請用此 Handle URI 來引用此文件：
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/94370完整後設資料紀錄
| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 孔思文 | zh_TW |
| dc.contributor.advisor | Szu-Wen Kung | en |
| dc.contributor.author | 鍾榕芳 | zh_TW |
| dc.contributor.author | Jung-Fang Chung | en |
| dc.date.accessioned | 2024-08-15T17:05:41Z | - |
| dc.date.available | 2024-08-16 | - |
| dc.date.copyright | 2024-08-15 | - |
| dc.date.issued | 2024 | - |
| dc.date.submitted | 2024-08-01 | - |
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Surtitles and Translation Towards an Integrative View of Theater Translation. In H. Gerzymisch-Arbogast, S. Nauert, & Advanced Translation Research Center (ATRC) Saarland University Germany (Eds.), EU High Level Scientific Conferences, Marie Curie Euroconferences. Harper, D. (n.d.-a). Etymology of boutique. In Online Etymology Dictionary. Retrieved July 18, 2023, from https://www.etymonline.com/word/boutique Harper, D. (n.d.-b). Etymology of ketchup. In Online Etymology Dictionary. Retrieved July 18, 2023, from https://www.etymonline.com/word/ketchup Hate Theatre. (2022, January 22). <i>跨年度4刷，帶朋友去看，想不到迎來第一個失望. . .對於叉燒之後接替的新卡司. . .. . .啊啊啊我不行. . .. . .這個唱. . .. . .真的不行. . .. . .跟其他人比落差好大啊. . .. . .越想越失望. . .. . . 然後關於字幕. . .我其實一直也覺得. . .有點小小的過於活潑跟搶焦. . .也同意有時原文比中譯幽默的多了. . .@@. Hate Theatre. Retrieved August 12, 2023, from <span class=&qout;url&qout;>https://www.facebook.com/permalink.php?story_fbid=pfbid0aukLDV2XxSKYpGRAwR6GWbkZcfZYNR5Uj7vvufN5izkUCHkdBGSWom4YMokxm4Aml&id=100044382131088 Hate Theatre. (2023a, March 10). 「櫻桃園」的字幕發生什麼事？！一開始10分鐘詞全部不見，演員一連串的法文完全聽不懂，嚴重影響觀劇體驗，太爛了吧？這麼大製作，基本的讓字幕順暢很難嗎？真的是氣到想叫臺中歌劇院退錢！. Facebook. Retrieved August 16, 2023, from https://www.facebook.com/permalink.php?story_fbid=pfbid0CXCTTxBTCmBrVdraG8TcevnxGtZQM6Ya8RCfemdqtTcJjnWyshbGKrLcnwxpGmAVl&id=100044382131088 Hate Theatre. (2023b, March 10). 真的不可能《櫻桃園》字幕錯成這樣吧？？？ 現在根本也就不是退不退票的問題， 看戲品質就是嚴重大打折扣， 我根本不知道開場是發生什麼事， 中間也超多次要靠對劇本的熟悉度還有演員的表演硬猜現在在演什麼， 也不是退了費大家都能排出時間再進一次歌劇院⋯⋯ 怎麼會是這個品質⋯⋯無法理解⋯⋯. Facebook. Retrieved August 16, 2023, from https://www.facebook.com/permalink.php?story_fbid=pfbid0TpXkBs3Q3gbZekHBpPdg5s7GnGyxMkaJAUEcDKMM1HAQYbDw91hhTsZkdTnf9jMgl&id=100044382131088 Hate Theatre. (2023c, March 13). <i>今天晚上心情不太好決定來滑一下黑特娛樂自己 結果一邊跟朋友聊棒球一邊看各種爆料(這周末有看的戲是櫻桃園) 越看越聽 心情越來越鬱卒 這到底都是些什麼事情啊? 本人學生 住北部 票錢車錢(還有最後趕高鐵的計程車錢)都是自己打工存的 衝著製作、演出團隊的名聲跑來看戲 最後不合胃口什麼的沒關係 反正是自己選擇要看這場的 但是從被迫跟沙丁魚一樣擠在空氣不流通的前廳&第一句翻譯字幕就死亡開始，我整個人就不好了 修過法文當二外，但真的沒好到可以靠雙耳辨認好嗎? 本來因為謝幕時有感動到 想說不要發黑特了 今天晚上看一看還是覺得 黑特就是讓大家有不滿就勇敢講出來的 我不管 我就是要分享 (剛好前面有看到大家在說口譯的問題 兩廳院最近幾檔需要現場翻譯的演出真的都不是找專業人員 相對之下山貌其實算好的情況了 但還是希望這些專業場館可以正視翻譯的重要性 也希望以後不會便宜行事到給我看ChatGPT字幕) 好了 最後在我第一篇黑特文想要來個比較光明的結尾: 祝福大家2023都不用再看爛戲 隨便買都能買到精彩演出 謝謝大家. Facebook. Retrieved August 16, 2023, from <span class=&qout;url&qout;>https://www.facebook.com/permalink.php?story_fbid=pfbid0TpXkBs3Q3gbZekHBpPdg5s7GnGyxMkaJAUEcDKMM1HAQYbDw91hhTsZkdTnf9jMgl&id=100044382131088 Heckmann, C. (2022, November 20). What is an Epilogue — Definition & Meaning in Literature & Film. StudioBinder. Retrieved July 22, 2023, from https://www.studiobinder.com/blog/what-is-an-epilogue-definition/ Heppoko, H. (2017, February 8). 日本的電視，為什麼不像台灣的一樣「有字幕」？. 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| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/94370 | - |
