請用此 Handle URI 來引用此文件:
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| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 陳家麟(Chialin Chen) | |
| dc.contributor.author | Benjamin Cho | en |
| dc.contributor.author | 曹哲瑋 | zh_TW |
| dc.date.accessioned | 2023-03-19T22:36:12Z | - |
| dc.date.copyright | 2022-08-26 | |
| dc.date.issued | 2022 | |
| dc.date.submitted | 2022-08-22 | |
| dc.identifier.citation | Adverse Selection. (2021, January 19). Investopedia. https://www.investopedia.com/terms/a/adverseselection.asp Aimedis. (n.d.). Aimedis. https://aimedis.io/ Allen, S., Juels, A., Khaire, M., Kell, T., & Shrivastava, S. (2022). NFTs for Art and Collectables: Primer and Outlook. SocArXiv. May, 29. Andrei, H. (2007). Merchant or Two-Sided Platform?. Review of Network Economics, 6(2), 1-19. Art Basel. (n.d.). The and UBS Global Art Market Report. https://artbasel.com/stories/art-market-report-2021 Art Basel. (2022). The art market 2022 PDF. https://www.artbasel.com/about/initiatives/theartmarket2022pdf Art Basel and UBS Global Art Market Report 2022. (2022, May 17). Contemporary Art. https://www.ubs.com/global/en/our-firm/art/collecting/art-market-survey.html Artsy Editors. (2016, June 2). The Art Market, Explained: How and Why a Patron Supports an Artist. Artsy. https://www.artsy.net/article/artsy-editorial-why-the-world-s-most-important-artworks-wouldn-t-exist-without-these-individuals Arya, S. (2022, June 17). How can NFT Ticketing disrupt the ticketing industry? LeewayHertz - Software Development Company. https://www.leewayhertz.com/how-nft-ticketing-works/ Asia Art Center opens its first-ever NFT exhibition “OASIS: Going Meta” in Taipei - Information - Art News - CAFA ART INFO | Find Chinese Contemporary Art and News. (2022, February 17). Central Academy of Fine Arts. https://www.cafa.com.cn/en/news/details/8331236 Baytaş, M., Cappellaro, A., & Fernaeus, Y. (2022). Stakeholders and Value in the NFT Ecosystem. CHI Conference on Human Factors In Computing Systems Extended Abstracts, 8(3), 56-69. https://doi.org/10.1145/3491101.3519694 Bijkerk, M. (2021, September 27). Tokenized real estate: 2021 update. Blockdata. https://www.blockdata.tech/blog/general/tokenized-real-estate-2021-update Boom, D. (2022, April 29). 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Insider. https://markets.businessinsider.com/news/currencies/nft-market-41-billion-nearing-fine-art-market-size-2022-1 Das, D., Bose, P., Ruaro, N., Kruegel, C., & Vigna, G. (2021). Understanding Security Issues in the NFT Ecosystem. arXiv preprint arXiv:2111.08893. D'Andrassi, E., & Ventimiglia, F. (2021). The use of blockchain by different art market players: Current applications and risks. 2021 IEEE International Conference On Technology Management, Operations And Decisions (ICTMOD), 6(2), 45-67. https://doi.org/10.1109/ictmod52902.2021.9739472 de Sousa, F. (2022). Token-art system and the new international art market: The impacts of NFT technology and the legal aspects involved. Journal of Law, Market, and Innovation, 1(1), Dev, A., Gomez, K., & Mathew, S. (2022). Non-Fungible Tokens (NFT): New Emerging Digital Asset. International Journal of Research in Engineering and Science. 10(4), 01-07. Dowling, M. (2022). Is non-fungible token pricing driven by cryptocurrencies? Finance Research Letters, 44, 102097. https://doi.org/10.1016/j.frl.2021.102097 Dowling, M. (2022). Fertile LAND: Pricing non-fungible tokens. Finance Research Letters, 44, 102096. Fay, M. (2022, May 7). STEPN: A Potential Play-To-Earn Winner. SeekingAlpha. https://seekingalpha.com/article/4508258-stepn-potential-play-to-earn-winner Fristedt, T., & Lo, N. (2019). In-game transactions in Free-to-play games: Player motivation to purchase in-game content. fungible. (n.d.). The Merriam-Webster.Com Dictionary. https://www.merriam-webster.com/dictionary/fungible Gaskin, S. (2022, March 9). The art galleries leading the charge into NFTs. Ocula. https://ocula.com/magazine/art-news/the-galleries-leading-the-charge-into-nfts/ Gofus, A. E. (2021, December 30). The Metaverse is Experiencing a Virtual Land Boom. Worldwide ERC. https://www.worldwideerc.org/news/technology/the-metaverse-is-experiencing-a-virtual-land-boom