請用此 Handle URI 來引用此文件:
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/8906
完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 吳雅鳳(Ya-Feng Wu) | |
dc.contributor.author | Chi-Fang Chen | en |
dc.contributor.author | 陳麒方 | zh_TW |
dc.date.accessioned | 2021-05-20T20:03:50Z | - |
dc.date.available | 2009-08-20 | |
dc.date.available | 2021-05-20T20:03:50Z | - |
dc.date.copyright | 2009-08-20 | |
dc.date.issued | 2009 | |
dc.date.submitted | 2009-08-18 | |
dc.identifier.citation | Primary Texts
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New York: Noonday, 1957. Locke, John. An Essay Concerning Human Understanding. Ed. Peter H. Nidditch. Oxford: Clarendon, 1975. ---. Locke on Money. Ed. Patrick Hyde Kelly. Oxford, UK: Clarendon; New York: Oxford UP, 1991. Paine, Thomas. Political Writings. Ed. Bruce Kuklick. Cambridge: Cambridge UP, 1989. Reynolds, Joshua. Discourses on Art. Introd. Robert Lavine. New York: Collier, 1961. Sprat, Thomas. History of the Royal Society. Ed. Jackson I. Cope and Harold Whitmore Jones. St. Louis: Washington University, 1958. Critical and Historical Literature Abrams, M. H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. Oxford: Oxford UP, 1953. Ackroyd, Peter. Blake. London: Sinclair-Stevenson, 1995. Arendt, Hannah. On Revolution. New York: Penguin, 2006. Barrell, John. The Political Theory of Painting from Reynolds to Hazlitt: 'The Body of the Public.” New Haven: Yale UP, 1986. Bentley, G. E., Jr. Blake Records. 2nd ed. New Haven: Yale UP, 2004. ---. Blake Books Supplement. Oxford: Clarendon, 1995. Bloom, Harold. Blake’s Apocalypse. Garden City, NY: Doubleday, 1963. ---. The Visionary Company: A Reading of English Romantic Poetry. 1961. Rev. ed. Ithaca: Cornell UP, 1971. Boldrick, Stacy, and Richard Clay, eds. Iconoclasm: Contested Objects, Contested Terms. Hampshire, Eng.: Ashgate, 2007. Bruder. Helen P. William Blake and the Daughters of Albion. New York: St. Martin's, 1997. ---, ed. Women Reading William Blake. New York: Palgrave, 2007. Clark, Steve. “‘Labouring at the Resolute Anvil’: Blake’s Response to Locke.” Clark and Worrall, Blake in the Nineties 133-52. Clark, Steve, and David Worrall, eds. Blake in the Nineties. Houndmills: Palgrave, 1999. ---, eds. Historicizing Blake. New York: St. Martin's, 1994. ---, eds. Blake, Nation and Empire. Basingstoke, UK; New York: Palgrave, 2006. Clark, Steve, and Jason Whittaker, eds. Blake, Modernity and Popular Culture. Basingstoke: Palgrave, 2007. Curran, Stuart. Poetic Form and British Romanticism. New York: Oxford UP, 1986. ---. “The Structures of Jerusalem.” Blake’s Sublime Allegory: Essays on The Four Zoas, Milton, Jerusalem. Ed. Curran and Joseph Anthony Wittreich. Madison: U of Wisconsin P, 1973. De Luca, V. A. Words of eternity: Blake and the Poetics of the Sublime. Princeton: Princeton UP, 1991. De Man, Paul. Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven: Yale UP, 1979. ---. “The Rhetoric of Temporality.” Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. 2nd ed. London: Methuen, 1983. 187-228. Damon, S. Foster. A Blake Dictionary: The Ideas and Symbols of William Blake. 3rd. ed. Hanover, NH: UP of New England, 1988. Damrosch, Leopold. Symbol and Truth in Blake's Myth. Princeton: Princeton UP, 1980. Dent, Shirley, and Jason Whittaker. Radical Blake: Influence and Afterlife from 1827. New York: Palgrave, 2002. DiSalvo, Jackie. Introduction. Blake, Politics, and History. Ed. DiSalvo, G. A. Rosso, and Christopher Z. Hobson. New York: Garland, 1998. xiii-xxxii. Eagleton, Terry. The Ideology of the Aesthetic. Oxford: Blackwell, 1990. Eaves, Morris. The Counter-Arts Conspiracy: Art and Industry in the Age of Blake. Ithaca: Cornell UP, 1992. ---. “On Blakes We Want and Blakes We Don’t.” Essick 137-61. Erdman, David V. Blake, Prophet against Empire: A Poet’s Interpretation of the History of His Own Time. 1954. 