請用此 Handle URI 來引用此文件：
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/88267完整後設資料紀錄
| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 黃山耘 | zh_TW |
| dc.contributor.advisor | Shan-yun Huang | en |
| dc.contributor.author | 翁儷庭 | zh_TW |
| dc.contributor.author | Li-Ting Weng | en |
| dc.date.accessioned | 2023-08-09T16:17:19Z | - |
| dc.date.available | 2023-11-09 | - |
| dc.date.copyright | 2023-08-09 | - |
| dc.date.issued | 2023 | - |
| dc.date.submitted | 2023-07-25 | - |
| dc.identifier.citation | Allardice, Lisa. “‘It’s Nice to Feel I’m Solvent. That’s a Huge Gift’: Anna Burns on Her Life-Changing Booker Win.” The Guardian, 17 Oct. 2018, www.theguardian.com/books/2018/oct/17/anna-burns-booker-prize-winner-life-changing-interview.
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Danaci, Fahriye Selvi. “Surviving the Oppression in the Time of the Troubles: Anna Burns’s Milkman.” Litera, vol. 30, no. 2, 2020, pp. 289-305. Darby, John. Intimidation and the Control of Conflict in Northern Ireland. Syracuse UP, 1986. Darling, Orlaith. “‘Systemic, Transhistoric, Institutionalized, and Legitimized Antipathy’: Epistemic and Sexual Violence in A Girl Is a Half-formed Thing and Milkman.” Contemporary Women’s Writing, vol. 20, no. 20, 2021, pp. 1-19. Dillon, Martin. The Shankill Butchers: A Case Study of Mass Murder. Arrow Books, 1989. Drake, C. J. M. “The Role of Ideology in Terrorists’ Target Selection.” Terrorism and Political Violence, vol. 10, no. 2, 1998, pp. 53-85. Feldman, Allen. Formation of Violence. U of Chicago P, 1991. Ferguson, Neil, Mark Burgess, and Ian Hollywood. “Crossing the Rubicon: Deciding to Become a Paramilitary in Northern Ireland.” International journal of Conflict and Violence, vol. 2, no. 1, 2008, pp. 130-37. Garden, Alison. “In Praise of ‘Milkman,’ Ireland’s Man Booker Prize Winner.” Irish Times, 15 Oct. 2018, www.irishtimes.com/culture/books/in-praise-of-milkman-ireland-s-man-booker-prize-winner-1.3661398. Accessed 10 Feb. 2022. Goldsmith, Rudie. “Violence Real and Imagined.” Fortnight, no. 413, 2003, p. 18. www.jstor.com/stable/25560838 Gray, Billy. “‘A Thrilling Beauty’?: Violence, Transcendence and the Shankill Butchers in Eoin McNamee’s Resurrection Man.” Estudios Irlandeses, no. 9, 2014, pp. 54-66. Haslam, Richard. “‘The Pose Arranged and Lingered Over’: Visualizing the ‘Troubles.’” Contemporary Irish Fiction: Themes, Tropes, Theories, edited by Liam Harte and Michael Parker. Macmillan P, 2000, pp. 192-212. Horgan, John. “The Search for the Terrorist Personality.” Terrorists, Victims and Society: Psychological Perspectives on Terrorism and its Consequences, edited by Andrew Silke, Wiley, 2006, pp. 3-24. Hughes, Eamonn. “‘Town of Shadows’: Representations of Belfast in Recent Fiction.” Religion & Literature, 1996, vol. 28, no. 2/3, pp. 141-60. JSTOR, www.jstor.org/stable/40059672. Hutton, Clare. “The Moment and Technique of Milkman.” Essays in Criticism, vol. 69, no. 1, 2019, pp. 349-71. https://doi.org/10.1093/escrit/cgz012 Johnson, Nuala C. “The Cartographies of Violence: Belfast’s Resurrection Man.” Environment and Planning D: Society and Space, vol. 17, 1999, pp. 723-36. Keefe, Patrick Radden. Say Nothing: A True Story of Murder and Memory in Northern Ireland. William Collins, 2019. Kelly, Aaron. The Thriller and Northern Ireland since 1969: Utterly Resigned Terror. Ashgate, 2005. Kennedy, Liam. Who Was Responsible for the Troubles?: The Northern Ireland Conflict. McGill-Queen’s UP, 2020. Kilroy, Claire. “Milkman by Anna Burns Review – Creepy Invention at Heart of an Original, Funny Novel.” The Guardian, 31 May 2018, www.theguardian.com/books/2018/may/31/milkman-anna-burns-review-northern-ireland. Magee, Patrick. Gangsters or Guerrillas: Representations of Irish Republicans in “Troubles Fiction.” Beyond the Pale, 2001. Magennis, Caroline. Sons of Ulster: Masculinities in the Contemporary Northern Irish Novel. Peter Lang, 