Skip navigation

DSpace

機構典藏 DSpace 系統致力於保存各式數位資料(如:文字、圖片、PDF)並使其易於取用。

點此認識 DSpace
DSpace logo
English
中文
  • 瀏覽論文
    • 校院系所
    • 出版年
    • 作者
    • 標題
    • 關鍵字
  • 搜尋 TDR
  • 授權 Q&A
    • 我的頁面
    • 接受 E-mail 通知
    • 編輯個人資料
  1. NTU Theses and Dissertations Repository
  2. 進修推廣部
  3. 事業經營碩士在職學位學程
請用此 Handle URI 來引用此文件: http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/93808
完整後設資料紀錄
DC 欄位值語言
dc.contributor.advisor陳家麟zh_TW
dc.contributor.advisorChia-Lin Chenen
dc.contributor.author高建輔zh_TW
dc.contributor.authorChien-Fu Kaoen
dc.date.accessioned2024-08-08T16:19:45Z-
dc.date.available2024-08-09-
dc.date.copyright2024-08-08-
dc.date.issued2024-
dc.date.submitted2024-07-28-
dc.identifier.citation[1] Anderson, J., & Smith, M. (2021). Global branding strategies in the OTT industry. Journal of International Marketing, 29(3), 45-62.
[2] Barney, J. (1991). Firm resources and sustained competitive advantage. Journal of Management, 17(1), 99-120.
[3] Belleflamme, P., & Peitz, M. (2019). Industrial organization: Markets and strategies. Cambridge University Press.
[4] Brown, T., & Wilson, P. (2019). The impact of cloud computing on OTT services. Telecommunications Policy, 43(10), 102-117.
[5] Chen, Y. (2020). 5G technology and its impact on media streaming services. Communications Research, 36(2), 144-158.
[6] Chen, Y. (2020). The impact of 5G on the OTT industry. International Journal of Digital Media, 12(2), 87-99.
[7] Chen, Y., & Liu, Z. (2022). The impact of streaming services on television consumption: Evidence from the United States and China. Journal of Media Economics, 35(1), 45-64.
[8] Chu, H. (2021). Globalization of OTT platforms in Taiwan. Journal of Media Economics, 34(2), 85-102.
[9] Dasgupta, S., & Giri, P. (2019). Understanding adoption factors of over-the-top video services among millennial consumers. International Journal of Computer Engineering & Technology (IJCET), 10(1), 61-71.
[10] Daugherty, P. R., & Wilson, H. J. (2018). Human + machine: Reimagining work in the age of AI. Harvard Business Review Press.
[11] Davis, R., & Thompson, L. (2018). Revenue models in the digital media industry. Journal of Media Economics, 31(4), 224-237.
[12] Dubey, R., Gunasekaran, A., Childe, S. J., Blome, C., & Papadopoulos, T. (2019). Big data and predictive analytics and manufacturing performance: Integrating institutional theory, resource-based view and big data culture. British Journal of Management, 30(2), 341–361.
[13] Eaton, B. D. (2012). The dynamics of digital platform innovation: Unfolding the paradox of control and generativity in Apple's iOS. Information Systems Research, 30(1), 265-285.
[14] Gandomi, A., & Haider, M. (2015). Beyond the hype: Big data concepts, methods, and analytics. International Journal of Information Management, 35(2), 137-144.
[15] Gnyawali, D. R., & Park, B. J. (2011). Co-opetition between giants: Collaboration with competitors for technological innovation. Research Policy, 40(5), 650-663.
[16] Gold, E. (2019). Spotify and the evolution of music recommendation systems. Music Industry Journal, 12(1), 15-30.
[17] Gu, X., Gao, F., Tan, M., & Peng, P. (2020). Fashion analysis and understanding with artificial intelligence. Information Processing and Management, 57(5), 102276.
[18] Hagedoorn, J. (1996). Innovation and entrepreneurship: Schumpeter revisited. Industrial and Corporate Change, 5(3), 883-896.
[19] Helfat, C. E., & Peteraf, M. A. (2003). The dynamic resource-based view: Capability lifecycles. Strategic Management Journal, 24(10), 997-1010.
[20] Huang, J., & Yu, T. (2021). Global OTT market strategies. Journal of Media Studies, 42(1), 89-105.
[21] Ingenhoff, D., & Sommer, K. (2010). Trust in companies and in CEOs: A comparative study of the main influences. Journal of Business Ethics, 95(3), 339-355.