3rd. ed. Princeton: Princeton University Press, 1977. ---, ed. A Concordance to the Writings of William Blake. Ithaca: Cornell UP, 1967. Essick, Robert. William Blake and the Language of Adam. Oxford: Oxford UP, 1989. ---, ed. William Blake: Images and Texts. San Marino, CA: Huntington Library, 1997. Ferber, Michael. The Social Vision of William Blake. Princeton: Princeton UP, 1985. ---. “Blake and the Two Swords.” Clark and Worrall, Blake in the Nineties 153-72. Fletcher, Angus. Allegory: The Theory of a Symbolic Mode. Ithaca: Cornell UP, 1990. Foucault, Michel. The Order of Things: An Archeology of the Human Sciences. New York: Vintage, 1973. Frye, Northrop. Fearful Symmetry: A Study of William Blake. 1947. Princeton: Princeton UP, 1969. ---. Northrop Frye on Milton and Blake. Ed. Angela Esterhammer. Toronto: U of Toronto P, 2005. Fulford, Tim. Romanticism and Masculinity: Gender, Politics and Poetics in the Writings of Burke, Coleridge, Cobbett, Wordsworth, De Quincey and Hazlitt. London: Macmillan, 1999. Furniss, Tom. Edmund Burke’s Aesthetic Ideology: Language, Gender, and Political Economy in Revolution. Cambridge: Cambridge UP, 1993. Gilchrist, Alexander. Life of William Blake: With Selections from His Poems and Other Writings. 1863. Bristol, UK: Thoemmes, 1998. Gilloch, Graeme. Walter Benjamin: Critical Constellations. Cambridge: Polity, 2002. Gleckner, Robert F. Blake and Spencer. Baltimore: Johns Hopkins UP, 1985. Godfrey, Richard. James Gillray: the Art of Caricature. London: Tate, 2001. Habermas, Jürgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. 1962. Trans. Thomas Burger. Cambridge: Polity, 1989. Hallett, Mark. The Spectacle of Difference: Graphic Satire in the Age of Hogarth. New Haven: Yale UP, 1999. Hilton, Nelson, ed. Essential Articles for the Study of William Blake, 1970-1984. Hamden, CT: Archon, 1986. ---. Literal Imagination: Blake's Vision of Words. Berkeley: U of California P, 1983. Hobsbawm, E. J. The Age of Revolution: Europe 1789-1848. 1962. London: Abacus, 1977. James, David E. “Blake’s Laocoön: A Degree Zero of Literary Production.” PMLA 98 (1983): 226-36. Keen, Paul. The Crisis of Literature in the 1790s: Print Culture and the Public Sphere. Cambridge: Cambridge UP, 1999. Kelley, Theresa M. Reinventing Allegory. Cambridge: Cambridge UP, 1997. Larrisay, Edward. William Blake. Oxford: Blackwell, 1985. McCalman, Iain. Radical Underworld: Prophets, Revolutionaries, and Pornographers in London, 1795-1840. Cambridge: Cambridge UP, 1988. McCann, Andrew. Cultural Politics in the 1790s: Literature, Radicalism and the Public Sphere. New York: St. Martin's, 1999. McGann, Jerome J. The Romantic Ideology: A Critical Investigation. Chicago: U of Chicago P, 1983. McKusick, James C. Coleridge’s Philosophy of Language. New Haven: Yale UP, 1986. Macpherson, C. B. Burke. Oxford: Oxford UP, 1980. MacQueen, John. Allegory. London: Methuen, 1970. McQuillan, Martin. Paul de Man. London: Routledge, 2001. Madsen, Deborah L. Rereading Allegory: A Narrative Approach to Genre. New York: St. Martin's, 1994. Makdisi, Saree. William Blake and the Impossible History of the 1790s. Chicago: U of Chicago P, 2003. Mee, Jon. Dangerous Enthusiasm: William Blake and the Culture of Radicalism in the 1790s. Oxford: Oxford UP, 1992. ---. “Energy and Enthusiasm in Blake.” Romanticism, Enthusiasm, and Regulation: Poetics and the Policing of Culture in the Romantic Period. Oxford: Oxford UP, 2003. 