Gunay, S., & Kerem, K. (2022). Does Utilizing Smart Contracts Induce a Financial Connectedness Between Ethereum and Non-Fungible Tokens? http://dx.doi.org/10.2139/ssrn.4125154 Hans, P. (2022, April 21). Seven Industries Rife With NFT Investing Opportunities. Wealth Management. https://www.wealthmanagement.com/alternative-investments/seven-industries-rife-nft-investing-opportunities/gallery?slide=6 Horowitz, N. (2011), Art of the Deal. Contemporary Art in a Global Financial Market, Princeton University Press. How are Music NFTs Changing The Music Industry? (2022, February 17). Binance Blog. https://www.binance.com/en/blog/nft/how-are-music-nfts-changing-the-music-industry-421499824684903380 Howcroft, E. (2022, January 11). NFT sales hit $25 billion in 2021, but growth shows signs of slowing. Reuters. https://www.reuters.com/markets/europe/nft-sales-hit-25-billion-2021-growth-shows-signs-slowing-2022-01-10/ Hymel, C. (2022, May 24). How NFTs Are Disrupting the Fine Art Community. Gigster. https://gigster.com/blog/nfts-disrupting-fine-arts/ Jimenez, D. (2022, February 25). Profit for patients: can NFTs allow people to monetise their health data? Pharmaceutical Technology. https://www.pharmaceutical-technology.com/analysis/profit-patients-monetise-health-data-nfts/ Kireyev, P. (2022). NFT Marketplace Design and Market Intelligence. SSRN Electronic Journal. https://doi.org/10.2139/ssrn.4002303 Ko, H., Son, B., Lee, Y., Jang, H., & Lee, J. (2022). The economic value of NFT: Evidence from a portfolio analysis using mean–variance framework. Finance Research Letters, 47(5), 27-44. https://doi.org/10.1016/j.frl.2022.102784 Kong, D., & Lin, T. (2021). Alternative investments in the Fintech era: The risk and return of Non-Fungible Token (NFT). SSRN Electronic Journal, 8(4), 23-34. https://doi.org/10.2139/ssrn.3914085 Lilla, G. (2022, March 9). Is it really the end of physical artworks? NFT vs. Traditional art collecting. HYPEANDHYPER. https://hypeandhyper.com/en/is-it-really-the-end-of-physical-artworks-nft-vs-traditional-art-collecting/] Lee, J. (2021, November 1). NFT Art Is Taking Over the Traditional Art World. Coin Culture. https://coinculture.com/au/markets/nft-art-is-taking-over-the-traditional-art-world/ Masterworks. (n.d.). Masterworks. https://www.masterworks.io/about/how-it-works Mazur, M. (2021). Non-Fungible Tokens (NFT). The Analysis of Risk and Return. SSRN Electronic Journal, 6(3), 43-55. https://doi.org/10.2139/ssrn.3953535 Mishra, S., & Tripathi, A. (2020). Platform business model on state-of-the-art business learning use case. International Journal of Financial Engineering, 07(02), 205-217. https://doi.org/10.1142/s2424786320500152 Moureau, N., & Sagot-Duvauroux, D. (2012). Four business models in contemporary art. International Journal of Arts Management, 14(3), 44-56. Nambiampurath, R. (2022, January 21). NFTs Vs Traditional Art: Which One Is Better? International Business Times. https://www.ibtimes.com/nfts-vs-traditional-art-which-one-better-3371117 Nadini, M., Alessandretti, L., Di Giacinto, F., Martino, M., Aiello, L., & Baronchelli, A. (2021). Mapping the NFT revolution: market trends, trade networks, and visual features. Scientific Reports, 11(1), 67-78. https://doi.org/10.1038/s41598-021-00053-8 NFT Art: How Is It Different From Traditional Art. (2022, March 16). BeInCrypto. https://beincrypto.com/learn/nft-art-vs-traditional-art/#h-nfts-vs-traditional-art NFTs ballooned to a $41 billion market in 2021 and are catching up to the total size of the global fine art market. (2022, January 6). Markets Insider. https://markets.businessinsider.com/news/currencies/nft-market-41-billion-nearing-fine-art-market-size-2022-1 NFT in healthcare: How patients could monetise their health data. The Medical Futurist. (2022, January 12). Retrieved May 27, 2022, from https://medicalfuturist.com/nfts-an-health-data/ Oberste-Hetbleck, N. (2019). 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| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/84980 | - |
| dc.description.abstract | none | zh_TW |