[22] Ionescu, F. T. (2011). Boston Consulting Group II – A business portfolio analysis matrix.
[23] Johnson, G. (2019). App store economics. Business Strategy Review, 30(1), 74-82.
[24] Jones, A. (2020). Collaborations with international directors: Enhancing content quality. Film and Television Studies, 15(2), 117-130.
[25] JUMP Data-Driven Video. (n.d.). Personalization as a tool to retain users of your OTT service. Retrieved from https://www.jumpdatadriven.com
[26] Kim, J., & Choi, H. (2019). The role of social media in the adoption of OTT services: A study on Korean consumers. Journal of Broadcasting & Electronic Media, 63(2), 145-162.
[27] Kim, Y.-J., & Lee, S. (2020). Effectiveness of online video advertising: The role of interactivity, relevance, and product involvement. Journal of Interactive Advertising, 20(1), 1-15.
[28] Küng, L. (2017). Strategic management in the media: Theory to practice. Sage Publications.
[29] Lee, K. (2020). Localization strategies for OTT platforms. Asian Journal of Business and Management, 17(4), 213-227.
[30] Lee, M. K., & Lee, J. (2021). The impact of technological innovation on building a sustainable OTT platform. Journal of Media Economics, 28(2), 123-137.
[31] Li, S.-C., Wu, T.-Y., Zeng, H.-K., & Lo, S.-Y. (2022). Channels adopted for information seeking during COVID-19: Comparing social media with news media and interpersonal communication in Taiwan. International Journal of Environmental Research and Public Health, 19(15), 1-16.
[32] Li, X. (2019). Predicting market trends using big data analytics. Journal of Big Data Research, 5(3), 112-126.
[33] Li, X. (2021). Customer acquisition costs in the OTT market. Journal of Media Business Studies, 18(1), 34-49.
[34] Lin, W.-Y., Zhang, X., Jung, J.-Y., & Kim, Y.-C. (2013). From the wired to wireless generation? Investigating teens’ Internet use through the mobile phone. Telecommunications Policy, 37(8), 651-661.
[35] Lin, Y. (2020). Localized content strategy in the Taiwanese OTT market. International Journal of Media Management, 22(3), 145-160.
[36] Liu, W., Liu, J., Loy, J.-P., & Ren, Y. (2023). The effect of internet use on males' body mass index and overweight: Evidence from China. EconStor Open Access Articles and Book Chapters, 19(12), 11-22.
[37] Madsen, D. Ø. (2017). Not dead yet: The rise, fall and persistence of the BCG matrix.
[38] Maduku, D. K., & Abu-Shanab, E. A. (2022). Drivers of social media networking site continuance intention in Jordan and South Africa: Do national cultural differences matter? International Journal of E-Services and Mobile Applications (IJESMA), 14(1), 1-29.
[39] MarketWatch. (2022). The role of original content in the OTT market. MarketWatch Research Reports.
[40] Moore, J. (2017). Building a sustainable OTT ecosystem. Journal of Digital Media, 25(2), 98-115.
[41] Porter, M. E. (2008). Competitive advantage: Creating and sustaining superior performance. Free Press.
[42] Porter, M. E., & Heppelmann, J. E. (2014). How smart, connected products are transforming competition. Harvard Business Review, 92(11), 64-88.
[43] Sarikaya, Y., & Gupta, A. (2020). Content is king: How creators shape marketing strategies. Journal of Marketing Research, 57(4), 703-722.
[44] Smith, K. J., Dhillon, G., & Otoo, B. A. (2022). iGen User (over) Attachment to Social Media: Reframing the Policy Intervention Conversation. Information Systems Frontiers, 24(6), 1989-2006.
[45] Smith, R. (2020). Differentiated market strategies for OTT services. Journal of Marketing Research, 58(4), 287-302.
[46] Smith, T. (2021). Blockchain technology in digital media transactions. Journal of Financial Technology, 9(2), 142-159.
[47] Sung, N., & Kim, J. (2020). Does the internet kill newspapers? The case of South Korea. Telecommunications Policy, 44(4).
[48] Sung, N., & Kwack, E. (2016). IPTV's videos on demand for television programs, their usage patterns, and inter-channel relationship in Korea. Telecommunications Policy, 40(10), 1064-1076.
[49] Vara-Miguel, A. (2020). Cross-national similarities and differences between legacy and digital-born news media audiences. Media and Communication, 8(2), 16-27.