257-93. Mellor, Anne Kostelanetz. “Sex, Violence and Slavery: Blake and Wollstonecraft.” Essick 69-94. Mitchell, W. J. T. Blake’s Composite Art: A Study of the Illuminated Poetry. Princeton: Princeton UP, 1978. ---. Iconology: Image, Text, Ideology. Chicago: U of Chicago P, 1986. ---. Picture Theory: Essays on Verbal and Visual Representation. Chicago: U of Chicago P, 1995. Paice, Rosamund A. “Encyclopaedic Resistance: Blake, Ree’s Cyclopædia, and the Laocoön Separate Plate.” Blake: An Illustrated Quarterly 33 (2003): 44-62. Paley, Morton D. The Traveler in the Evening: The Last Works of William Blake. Oxford: Oxford UP: 2003. ---. “Blake and Thomas Burnet’s Sacred Theory of the Earth.” Blake: An Illustrated Quarterly 25 (1991): 75-78. Pocock, J. G. A. Virtue, Commerce, and History: Essays on Political Thought and History, Chiefly in the Eighteenth Century. Cambridge: Cambridge UP, 1985. Quilligan, Maureen. The Language of Allegory: Defining the Genre. Ithaca: Cornell UP, 1979. Richardson, Alan. Literature, Education, and Romanticism: Reading As Social Practice, 1780-1832. Cambridge: Cambridge UP, 1994. Rauser, Amelia F. Caricature Unmasked: Irony, Authenticity, and Individualism in Eighteenth-Century English Prints. Newark: U of Delaware P, 2008. Safley, Thomas Max, and Leonard N. Rosenband, eds. The Workplace before the Factory: Artisans and Proletarians, 1500-1800. Ithaca: Cornell UP, 1993. Tannenbaum, Leslie. Biblical Tradition in Blake’s Early Prophecies: The Great Code of Art. Princeton: Princeton UP, 1982. Thompson, E. P. Witness against the Beast: William Blake and the Moral Law. New York: New Press, 1993. ---. The Making of the English Working Class. 1963. London, Penguin, 1991. Tully, James. An Approach to Political Philosophy: Locke in Contexts. Cambridge: Cambridge UP, 1993. Viscomi, Joseph. Blake and the Idea of the Book. Princeton: Princeton UP, 1993. Whitman, Jon. Allegory: The Dynamics of an Ancient and Medieval Technique. Oxford: Clarendon, 1987. Whittaker, Jason. William Blake and the Myths of Britain. London: St. Martin’s, 1999. Williams, Raymond. Culture and Society 1780-1950. New York: Columbia UP, 1958. Williams, Nicolas M. Ideology and Utopia in the Poetry of William Blake. Cambridge: Cambridge Up, 1998. Witke, Joanne. William Blake's Epic: Imagination Unbound. New York: St. Martin's, 1986. Wright, Julia M. “The Medium, the Message, and the Line in William Blake’s Laocoön.” Mosaic 33.2 (2000): 101-24. Youngquist, Paul. “Reading the Apocalypse: The Narrativity of Blake’s Jerusalem.” Studies in Romanticism 32 (1993): 601-25. | |
dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/8906 | - |
dc.description.abstract | 本論文延續近年布雷克(William Blake)研究的歷史化典範,即重視其歷史脈絡如何形塑布雷克的思想及詩學,以及布雷克作為當代的基進派如何透過其文學實踐批判當代的意識形態。然而,此一典範中對於詩學形式的研究之不足尚待彌補。本論文宣稱形式乃意識形態的載體,此形式形塑了社會文本及其論述霸權。本論文所探討的形式即為寓言體,並將寓言體視為不只是一種文學文類,而是一種思考模式與論述形式:此形式具有隱喻及換喻的雙重性,在語義上有互文性及多義性。十七世紀以來寓言體的形式漸漸由隱喻及換喻的雙重性,轉為換喻的一元性,並經由洛克(John Locke)、柏克(Edmund Burke)、潘恩(Tom Paine)迄柯立芝(S. T. Coleridge) 建立起一個具保守主義特徵的,意識形態的形式霸權。本論文以布雷克的《耶路撒冷》(Jerusalem)與《拉奧孔》(Laocoön )兩作品為例,探討布雷克對寓言體的使用如何形成一意識形態批判,抵抗當代的形式霸權。並將探討布雷克「精微個相」的概念與此一概念的詩學實踐如何改造寓言體,恢復其隱喻及換喻的雙重性,並成為他的基進詩學的基礎。 | zh_TW |
dc.description.abstract | Two of the paradigms in William Blake scholarship – analyzing the inner structure of Blake’s symbolism and contextualizing Blake in his time, can be integrated in an ideological criticism. The poetic form in Blake is profoundly associated with the eighteenth-century radicalisms their conservative counter-forces. Blake’s discursive interaction with his time is as much reflected in the content, the direct statements of his thought, as in his form, which is the major carrier of his critique of contemporary ideology.