2010. Mallot, J. Edward. “‘There’s No Good Riot Footage Any More’: Waging Northern Ireland’s Media War in Eoin McNamee’s Resurrection Man.” New Hibernia Review, vol. 17, no. 3, 2013, pp. 34-55. Malone, Patricia. “Measures of Obliviousness and Disarming Obliqueness in Anna Burns’s Milkman.” Textual Practice, vol. 36, no. 7, 2022, pp. 1143-74. DOI: 10.1080/0950236X.2021.1900357 McCarthy, Dermot. “Belfast Babel: Postmodern Lingo in Eoin McNamee’s Resurrection Man.” Irish University Review, vol. 30, no. 1, 2000, pp. 132-48. McNamee, Eoin. Resurrection Man. Faber and Faber, 1994. “Milkman.” The Booker Prizes, 2018. thebookerprizes.com/the-booker-library/books/milkman. Accessed 8 Sep. 2022. Ní Éigeartaigh, Aoileann. “‘This Was The “I’m Male and You’re Female” Territory’: Inserting Gender into the Historical-Political Binary in Anna Burns’s Milkman.” Antae, vol. 7, no. 1, 2020, pp. 42-55. O’Brien, Peggy. “Unbalanced Styles: Review of Walking the Dog and Other Stories by Bernard MacLaverty and Resurrection Man by Eoin McNamee.” Irish Review, no. 16, 1994, pp. 148052. http://www.jstor.org/stable/29735767 . O’Keefe, Theresa. Feminist Identity Development and Activism in Revolutionary Moments. Palgrave Macmillan, 2013. ---. “Policing Unruly Women: The State and Sexual Violence during the Northern Irish Troubles.” Women’s Studies International Forum, no. 62, 2017, pp. 69–77. Pelaschiar, Laura. “Terrorists and Freedom Fighters in Northern Irish Fiction.” The Irish Review, no. 40/41, 2009, pp. 52-73. ---. Writing the North: The Contemporary Novel in Northern Ireland. Fonda grafiche multimediali, 1998. Scanlan, Margaret. Plotting Terror: Novelists and Terrorists in Contemporary Fiction, UP of Virginia, 2001. Shirlow, Peter. “Ethno-sectarianism and the Construction of Fear in Belfast, Northern Ireland.” Fear: Critical Geopolitics and Everyday Life, edited by Rachel Pain and Susan J. Smith, Ashgate, 2008, pp. 193-206. ---. “Truth Friction in Northern Ireland: Caught between Apologia and Humiliation.” Parliamentary Affairs, vol. 71, no. 2, 2018, pp. 417–37. https://doi.org/10.1093/pa/gsx029 Smith, Felicity. “Unearthing Crypts and Blurring Borders in Anna Burns’s Milkman.” Esferas Literarias, no. 5, 2022, pp. 129-43. https://doi.org/10.21071/elrl.vi5.15178 Smyth, Gerry. The Novel and the Nation: Studies in the New Irish Fiction. Pluto, 1997. Storey, Michael L. Representing the Troubles in Irish Short Fiction. The Catholic U of America P, 2004. Taylor, Maxwell, and Ethel Quayle. Terrorist Lives. Brassye’s, 1994. Tobin, R. B. “‘Possibilities of Transformation’: The Representation of Violence in Eoin McNamee’s Resurrection Man.” Writing Ulster, vol. 6, 1999, pp. 130-41. Tulgar, Alper. “The Anatomy of Two Politically Divided Nations in the 1970s: Northern Ireland in Milkman and Turkey in Gene Dersleri.” RumeliDE Journal of Language and Literature Studies, no. 25, 2021, pp. 1030-44. DOI: 10.29000/rumelide.1032573. United Kingdom. Secretary of State for Northern Ireland. The Belfast Agreement: An Agreement Reached at the Multi-Party Talks on Northern Ireland. 1998. Wall, Natalie. “Gossip, Guerrilla Intelligence, and Women’s War Work in Anna Burns’ Milkman.” Irish Studies Review, vol. 31, no. 1, 2023, pp. 69-82. DOI: 10.1080/09670882.2023.2162438 Ward, Margaret, and Marie-Thérése McGivern. “Images of Women in Northern Ireland.” The Crane Bag, vol. 4, no. 1, 1980, pp.66-72. Weber, Max. “The Three Types of Legitimate Domination.” Essays in Economic Sociology, edited by Richard Swedberg, Princeton UP, 1999, pp. 99-108. | - |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/88267 | - |
| dc.description.abstract | 本論文以伊翁．麥納彌的《盜墓者》（Resurrection Man，1994）與安娜．伯恩斯的《牛奶工》（Milkman， 2018）兩本北愛爾蘭小說為基礎探討北愛問題小說中對於加害者與暴力行為的描述。《盜墓者》以對於暴力、謀殺案件的細膩描寫聞名，且針對加害者團體領袖維多（Victor）的內心想像多有著墨。維多受到幼年時觀看的好萊塢警匪片（Hollywood gangster film）影響，衍生出一系列與其武裝分子身份不相符的形象與行為，突顯出他極其暴力（hyper-violent）之作風與宗派主義（sectarianism）的落差。《牛奶工》則以受害者中妹（Middle Sister）的視角出發，回溯性地描述其受到武裝分子牛奶工騷擾時心中的疑惑與困擾。小說中牛奶工對中妹隱晦、意有所指地作出多次威脅，突顯出其以宗派主義為名義，逞一己私慾的行逕。藉由著眼於兩本小說中與宗派主義無關的元素，本論文開展出以加害者與其對自身犯罪行為責任為核心的解讀，並嘗試重新理解被宗派主義掩飾的暴力行為。 | zh_TW |
