Literary Collaboration of George and W.B. Yeats. Oxford: Oxford UP, 2006. Harris, Daniel A. Yeats: Coole Park & Ballylee. Baltimore: Johns Hopkins UP, 1974. Henn, T. R. The Lonely Tower: Studies in the Poetry of W. B. Yeats. London: Methsen, 1950. Holdeman, David. The Cambridge Introduction to W. B. Yeats. Cambridge: Cambridge UP, 2006. Hone, Joseph. W. B. Yeats: 1865-1939. 2nd ed. Basingstoke, Hampshire: Macmillon, 1989, 1962. Hough, Graham. The Last Romantics. New York: AMS, 1978, 1949. Howes, Marjorie. Yeats’s Nations: Gender, Class, and Irishness. Cambridge: Cambridge UP, 1996. Howes, Marjorie and John Kelly, eds. Introduction. The Cambridge Companion to W.B. Yeats. Cambridge: Cambridge UP, 2006. Hunter, C. Stuart. “Return to ‘la bonne vaux’: The Symbolic Significance of Innisfree” Modern Language Studies, 14.3 (1984): 70-81. Jeffares, Alexander Norman. W. B. Yeats: Man and Poet. London: Routledge & Kegan Paul, 1949. ---. A Commentary on the Collected Poems of W. B. Yeats. Stanford: Stanford UP, 1968. ---. W. B. Yeats: A New Biography. New York: Farrar Straus Giroux, 1998. Kermode, Frank. Romantic Image. London: Routledge, 2002, 1957. Kiberd, Declan. Inventing Ireland. Cambridge, Mass: Harvard UP, 1996, 1995. Kline, Gloria. The Last Courtly Lover: Yeats and the Idea of Woman. Ann Arbor: UMI Research Press, 1983. Koch, Vivienne. W. B. Yeats: the Tragic Phase. Baltimore: Johns Hopkins, 1951. Lesser, Simon O. “‘Sailing to Byzantium’—Another Voyage, Another Reading” College English 28.4 (1967): 291-296, 301-310. Macrae, Alasdair D. F. W. B. Yeats: A Literary Life. Houndmills: Macmillan, 1995. Maddox, Brenda. Introduction. George’s Ghost: a New Life of W. B. Yeats. London : Picador, 1999. Melchiori, Giorgio. The Whole Mystery of Art: Pattern into Poetry in the Work of W. B. Yeats. Westport, Connecticut: Greenwood Press, 1960. Murphy, Frank Hughes. Yeats’s Early Poetry: The Quest for Reconciliation. Baton Rouge: Louisiana State UP, 1975. Olsen, Elder. “Sailing to Byzantium: Prolegomena to a Poetics of the Lyric.” The University Review 8 (Kansas City, 1942): 209-19. Parkinson, Thomas. W. B. Yeats Self-critic: A Study of His Early Verse and the Later Poetry. Berkeley: U of California P, 1971. Raine, Kathline. From Blake to A Vision. Dublin: Dolmen, 1979. ---. Yeats, the Tarot, and the Golden Dawn. 2nd ed. Dublin: Dolmen, 1976. Ramazani, Jahan. “Is Yeats a Postcolonial Poet?” Raritan 17 (Winter 1998): 64-89. Reid, Forrest. W. B. Yeats: A Critical Study. London: M. Secker, 1915. Said, Edward. “Yeats and Decolonization.” Nationalism, Colonialism, and Literature. Ed. Seamus Deane. Minneapolis: U of Minnesota P, 1990. 90-91. Schricker, Gale C. A New Species of Man: the Poetic Persona of W. B. Yeats. London: Associated University Presses, 1982. Snukal, Robert. High Talk: the Philosophical Poetry of W. B. Yeats. Cambridge: Cambridge UP, 1973. Stalworthy, Jon. Between the Lines: Yeats’s Poetry in the Making. Oxford: Clarendon, 1963. ---. Vision and Revision in Yeats’s Last Poems. Oxford: Clarendon, 1969. Stanfield, Paul Scott. Yeats and Politics in the 1930s. Basingstoke, Hampshire: Macmillan, 1988. Thornton, R. K. R. “How Far is it from Innisfree to Byzantium?” Irish Studies Review 11.3 (2003): 285-292. Toomey, Deirdre, ed. Yeats and Women. 