[50] Vara-Miguel, A., Sánchez-Blanco, C., Sádaba Chalezquer, C., & Negredo, S. (2021). Funding sustainable online news: Sources of revenue in digital-native and traditional media in Spain. Sustainability, 13(20), 1-17.
[51] Wang, S., & Sun, J. (2020). Enhancing user experience through AI in OTT services. International Journal of Information Management, 54, 102-116.
[52] Zhu, W., & Zhang, X. (2021). The convergence of OTT and e-commerce. Journal of Digital Media, 16(3), 205-221.
[53] 中時新聞網(2021年11月25日)。台灣KKBOX集團改名!KKCompany放眼亞太市場 加速OTT媒體串流成長。中時新聞網。 https://www.chinatimes.com/realtimenews/20211125004936-260410?chdtv
[54] 中時新聞網(2021年11月25日)。「在地化」成影音串流平台新趨勢!台劇帶動OTT平台成長 《與惡》《火神的眼淚》超高聲量成年度話題劇。中時新聞網。 https://www.chinatimes.com/realtimenews/20211125004936-260410?chdtv
[55] 工業技術研究院(2021)。數位匯流加速OTT 發展完整平台催生創新應用。工業技術與資訊月刊。https://www.itri.org.tw/ListStyle.aspx?DisplayStyle=18_content&SiteID=1&MmmID=1036452026061075714&MGID=621022541321721622
[56] 數位時代(2023年6月)。KKBOX母公司申請上市,掛牌前完成4千萬美元募資!為何中華電信、台哥大都看好? 數位時代。https://www.bnext.com.tw/article/76735/kkbox-and-mymusic
[57] Kantar Insights Division 凱度洞察臺灣(2020年3月)。臺灣OTT市場隨選影視戰況分析。https://kantar.com.tw/MailSources/InfoPulse/2020/03/2020_March_Kantar_Taiwan_and_LifePoints_Report_OTT_trend_report(PART_I).pdf
[58] 數位時代(2020年7月27日)。【獨家】全台灣第一場5G VR付費演唱會揭秘!畢書盡60分鐘「虛擬演出」體驗如何? 。數位時代。https://www.bnext.com.tw/article/58608/5g-vr-virtual-concert-live-online-kkbox-cht-bii
[59] 科科科技股份有限公司及子公司合併財務報告暨會計師查核報告(2024年3月 7日)。https://ir.kkcompany.com/files/KKCompany112第四季財報(中文).pdf
[60] 資誠聯合會計師事務所(2019)。2019-2023 臺灣娛樂暨媒體業展望。資誠聯合會計師事務所。https://www.pwc.tw/zh/publications/topic-report/assets/taiwan-entertainment-and-media-outlook-2019-2023.pdf
[61] 資誠聯合會計師事務所(2023)。2023‑2027 臺灣娛樂暨媒體業展望。資誠聯合會計師事務所。https://www.pwc.tw/zh/publications/topic-report/assets/taiwan-entertainment-and-media-outlook-2023-2027.pdf
-
dc.identifier.urihttp://tdr.lib.ntu.edu.tw/jspui/handle/123456789/93808-
dc.description.abstract隨著全球數位轉型的加速發展,OTT(Over-The-Top)平台已逐漸取代傳統媒體,成為現代娛樂產業的核心驅動力。台灣作為亞洲數位科技的新興市場,其OTT產業的快速崛起提供了豐富的研究背景和實例。根據市場研究預測,未來十年台灣的OTT市場規模將達到新台幣數百億元,成為亞太地區增長最快的市場之一。在這樣的背景下,K公司作為台灣OTT市場的領導者,其成功經驗和競爭策略值得深入探討。K公司不僅擁有強大的內容生產能力,持續推出高品質的原創影視內容,還積極投資於技術創新,利用大數據和人工智慧技術提升用戶體驗和內容推薦精準度。根據最新的市場數據,K公司的原創內容佔據了市場的主導地位,並且獲得了高評價和廣泛的觀眾群體。此外,K公司採取多品牌、多業務的戰略布局,不僅在本地市場建立了穩固的地位,還積極拓展國際市場,形成了廣泛的影響力。透過全球佈局和跨界合作,K公司在國際市場上的表現同樣令人矚目,成為全球OTT產業中的重要參與者。本研究旨在深入探討K公司在多變市場環境中的競爭策略與商業模式,並分析其如何利用技術創新和內容多元化來實現持續的市場增長和競爭優勢。透過對K公司的案例研究,本研究希望能夠揭示台灣OTT產業的發展動態,並為其他企業提供有價值的參考。文獻回顧部分將探討有關OTT平台的發展歷史、技術進步以及市場趨勢,並引用相關學者的研究成果,以建立理論基礎。研究方法部分將詳細說明本研究所採用的質性研究方法結合和案例研究。在研究發現與分析部分,本研究將深入分析K公司的競爭策略和商業模式,探討其成功的關鍵因素,並分析其在市場中的地位和競爭優勢。最後,在結論與建議部分,本研究將總結主要發現,提出具體的實務建議,並指出未來研究的方向。K公司的成功經驗對於整個OTT產業具有重要啟示。首先,內容創新仍然是OTT平台的核心競爭力,優質的原創內容能夠吸引和留住用戶。其次,技術創新是提升用戶體驗的關鍵,先進的數據分析和個人化推薦技術能夠顯著提高用戶滿意度。最後,國際化戰略和跨界合作是拓展市場的重要手段,通過與國際市場的合作,可以擴大品牌影響力和市場佔有率。
未來,本研究建議K公司應繼續保持其在技術創新和內容創新的投入,同時加強與國際市場的合作,以進一步提升其市場影響力和競爭力。在技術方面,應繼續完善數據分析和用戶推薦系統,提升用戶體驗。在內容方面,應加大對原創內容的投入,滿足多元化的市場需求。此外,K公司還應積極探索新的商業模式,如提供企業串流解決方案,增強其獲利能力。透過這些策略K公司將能夠在快速變化的數位時代中保持競爭優勢,實現可持續的市場增長。總體而言,本研究的貢獻在於提供了一個完整的框架來分析OTT平台的競爭策略與商業模式,並通過K公司的案例研究,揭示了在多變市場環境中保持競爭力的關鍵因素。透過這些研究發現,本研究希望能夠為其他OTT平台提供有價值的參考,幫助他們在激烈的市場競爭中找到合適的發展路徑。
zh_TW