The form on which this thesis concentrates is allegory, which reflects the contemporary ideology most profoundly. From seventeenth to eighteen century there emerge anxieties about and suspicions of allegorical expressions and its effectuality and authenticity to facilitate and secure genuine communication and the acquisition of knowledge. Allegory, as a form of expression encompassing multiple levels of meaning and confounding disparate materials, has become a threat to clear knowledge and unalienated communication. Blake wrote at a time of the crisis in allegory, which lost its supremacy at the rise of rationalism and neoclassicism from the seventeenth to the eighteenth century. The first chapter surveys several important cultural and intellectual paradigms such as puritan aesthetics, neoclassicism and some linguistic organicisms to demonstrate the increasing anxiety about the allegorical form and the nascent preference for a certain form of allegory. It then concentrates on some key thinkers such as John Locke, Edmund Burke, S. T. Coleridge and Tom Paine to see how the anxiety about allegory is constitutive of their thinking and what they provide as the solution. It argues specifically that these individual thinkers virtually contribute to a hegemony of the metonymic dimension of allegory by downplaying its metaphoric complexity. In counteracting the hegemony, Blake develops the idea of the minute particular with two later works, Jerusalem and Laocoön, which are discussed in chapter two and three respectively. By the allegorical as well as counter-allegorical techniques of parataxis, repetition, and dramatization in Jerusalem, Blake presents a rich array of minute particulars that question and react to the ideologies and politics and counters the hegemony from neoclassicism to the prestige of metonymic allegory. This rhetorical politics is advanced in Laocoön, in which the very nature of allegory is taken into question. The third chapter on Laocoön demonstrates how Blake makes his allegorical style a self-undoing irony, and realizes a main source of the contemporary politics of allegory, money and the commodity culture. All these formal manipulations or experimentations are Blake’s poetic commitment to searching for the minute particulars – the troubling, haunting residues that threaten allegorical purity and force an ongoing dialectics and dynamics. | en |
dc.description.provenance | Made available in DSpace on 2021-05-20T20:03:50Z (GMT). No. of bitstreams: 1 ntu-98-R95122002-1.pdf: 414049 bytes, checksum: bec1bd0cf867f4d0a9505d9b94d358aa (MD5) Previous issue date: 2009 | en |
dc.description.tableofcontents | Acknowledgement i
Abstract in Chinese iii Abstract in English v List of Abbreviations ix Introduction: The Ideology of the Allegorical 1 I. The Vicissitudes of Allegory: Transformations and Hegemony 14 II. Labor at Los’s Furnaces: Jerusalem and the Allegorical 44 III. Remaking Laocoön: Irony and the Blakean Allegory 82 Conclusion 103 Works Cited 109 | |
dc.language.iso | en | |
dc.title | 尋找精微個相:布雷克與寓言體 | zh_TW |
dc.title | In Search of Minute Particulars: William Blake and Allegory | en |
dc.type | Thesis | |
dc.date.schoolyear | 97-2 | |
dc.description.degree | 碩士 | |
dc.contributor.oralexamcommittee | 高天恩(Tian-En Kao),古添洪(Tim-Hung Ku) | |
dc.subject.keyword | 布雷克,寓言,精微個相, | zh_TW |
dc.subject.keyword | William Blake,allegory,minute particular, | en |
dc.relation.page | 114 | |
dc.rights.note | 同意授權(全球公開) | |
dc.date.accepted | 2009-08-18 | |
dc.contributor.author-college | 文學院 | zh_TW |
dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
顯示於系所單位: | 外國語文學系 |
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