2nd ed. Houndmills: Macmillan, 1997.Torchiana, Donald T. W. B. Yeats and Georgian Ireland. Evanston: Northwestern UP, 1966. Unterecker, John. A Reader’s Guide to William Butler Yeats. Syracuse: Syracuse UP, 1959.Whitaker, Thomas R. Swan and Shadow: Yeats’s Dialogue with History. North Carolina: U of North Carolina P, 1964. VanOosting, James. “Saintly Grammar” Commonweal 132.9 (2005): 38. Vendler, Helen. Yeats’s Vision and the Later Plays. London: Oxford UP, 1963. Yeats, William Butler. A Vision. Houndmills: Macmillan, 1937. ---. Autobiographies. New York: Scribner, 1999. ---. John Sherman & Dhoya. Ed. Richard J. Finneran. Detroit: Wayne State UP, 1969. ---. Memoirs. Denis Donoghue, ed. New York: Macmillan, 1972. ---. Mythologies. New York: Touchstone, 1998. ---. The Collected Poems of W. B. Yeats. Hertfordshire: Wordsworth, 1994. Young, David. Troubled Mirror. Iowa: U of Iowa P, 1987. | |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/9806 | - |
| dc.description.abstract | 本論文受索頓之“茵尼斯菲拜占庭幾呎遙？”之啟發，旨於補充索頓在其文章中所忽略的包括兩個幻想之地的比較及前後期葉慈之間的差異。藉由精細比較《玫瑰》與《塔》之中的詩作申辯茵尼斯菲與拜占庭之間的距離如索頓指稱，為「毫無差距」。葉慈之風格轉變是預謀而非意外，其風格之變為其障眼之戲法，藉想像的姿態呈現其多面之自我。且即便葉慈看似尋獲跳脫生之輪迴的答案，死亡仍舊是不能被解決的謎題。總結來說，葉慈一生中總是探索著非常類似的主題，但卻用極度不同的語言和風格作表達。即便他在文學生涯裡探觸到許多不同的課題，靈魂之課題仍是他最心之所繫。 | zh_TW |
| dc.description.abstract | Inspired by R. K. R. Thornton’s essay, “How Far is it from Innisfree to Byzantium?,” this thesis intends to supplement what Thornton has overlooked in his paper by including a more detailed comparison between the two imaginary locales and the difference or / and the similarity between the early Yeats and the late Yeats.
By closely comparing poems from The Rose and The Tower, this thesis argues that the distance between Innisfree and Byzantium is “no distance at all” as Thornton maintains, that Yeats’s change of style is intentional rather than coincidental. Yeats’s change of style, therefore, is his sleight of hand, a way of presenting his multi-faceted self with imagined gestures and poses. And even though Yeats seems to have found the solution for haunting sensual music, the problem of death is actually insolvable. To sum up, Yeats had been fumbling upon the similar themes within different language and styles. Even if he touched upon many different issues along his literary career, the issue of the soul had always been what he concerned most. | en |
| dc.description.provenance | Made available in DSpace on 2021-05-20T20:42:28Z (GMT). No. of bitstreams: 1 ntu-97-R92122013-1.pdf: 281654 bytes, checksum: 6deb31ae14ce7e847fe55902db5b6aa0 (MD5) Previous issue date: 2008 | en |
| dc.description.tableofcontents | 口試委員會審定書 .................................... ii
Acknowledgement ................................... iii Abstract ........................................... iv Introduction ......................................... 1 Chapter 1 A Brief Summary on Thornton’s Article ... 15 Chapter 2 The Differences and Similarities between Innisfree and Byzantium ............................. 26 Chapter 3 From The Rose to The Tower ............... 59 Conclusion .......................................... 79 Work Cited .......................................... 83 | |
| dc.language.iso | en | |
| dc.title | 茵尼斯菲至拜占庭: 葉慈之尋魂之旅 | zh_TW |
| dc.title | Innisfree to Byzantium: Yeats's Spiritual Journey | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 96-2 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 高天恩(Tien-En Kao),高維泓(Wei-Hung Kao) | |
| dc.subject.keyword | 葉慈,茵尼斯菲,拜占庭,玫瑰,塔, | zh_TW |
| dc.subject.keyword | Yeats,Innisfree,Byzantium,The Rose,The Tower, | en |
| dc.relation.page | 90 | |
| dc.rights.note | 同意授權(全球公開) | |
| dc.date.accepted | 2008-07-23 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
| 顯示於系所單位： | 外國語文學系 | |
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