dc.description.abstractWith the accelerating pace of global digital transformation, Over-The-Top (OTT) platforms have gradually replaced traditional media, becoming the core driving force of the modern entertainment industry. Taiwan, as an emerging market for digital technology in Asia, provides a rich research context and examples through the rapid rise of its OTT industry. According to market research forecasts, Taiwan's OTT market is expected to reach tens of billions of New Taiwan Dollars in the next decade, becoming one of the fastest-growing markets in the Asia-Pacific region. In this context, K Company, as a leader in Taiwan's OTT market, warrants an in-depth examination of its successful experiences and competitive strategies.
K Company not only possesses robust content production capabilities, consistently delivering high-quality original film and television content, but also actively invests in technological innovation, utilizing big data and artificial intelligence technologies to enhance user experience and content recommendation accuracy. According to the latest market data, K Company's original content dominates the market and has received high praise and a broad audience base. Additionally, K Company has adopted a multi-brand, multi-business strategic layout, establishing a firm position in the local market while actively expanding into international markets, thus forming a widespread influence. Through its global presence and cross-border collaborations, K Company's performance in the international market is equally remarkable, making it a significant player in the global OTT industry.
This study aims to delve into K Company's competitive strategies and business models in a dynamic market environment, analyzing how it leverages technological innovation and content diversification to achieve sustained market growth and competitive advantages. Through a case study of K Company, this study hopes to reveal the development trends of Taiwan's OTT industry and provide valuable references for other enterprises. The literature review section will explore the development history, technological advancements, and market trends of OTT platforms, citing relevant research findings from scholars to establish a theoretical foundation. The research methodology section will detail the qualitative research methods and case study approach employed in this study. In the research findings and analysis section, this study will conduct an in-depth analysis of K Company's competitive strategies and business models, exploring the key factors behind its success, and analyzing its market position and competitive advantages. Finally, in the conclusion and recommendations section, this study will summarize the main findings, propose specific practical suggestions, and point out future research directions.
K Company's successful experience holds important implications for the entire OTT industry. Firstly, content innovation remains the core competitiveness of OTT platforms, as high-quality original content can attract and retain users. Secondly, technological innovation is key to enhancing user experience, with advanced data analysis and personalized recommendation technologies significantly improving user satisfaction. Lastly, internationalization strategies and cross-border collaborations are essential means of expanding the market, as cooperation with international markets can broaden brand influence and market share.
