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| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 李紀舍(Chi-she Li) | |
| dc.contributor.author | Tzu Liu | en |
| dc.contributor.author | 劉詞 | zh_TW |
| dc.date.accessioned | 2022-11-24T03:03:01Z | - |
| dc.date.available | 2021-07-23 | |
| dc.date.available | 2022-11-24T03:03:01Z | - |
| dc.date.copyright | 2021-07-23 | |
| dc.date.issued | 2021 | |
| dc.date.submitted | 2021-07-08 | |
| dc.identifier.citation | Atwood, Margaret. “The Handmaid's Tale and Oryx and Crake ‘In Context.’” PMLA, vol. 119, no. 3, 2004. 513-7. —. In Other Worlds: SF and the Human Imagination. New York: Nan A. Talese/Doubleday, 2011. Print. —. “Writing Utopia,” Writing with Intent: Essays, Reviews, Personal Prose 1983– 2005. New York: Carroll and Graf Publishers. 2005. 92-100. —. Oryx and Crake. New York: Anchor Books, 2003. Print —. The Year of the Flood. New York: Anchor Books, 2009. Print. —. MaddAddam: A Novel. New York: Nan Q. Talese, 2013. Bennett, Jane. Vibrant Matter: a Political Ecology of Things. Durham: Duke University Press, 2010. Bousen, J. Brooks. “‘It’s Game Over Forever’: Atwood’s Satiric Vision of a Bioengineered Posthuman Future in Oryx and Crake.” Margaret Atwood. New ed., Bloom’s Literary Criticism, 2009. Chen, Hung-Chien. “Subjectal Scale and Micro-biopolitics at the End of the Anthropocene: Margaret Atwood's MaddAddam Trilogy”. Mosaic: an Interdisciplinary Critical Journal, vol. 51, no. 3, Sep. 2018. 179-98. Davis, Roger. “A White Man’s Illusion.” Hosting the Monster. Ed. Robert Fisher, New York: Rodopi, 2008. De Bruyn, Ben. “The Hot War: Climate, Security, Fiction.” Studies in the Novel. Vol. 50, No. 1. 2018. 43-67. Ferreira, Aline. “Biodystopias Matter: Signposts of Future Evolution.” Dystopia(n) Matters: On the Page, On Screen, On Stage. ed. Fátima Oliveira. Newcastle: Cambridge Scholars Publishing. 2013. 49-53. Print. Grusin, Richard, editor. Anthropocene Feminism. U of Minnesota P, 2017 Haraway, Donna. Staying with the Trouble. Duke University Press, 2016. —, “Anthropocene, Capitalocene, Planatationocene, Chthulucene: Making Kin.” Environmental Humanities, 6(1). 2015. 159-65. —, When Species Meet. Minneapolis: University of Minnesota Press, 2008. Print —. “A Cyborg Manifesto: Science, technology, and Socialist-Feminism in the Late Twentieth Century,” Simians, Cyborgs, and Women: The Reinvention of Nature, New York: Routledge, 1991. 149-81. Heise, Ursula K. Imagining Extinction: The Cultural Meanings of Endangered Species. Chicago: University of Chicago Press, 2016. Print. Hengen, Shannon. “Moral/Environmental Debt in Payback and Oryx and Crake.” Margaret Atwood: The Robber Bride, The Blind Assassin, Oryx and Crake. ed. J. Brooks Bouson. New York: Continum International Publishing Group. 2010. Print. 129-40. Ingersoll, Earl G., ed. Margaret Atwood Conversations. London: Virago, 1992. Jennings, Hope. “Anthropocene, Companion Species, and Margaret Atwood’s MaddAddam Trilogy.” Contemporary Women’s Writing, vol. 13, no. 1. 2019. 16-33. Ku, Chung-Hao. “Of Monster and Man: Transgenics and Transgression in Margaret Atwood’s Oryx and Crake.” Concentric: Literary and Cultural Studies, vol. 32, no. 1, 2006. 107-33. McCutcheon, Mark A. “The Medium is...the Monster: Global Aftermathematics in Canadian Articulations of Frankenstein” Local Responsibilities: Ecocritical Perspectives on the New English Literatures. Ed. Laurenz Volkmann, Nancy Grimm, Ines Detmers, and Katrin Thomson. Amsterdam: Rodopi. 