展演地方及其社群：以斜槓青年創作體海口駐村計畫為例

Abstract

本論文以斜槓青年創作體於2018至2021年間受落山風藝術季策展團隊之邀，進駐屏東縣車城鄉海口村的三部駐村創作《正港海口味》（2019）、《迷走計畫：做伙來去踅海口》（2020）、《海口之聲》（2021）為案例，探討展演地方及其社群的可能性與挑戰。因應此類型演出通常被認定可涵蓋於「應用戲劇」及「社區劇場」範疇中，本研究先梳理應用戲劇及臺灣社區劇場發展，並透過探討此三部作品，試圖提出可作為此類型演出分析框架的戲劇及表演理論。 斜槓青年創作體第一年進駐海口村，以口述歷史作為方法，與海口社區媽媽教室社群互動後編創《正港海口味》，形構地方居民的集體記憶，讓劇中海口村成為懷舊烏托邦。第二年《迷走計畫：做伙來去踅海口》透過社區遊走及戲劇化導覽，觀眾戴上耳機、透過不同感官，同時感受現時社區與歷史回憶，看見地方的今昔變化。與地方社群更為熟識後，第三年的駐村創作《海口之聲》以地方創生為切入點，透過外來者的新視角，在突顯地方特色的同時，讓居民與觀眾能思考海口村的未來發展。 分析斜槓青年創作體長達三年的駐村及創作歷程，因為劇團與地方社群互動的關係變化及嘗試不同的工作方法，讓居民對展演地方的想像不再只是緬懷美好的過去，而能納入現況、共思地方的未來，並提出這樣的合作讓劇團跟地方社群共同成為展演中的主體。最後，從以上案例提出展演地方及其社群的可能性與挑戰，提供未來研究者及實踐者建議。

This thesis examines the possibilities and challenges of performing place and its community through the case study of three residency works by the Slash Theatre troupe, invited by the Luo Shan Feng Arts Festival curatorial team to Haikou Village in Checheng Township, Pingtung County, from 2018 to 2021. The three works, The Authentic Flavor of Haikou (2019), The Maze Project: Let’s Stroll Around Haikou Together (2020), and The Voice of Haikou (2021) are analyzed within the frameworks of applied drama and community theatre. The study first reviews the development of applied drama and community theatre in Taiwan, and through analyzes these three works, it attends to propose theatre and performance theories that can serve as an analytical framework for these types of works. In the first year, the Slash Theatre troupe utilized oral history to interact with the community from the Haikou Women’s Workshop, creating The Authentic Flavor of Haikou. This piece shaped the collective memory of local residents, presenting Haikou Village as a nostalgic utopia. In the second year, audiences of The Maze Project strolled through the village wearing headphones, listening to stories and memories of the village, and seeing dramatized scenes at specific spots. They not only learned about but also experienced and witnessed the changes in the village. In the third year, with a deeper understanding of the village, the Slash Theatre troupe adopted a new approach, focusing on how to revitalize the village and envision its future by incorporating outsiders as main characters in The Voice of Haikou. In addition, this study analyzes the three-year creative process of the Slash Theatre troupe with the community. Due to the evolving interaction between both sides and different working methods, the perceptions of the local residents about performing their village have shifted from merely reminiscing about the past to incorporating the present and collectively envisioning the future. Their collaboration reflects that both the theatre troupe and the local community can become active subjects. Finally, the thesis identifies the possibilities and challenges of performing place and its community based on these case studies, providing recommendations for future researchers and practitioners.