刺繡江湖

Abstract

亂針繡是一種源於中國江蘇丹陽，由正則藝術學校教授楊守玉創立的獨特刺繡藝術形式。其主要特征是交叉的短線條，通過改變角度、厚薄等等方式，來繡制各種不同的主題。這門技藝逐漸發展成熟，並在1949年傳入台灣，至今在臺已有超過七十年的發展歷史。 本研究的影像報導《刺繡江湖》，以四位台灣刺繡藝師姚明芬、黃莉莉、李俊毅、粘碧華為核心，通過他們的創作故事與藝術經歷，階梯式地展現亂針繡在台灣的傳承與創新，並分析其在當代社會中的意義與挑戰。主要聚焦於亂針繡這一主要刺繡流派在台灣的發展歷程、技法演變與藝術創新。 本報導旨在觀察面對文化傳承與刺繡藝術振興的問題，從如何確定創作風格，以創新媒材回應傳統手藝。以影像深度報導的形式，敘說亂針刺繡的發展源流，不同媒材、流行文化與刺繡的碰撞，需要藝師們的思考與創新，透過探究傳統刺繡與當代刺繡，用何種方式與愛好者們互動、教學者又是如何開展教學過程，學生們如何面對刺繡所需大量的時間和精力成本，反思傳統刺繡在現代生活的發展可能性。

Crewel work embroidery is a unique embroidery art form originating from Danyang, Jiangsu, China, and founded by Yang Shouyu, a professor at Zhengze Art School. Its main feature is short intersecting lines, which can be embroidered with various themes by changing the angle, thickness, etc. This skill gradually developed and matured and was introduced to Taiwan in 1949. It has a history of development in Taiwan for more than 70 years. The video report of this study, "In The Mood of Stitch" , focuses on four Taiwanese embroidery artists. Through their creative stories and artistic experiences, it shows the inheritance and innovation of crewel work embroidery in Taiwan in a step-by-step manner, and analyzes its role in contemporary society. meaning and challenges. It mainly focuses on the development process, technique evolution and artistic innovation of crewel work embroidery, the main embroidery genre in Taiwan. The purpose of this report is to observe the problems of cultural inheritance and the revitalization of embroidery art, from how to determine the creative style, and respond to traditional craftsmanship with innovative media. In the form of in-depth video reports, it narrates the development of needle embroidery, the collision of different media, popular culture and embroidery, which requires the thinking and innovation of artists, through the exploration of traditional embroidery and contemporary embroidery, how to interact with enthusiasts, how teachers carry out the teaching process, how students face the large amount of time and energy cost required for embroidery, and reflect on the development possibilities of traditional embroidery in modern life.