| dc.description.abstract | This thesis discusses the description of perpetrators and their perpetrations in two novels from the Troubles fiction genre, Eoin McNamee’s Resurrection Man (1994) and Anna Burns’s Milkman (2018). Known for its depiction of brutal murders, Resurrection Man provides insights into the mind of Victor, the leader of the perpetrators. Victor is heavily influenced by Hollywood gangster films he watched as a child and develops behaviours that are incompatible with his identity as a paramilitary. His hyper-violent style underscores the discrepancies between the perpetration and sectarian conflicts. Milkman, on the other hand, focuses on the victim’s perspective. In the novel, Middle Sister retrospectively recounts the questions and struggles in her mind when she is harassed by the milkman. The milkman’s veiled threats against Middle Sister highlight his self-serving behaviours that are carried out under the name of sectarianism. By focusing on the non-sectarian elements, this thesis develops an alternative reading that emphasises the perpetrators’ responsibility for their crimes and reclaim the violence that has been overshadowed by sectarianism. | en |
| dc.description.provenance | Submitted by admin ntu (admin@lib.ntu.edu.tw) on 2023-08-09T16:17:19Z No. of bitstreams: 0 | en |
| dc.description.provenance | Made available in DSpace on 2023-08-09T16:17:19Z (GMT). No. of bitstreams: 0 | en |
| dc.description.tableofcontents | 口試委員審定書 i
Acknowledgements ii 中文摘要 iii Abstract iv Chapter One Rethinking the Portrayal of Perpetrators and Organisations in Troubles Fiction 1 I. Troubles Fiction as a Genre 5 II. Types of Violence During the Troubles 11 III. The Novels: Resurrection Man and Milkman 14 IV. Chapter Design 20 Chapter Two Hollywood Gangster or Northern Irish Paramilitary: Perpetrator Image and Violence in Resurrection Man 23 I. “Men in Balaclavas”: Typical and Atypical Paramilitaries 26 II. “Ulster Needs Men Like You”: From the Organisation’s Perspective 38 Chapter Three Scandalous Gossips or Sexual Violence: Reclaiming Systemic and Gendered Violence in Milkman 49 I. “He’s Not Being Rude”: Gossips and Verbal Violence in the Troubles 52 II. “Psychological Enlightenment”: Reclaiming Unacknowledged Violence and Traumas 62 Conclusion 71 Works Cited 75 | - |
| dc.language.iso | en | - |
| dc.subject | 加害者 | zh_TW |
| dc.subject | 威嚇 | zh_TW |
| dc.subject | 北愛爾蘭文學 | zh_TW |
| dc.subject | 北愛問題小說 | zh_TW |
| dc.subject | 《盜墓者》 | zh_TW |
| dc.subject | 《牛奶工》 | zh_TW |
| dc.subject | 宗派主義 | zh_TW |
| dc.subject | Northern Irish fiction | en |
| dc.subject | sectarianism | en |
| dc.subject | Resurrection Man | en |
| dc.subject | Milkman | en |
| dc.subject | Troubles fiction | en |
| dc.subject | perpetrator | en |
| dc.subject | intimidation | en |
| dc.title | 暴力的藉口： 反思伊翁．麥納彌的《盜墓者》 與安娜．伯恩斯的《牛奶工》中的宗派暴力 | zh_TW |
| dc.title | Excuses for Violence: Rethinking Sectarian Perpetration in Eoin McNamee’s Resurrection Man and Anna Burns’s Milkman | en |
| dc.type | Thesis | - |
| dc.date.schoolyear | 111-2 | - |
| dc.description.degree | 碩士 | - |
| dc.contributor.oralexamcommittee | 賴怡芃;高維泓 | zh_TW |
| dc.contributor.oralexamcommittee | Yi-Peng Lai;Wei-Hung Kao | en |
| dc.subject.keyword | 北愛爾蘭文學,北愛問題小說,《盜墓者》,《牛奶工》,宗派主義,加害者,威嚇, | zh_TW |
| dc.subject.keyword | Northern Irish fiction,Troubles fiction,Milkman,Resurrection Man,sectarianism,perpetrator,intimidation, | en |
| dc.relation.page | 80 | - |
| dc.identifier.doi | 10.6342/NTU202301800 | - |
| dc.rights.note | 同意授權(全球公開) | - |
| dc.date.accepted | 2023-07-26 | - |
| dc.contributor.author-college | 文學院 | - |
| dc.contributor.author-dept | 外國語文學系 | - |
| dc.date.embargo-lift | 2024-08-01 | - |
| 顯示於系所單位： | 外國語文學系 | |
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