| dc.description.abstract | Traditional methods of reaching audiences for art collectors and creators have commonly relied on a mechanism whereby artists produce works and supply them to an intermediary, such as an art gallery (Choi, 2022; Nadini et al., 2021). However, once it was established, the model demonstrated its ability to advance an artist's career and produce cash. This approach made it challenging for artists and collectors to find ways to reach their target consumers (Chalmers et al., 2022). Recent changes to the art industry, particularly those related to NFT and other digital technologies, have eliminated long-standing obstacles to entry for young artists and collectors, thereby giving them chances to connect with audiences in novel ways (Nadini et al., 2021). While there is still a lot of speculation and hesitation, the ideas presented here will show the similarities and differences between the traditional art market and the NFT art market. This paper argues that NFT art and technology will impact and change the current traditions of the industry. Interviews will be conducted with industry experts and young collectors to understand such research better. The paper's structure will start with a literature review of both the traditional and NFT art markets, followed by a comparison of the statistics between the two markets. Subsequent sections discuss findings in the light of Porter's five forces, platform strategy, value proposition canvas, and interview analysis. Lastly, the paper summarizes the findings and limitations and addresses other current and future industries that NFTs will impact. | en |
| dc.description.provenance | Made available in DSpace on 2023-03-19T22:36:12Z (GMT). No. of bitstreams: 1 U0001-1708202217570200.pdf: 1811747 bytes, checksum: c35df048e2190bf036272c2493292c8e (MD5) Previous issue date: 2022 | en |
| dc.description.tableofcontents | LIST OF FIGURES VI LIST OF TABLES VII CHAPTER 1.INTRODUCTION 1 1.1 MOTIVATION OF RESEARCH 1 1.2 RESEARCH OBJECTIVE 1 CHAPTER 2. LITERATURE REVIEW 3 2.1 TRADITIONAL ART MARKET 3 2.1.1 Structure and Function 3 2.1.2 Business Model 5 2.2 NFT ART MARKET 6 2.2.1 Technical Components 6 2.2.2 Overview 9 2.3 PLATFORM STRATEGY 11 2.4 VALUE PROPOSITION CANVAS 13 CHAPTER 3. MARKET OUTLOOK 15 3.1 ART MARKET STATISTICS 15 3.1.1 Global Sales 15 3.1.2 Dealer Sales 15 3.1.3 Auction Sales 16 3.1.4 Collector Sales 16 3.1.5 Market Forecast 17 3.1.6 NFT statistics 17 CHAPTER 4. MARKET ANALYSIS 20 4.1 QUESTIONNAIRE ANALYSIS 20 4.2 PORTER’S FIVE FORCES 26 4.2.1 Competition in the Industry 27 4.2.2 Potential of New Entrants 28 4.2.3 Power of Suppliers 28 4.2.4 Power of Customers 29 4.2.5 Threat of Substitution 29 4.3 PLATFORM STRATEGY 31 4.4 VALUE PROPOSITION CANVAS 33 4.4.1 Value Proposition Canvas - Collectors 33 4.4.2 Value Proposition Canvas - Artists 35 CHAPTER 5. CONCLUSION 37 5.1 FINDINGS SUMMARY 37 5.2 LIMITATIONS 38 5.3 OPPORTUNITIES 39 5.3.1 Gaming 39 5.3.2 Real Estate 40 5.3.3 Music 41 5.3.4 Medical 42 5.3.5 Event Tickets 43 5.4 FINAL REMARKS 44 REFERENCES 46 APPENDIX 56 | |
| dc.language.iso | en | |
| dc.subject | 藝術教育 | zh_TW |
| dc.subject | 非同質化代幣 | zh_TW |
| dc.subject | 傳統 | zh_TW |
| dc.subject | 藝術 | zh_TW |
| dc.subject | 區塊鏈 | zh_TW |
| dc.subject | 虛擬世界 | zh_TW |
| dc.subject | NFT | en |
| dc.subject | Metaverse | en |
| dc.subject | Blockchain | en |
| dc.subject | Art | en |
| dc.subject | Traditional | en |
| dc.title | NFT 影響的個案研究:NFT 與傳統藝術市場的比較 | zh_TW |
| dc.title | A Case Study on the Impact of NFT: The Comparison Between NFT and the Traditional Art Market | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 110-2 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 張佳欽(Charles Chang),鄭名道(Ming Daw Cheng) | |
| dc.subject.keyword | 非同質化代幣,傳統,藝術,區塊鏈,虛擬世界,藝術教育, | zh_TW |
| dc.subject.keyword | NFT,Traditional,Art,Blockchain,Metaverse, | en |
| dc.relation.page | 58 | |
| dc.identifier.doi | 10.6342/NTU202202522 | |
| dc.rights.note | 同意授權(限校園內公開) | |
| dc.date.accepted | 2022-08-22 | |
| dc.contributor.author-college | 管理學院 | zh_TW |
| dc.contributor.author-dept | 企業管理碩士專班 | zh_TW |
| dc.date.embargo-lift | 2022-08-26 | - |
| 顯示於系所單位: | 管理學院企業管理專班(Global MBA) | |
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