| dc.description.abstract | 戲劇翻譯（stage translation）為近年持續受到矚目的研究領域，音樂劇字幕翻譯（surtitle translation）則為其一。台灣學術界針對音樂劇字幕翻譯的研究尚付之闕如，仍屬新興領域，值得一探究竟。本論文旨在透過版權音樂劇《I Love You. You’re Perfect. Now Change》（簡稱LPC），以歸化理論與戲劇翻譯為理論架構，探討音樂劇字幕翻譯的策略。此外，臺灣音樂劇字幕翻譯發展現況也是本研究探討重點。透過音樂劇製作團隊訪談與文本分析，發現歸化為有效的戲劇字幕翻譯策略，可增進字幕可讀性、提升表演性、達到製作團隊期望的效果；台灣戲劇字幕發展縱然現存挑戰，但整體發展樂觀，充滿潛力；戲劇字幕譯者能動性與戲劇字幕翻譯的有機發展過程亦為本研究的重點發現，使戲劇字幕翻譯在翻譯領域中獨樹一格。 | zh_TW |
| dc.description.abstract | Stage translation has been a focus in translation studies, in which surtitle translation is one of the translation tasks. In Taiwan, research about surtitle and its translation is lacking, showing that surtitle translation study is a newly emerged field in Taiwan that worth investigation. In this research, I Love You. You’re Perfect. Now Change (LPC), an off-broadway licensing musical in Taiwan, is examined to discuss its surtitle translation strategies from the perspective of domestication and with key issues in stage translation. The development of surtitle translation in Taiwan musical industry is also a focus in this study. Through interview and textual analysis, the study found that domestication is an effective strategy for surtitle translation. It improves surtitle reading experience, enhances performability, and achieves desired results for the production team. Regarding the future of licensing musical in Taiwan, despite existing challenges, it appears promising and optimistic. The agency of a surtitle translator and the organic process of surtitle translation are particularly notable in the study, setting surtitle translation apart as distinct within the broader landscape of translation practices. | en |
| dc.description.provenance | Submitted by admin ntu (admin@lib.ntu.edu.tw) on 2024-08-15T17:05:41Z No. of bitstreams: 0 | en |
| dc.description.provenance | Made available in DSpace on 2024-08-15T17:05:41Z (GMT). No. of bitstreams: 0 | en |
| dc.description.tableofcontents | Master’s Thesis Acceptance Certificate ii
Acknowledgement iii Abstract & Keywords iv 摘要與關鍵字 v Table of Contents vi List of Figures vii Chapter 1. Introduction 1 Chapter 2. Literature Review 6 2.1 Stage translation 6 2.2 Domestication 17 2.3 Licensing musical theatres in Taiwan 20 Chapter 3. Research Methods 23 3.1 Data collection 23 3.2 Data analysis 25 Chapter 4. Result and Discussion 27 4.1 Textual Analysis 27 4.2 Interview Analysis 54 4.3 Discussion 75 Chapter 5. Conclusion 79 References 82 Appendices 104 Appendix A: Interview questions 104 Appendix B: Recording declaration for interviewees 106 Appendix C: Bilingual surtitles of I Love You. You’re Perfect. Now Change. 108 | - |
| dc.language.iso | en | - |
| dc.title | 初探臺灣音樂劇字幕翻譯： 《I Love You. You’re Perfect. Now Change》個案研究 | zh_TW |
| dc.title | Exploring surtitle translation in Taiwan musical theatre with I Love You. You’re Perfect. Now Change as a case study | en |
| dc.type | Thesis | - |
| dc.date.schoolyear | 112-2 | - |
| dc.description.degree | 碩士 | - |
| dc.contributor.oralexamcommittee | 李根芳;熊賢關 | zh_TW |
| dc.contributor.oralexamcommittee | Ken-Fang Lee;Ann-Marie Hsiung | en |
| dc.subject.keyword | 戲劇翻譯,戲劇字幕,戲劇字幕翻譯,歸化,音樂劇, | zh_TW |
| dc.subject.keyword | stage translation,surtitles,surtitle translation,domestication,musical theatre, | en |
| dc.relation.page | 176 | - |
| dc.identifier.doi | 10.6342/NTU202402411 | - |
| dc.rights.note | 同意授權(全球公開) | - |
| dc.date.accepted | 2024-08-05 | - |
| dc.contributor.author-college | 文學院 | - |
| dc.contributor.author-dept | 翻譯碩士學位學程 | - |
| 顯示於系所單位： | 翻譯碩士學位學程 | |
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