2010. Print. McHugh, Susan. “Real-Artificial: Tissue-cultured Meat, Genetically Modified Farm Animals, and Fictions.” Configurations, vol. 18, no. 1, 2010. 181-97. Moore, Jason. Anthropocene or Capitalocene? Nature, History, and the Crisis of Capitalism. Oakland, CA: PM Press. 2016 Morton, Timothy. Dark Ecology: For a Logic of Future Coexistence. New York: Columbia UP, 2016. Mosco, Valeria. “Crossing Human Boundaries: Apocalypse and Posthumanism in Margaret Atwood’s Oryx and Crake and The Year of the Flood”. Other Modernities: Journal of Literary and Cultural Studies, no. 6, 2013. 38-52. Shiva, Vandana. “Economic Globalization, Ecological Feminism and Sustainable Development.” Canadian Woman Studies, vol. 17, no. 2, 1997. 22-7. Stein, Karen. “Problematic Paradice in Oryx and Crake.” Margaret Atwood: The Robber Bride, The Blind Assassin, Oryx and Crake. ed. J. Brooks Bouson. New York: Continum International Publishing Group. 2010. Print. 141-55. Tolan, Fiona. Margaret Atwood: Feminism and Fiction. Amsterdam: Rodopi, 2007. Print. Schmeik, Lars. Biopunk Dystopias: Genetic Engineering, Society and Science Fiction. Liverpool University Press, 2016. Yang, Nainu. “Cooking, Postfood, and Our Posthuman Future in Margaret Atwood’s MaddAddam Trilogy.” Ex-position, no. 41, 2019. 187-207. | |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/80235 | - |
| dc.description.abstract | 本論文研究瑪格麗特．愛特伍的《瘋狂亞當三部曲》──《末世男女》、《洪荒年代》與《瘋狂亞當》。雖然對於愛特伍的研究極為廣泛，大多視《瘋狂亞當三部曲》為描繪人類文明滅亡的反烏托邦。本研究嘗試以人類世的想像，說明《瘋狂亞當三部曲》不僅批判當代政治、社會、經濟、科技的問題，同時描繪了一個人類和自然環境和諧共處、共存共榮的未來。導言敘述瑪格麗特．愛特如何從《使女的故事》到《末世男女》將關注由女性主義轉移到生態環境及人類世。第一章主要探討愛特伍在《末世男女》與《洪荒年代》中，批判一個資本主義與科技所主宰的社會，並透過生態女性觀點，提出突破資本主義與父權控制的想像。第二章闡述愛特伍將未來人類世預想一個充滿希望的烏托邦，人類重新與其他物種建立關係，並承擔和不同物種共生的倫理責任。 | zh_TW |
| dc.description.provenance | Made available in DSpace on 2022-11-24T03:03:01Z (GMT). No. of bitstreams: 1 U0001-0807202115564300.pdf: 1945122 bytes, checksum: f4ab06d664fd9374f094a3bd372f777a (MD5) Previous issue date: 2021 | en |
| dc.description.tableofcontents | "Master’s Thesis Certification i Acknowledgments ii Chinese Abstract iii Abstract iv Introduction 1 Chapter One: Oryx and Crake and The Year of the Flood: Capitalist Patriarchy vs. Feminist Ecology 17 Compound, Corporate, and Science Control 19 Commodification of Animal Bodies 23 Crossing the Boundary between Humans and Nonhumans 25 Pleeblands and Anti-capitalist God’s Gardeners 34 Toby vs. Capitalism and Patriarchal Exploitation 37 Chapter Two: Towards the Future Anthropocene: Pigoons, Crakers, and Humans 42 Atwood’s future Anthropocene 42 Meat Out of Control 44 Hybridizing the Future of Humanity 48 Decentered Humans in the Chthulucene-like Era 52 Conclusion 65 Works Cited 68 " | |
| dc.language.iso | en | |
| dc.subject | 《瘋狂亞當三部曲》、瑪格麗特．愛特伍、人類世 | zh_TW |
| dc.subject | Margaret Atwood | en |
| dc.subject | the Anthropocene | en |
| dc.subject | MaddAddam Trilogy | en |
| dc.title | 推想人類世未來樣貌：瑪格麗特‧愛特伍之《瘋狂亞當三部曲》 | zh_TW |
| dc.title | The Imaginings of the Future in the Anthropocene: Margaret Atwood’s MaddAddam Trilogy | en |
| dc.date.schoolyear | 109-2 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 黃宗慧(Hsin-Tsai Liu),貝格泰(Chih-Yang Tseng) | |
| dc.subject.keyword | 《瘋狂亞當三部曲》、瑪格麗特．愛特伍、人類世, | zh_TW |
| dc.subject.keyword | MaddAddam Trilogy, Margaret Atwood, the Anthropocene, | en |
| dc.relation.page | 70 | |
| dc.identifier.doi | 10.6342/NTU202101348 | |
| dc.rights.note | 同意授權(限校園內公開) | |
| dc.date.accepted | 2021-07-09 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
| 顯示於系所單位： | 外國語文學系 | |
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