Looking ahead, this study recommends that K Company should continue its investments in technological and content innovation while strengthening cooperation with international markets to further enhance its market influence and competitiveness. In terms of technology, it should continue to refine its data analysis and user recommendation systems to improve user experience. In terms of content, it should increase investment in original content to meet diverse market demands. Moreover, K Company should actively explore new business models, such as providing enterprise streaming solutions, to enhance its profitability. Through these strategies, K Company will be able to maintain its competitive edge and achieve sustainable market growth in the rapidly changing digital era.
Overall, this study contributes by providing a comprehensive framework for analyzing the competitive strategies and business models of OTT platforms, and through the case study of K Company, it reveals the key factors for maintaining competitiveness in a dynamic market environment. Through these research findings, this study hopes to provide valuable references for other OTT platforms, assisting them in finding suitable development paths amidst fierce market competition.
en
dc.description.provenanceSubmitted by admin ntu (admin@lib.ntu.edu.tw) on 2024-08-08T16:19:45Z
No. of bitstreams: 0
en
dc.description.provenanceMade available in DSpace on 2024-08-08T16:19:45Z (GMT). No. of bitstreams: 0en
dc.description.tableofcontents口試委員會審定書.......................... i
誌 謝.............................. ii
摘 要.............................. iv
ABSTRACT................................ vi
目次CONTENT............................. viii
圖次 LIST OF FIGURES.................... ix
表次 LIST OF TABLES..................... x
第一章 緒論............................. 1
第一節 研究背景與動機................. 1
第二節 研究目的與問題................. 3
第三節 研究範圍與限制................. 6
第四節 研究流程與論文架構.............. 7
第二章 文獻探討......................... 10
第一節 資源基礎理論.................. 10
第二節 OTT產業生態系................. 11
第三節 價值網理論.................... 13
第四節 競合策略理論.................. 15
第五節 波特五力分析模型............... 17
第六節BCG矩陣 ....................... 20
第三章 台灣OTT產業發展趨勢與概況.......... 23
第一節 台灣OTT產業概況 ............... 23
第二節 台灣OTT產業生態系與價值網....... 25
第三節 台灣OTT生態系的價值網分析....... 35
第四節 OTT平台的商業模式.............. 37
第五節 台灣OTT產業的五力分析.......... 38
第六節 台灣OTT產業的競爭與挑戰........ 41
第四章 OTT生態系商業模式探討............. 44
第一節 個案公司K公司................. 44
第二節 K公司在OTT生態系中的競爭策略分析 54
第五章 結論與建議 ....................... 62
第一節 研究總結...................... 62
第二節 實務建議...................... 63
第三節 未來研究方向.................. 63
第四節 結論......................... 64
參考文獻................................ 65
-
dc.language.isozh_TW-
dc.titleOTT平台生態系中的競合策略與商業模式探討-以K公司為例zh_TW
dc.titleBusiness Models and Competitive Strategies in the OTT Platform Ecosystem: A Case Study of K Companyen
dc.typeThesis-
dc.date.schoolyear112-2-
dc.description.degree碩士-
dc.contributor.oralexamcommittee胡凱焜;曾智揚zh_TW
dc.contributor.oralexamcommitteeKae-Kuen Hu;Chih-Yang Tsengen
dc.subject.keywordOTT產業生態系,價值網,競合策略,zh_TW
dc.subject.keywordOTT Industry Ecosystem,Value Network,Competitive Strategies,en
dc.relation.page69-
dc.identifier.doi10.6342/NTU202402468-
dc.rights.note未授權-
dc.date.accepted2024-07-29-
dc.contributor.author-college進修推廣學院-
dc.contributor.author-dept事業經營碩士在職學位學程-
顯示於系所單位:事業經營碩士在職學位學程

文件中的檔案:
檔案 大小格式 
ntu-112-2.pdf
  目前未授權公開取用
2.29 MBAdobe PDF
顯示文件簡單紀錄


系統中的文件,除了特別指名其著作權條款之外,均受到著作權保護,並且保留所有的權利。

社群連結
聯絡資訊
10617臺北市大安區羅斯福路四段1號
No.1 Sec.4, Roosevelt Rd., Taipei, Taiwan, R.O.C. 106
Tel: (02)33662353
Email: ntuetds@ntu.edu.tw
意見箱
相關連結
館藏目錄
國內圖書館整合查詢 MetaCat
臺大學術典藏 NTU Scholars
臺大圖書館數位典藏館
本站聲明
© NTU Library All Rights Reserved