請用此 Handle URI 來引用此文件:
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/72784
完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 齊東耿(Duncan McColl Chesney) | |
dc.contributor.author | Amelia Wan-Chi Chen | en |
dc.contributor.author | 陳宛琪 | zh_TW |
dc.date.accessioned | 2021-06-17T07:06:06Z | - |
dc.date.available | 2019-08-07 | |
dc.date.copyright | 2019-08-07 | |
dc.date.issued | 2019 | |
dc.date.submitted | 2019-07-25 | |
dc.identifier.citation | Abel, Elizabeth, Marianne Hirsch, and Elizabeth Langland, editors. The Voyage In: Fictions of Female Development. UP of New England, 1983.
Armistead, Claire. 'Eimear McBride and the New Modernism – Edinburgh books podcast.' Guardian Books podcast, 15 Aug. 2014, www.theguardian.com/books/audio/2014/aug/15/eimear-mcbride-modernism-edinburgh-podcast. Attridge, Derek. Foreword. Joycean Legacies, edited by Martha C. Carpentier, Palgrave Macmillan, 2015, pp. vii-xx. ---. Joyce Effects: On Language, Theory, and History. Cambridge UP, 2004. Benjamin, Jessica. The Bonds of Love: Psychoanalysis, Feminism, and the Problem of Domination. Pantheon Books, 1988. Bolton, Jonathan. Blighted Beginnings: Coming of Age in Independent Ireland. Bucknell UP, 2010. Bracken, Claire. Irish Feminist Futures. Routledge, 2016. Bracken, Claire and Tara Harney-Mahajan. 'A Continuum of Irish Women's Writing: Reflections on the Post-Celtic Tiger Era.' Literature Interpretation Theory, vol. 28, no. 1, Routledge, 3 Feb. 2017, pp. 1-12. Taylor & Francis Online, doi: 10.1080/10436928.2017.1275382. Cahill, Susan. 'A Girl is a Half-formed Thing?: Girlhood, Trauma, and Resistance in Post Tiger Irish Literature.' Literature Interpretation Theory, vol. 28, no. 2, Routledge, 1 Jun. 2017, pp. 153-171. Taylor & Francis Online, doi: 10.1080/10436928.2017.1315550. ---. 'Celtic Tiger Fiction.' A History of Modern Irish Women's Literature, edited by Heather Ingman and Clíona Ó Gallchoir, Cambridge UP, 2018, pp. 426-44. ---. Irish Literature in the Celtic Tiger Years 1990-2008: Gender, Bodies, Memory. Continuum, 2011. ---. 'Making Space for the Irish Girl: Rosa Mulholland and Irish Girls in Fiction at the Turn of the Century.' Colonial Girlhood in Literature, Culture and History, 1840-1950, edited by Kristin Moruzi and Michelle J. Smith, Palgrave McMillan, 2014, pp. 167-179. Caruth, Cathy. Introduction. Trauma: Explorations in Memory, edited by Cathy Caruth, Johns Hopkins UP, 1995, pp. 3-12. Castle, Gregory. Reading the Modernist Bildungsroman. UP of Florida, 2006. Cohn, Dorrit. Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction. Princeton UP, 1978. Cochrane, Kira. 'Eimear McBride: 'There are serious readers who want to be challenged.'' The Guardian, 5 Jun. 2014, www.theguardian.com/books/2014/jun/05/eimear-mcbride-serious-readers-challenged-baileys-womens-prize. Collard, David. 'Interview with Eimear McBride.' The White Review, May 2014, www.thewhitereview.org/feature/interview-with-eimear-mcbride. Conroy, Catherine. 'Eimear McBride: 'I'm sick of having to live to the agenda of angry men.'' The Irish Times, 5 Oct. 2016, www.irishtimes.com/culture/books/eimear-mcbride-i-m-sick-of-having-to-live-to-the-agenda-of-angry-men-1.2809049. Constitution of Ireland. electronic Irish Statute Book (eISB), www.irishstatutebook.ie/eli/cons/en#part13. Critchley, Simon. Ethics–Politics–Subjectivity: Essays on Derrida, Levinas and Contemporary French Thought. Verso, 1999. Cronin, Michael G. Impure Thoughts: Sexuality, Catholicism and Literature in Twentieth Century Ireland. Manchester UP, 2012. Deane, Seamus. Introduction. A Portrait of the Artist as a Young Man, by James Joyce, Penguin, 1992, pp. vii-xliii. Derrida, Jacques. ''This Strange Institution Called Literature': An Interview with Jacques Derrida.' Jacques Derrida: Acts of Literature, edited by Derek Attridge, Routledge, 1991, pp. 33-75. D'hoker, Elke. Irish Women Writers and the Modern Short Story. Palgrave MacMillan, 2016. Dillane, Fionnuala, Naomi McAcreavey, and Emilie Pine, editors. Introduction: The Body in Pain in Irish Literature and Culture. The Body in Pain in Irish Literature and Culture, Palgrave McMillan, 2016, pp. 1-19. Dougherty, Jane Elizabeth. ''Never Tear the Linnet from the Leaf': The Feminist Intertextuality in Edna O'Brien's Down by the River.' Frontiers: A Journal of Women Studies, vol. 31, no. 3, University of Nebraska Press, 2010, pp. 77-102. JSTOR, doi: 10.5250/fronjwomestud.31.3.0077. ---. 'Nuala O' Faolain and the Unwritten Irish Girlhood.' New Hibernian Review, vol. 11, no. 2, Center for Irish Studies at the University of St. Thomas, Summer 2007, pp. 50-65. Project Muse, doi: 10.1353/nhr.2007.0021. Esty, Jed. Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development. Oxford UP, 2011. Oxford Scholarship Online, Jan. 2012, doi: 10.1093/acprof:oso/9780199857968.001.0001. Enright, Anne. 'A Girl Is a Half-Formed Thing by Eimear McBride – review.' The Guardian. 20 Sep. 2013. www.theguardian.com/books/2013/sep/20/girl-half-formed thing-review. Fogarty, Anne. ''It was like a baby crying': Representations of the Child in Contemporary Irish Fiction.' Journal of Irish Studies, vol. 30, Special Features in the 30th Anniversary Issue, Oct. 2015, pp. 13-26. JSTOR, www.jstor.org/stable/43737506. ---. ''The Horror of the Unlived Life': Mother-Daughter Relationships in Contemporary Irish Women's Fiction.” Writing Mothers and Daughters: Renegotiating the Mother in Western European Narratives by Women, edited by Adalgisa Giorgio, Berghahn Books, 2002, pp. 85-118. Fraiman, Susan. Unbecoming Women: British Women and the Novel of Development. Columbia UP, 1993. Gallop, Jane. Feminism and Psychoanalysis: The Daughter's Seduction. MacMillan Press, 1982. Ganteau, Jean-Michel and Susana Onega. Introduction: Performing the Void: Liminality and the Ethics of Form in Contemporary Trauma Narratives. Contemporary Trauma Narratives: Liminality and the Ethics of Form, edited by Susana Onega and Jean Michel Ganteau, Routledge, 2014, pp. 1-18. Garratt, Robert F. Trauma and History in the Irish Novel. Palgrave MacMillan, 2011. Gibson, Andrew. Postmodernity, Ethics and the Novel: From Leavis to Levinas, Routledge 1999. Gilbert, Sandra M. and Susan Gubar. The Madwoman in the Attic: the Woman Writer and the Nineteenth-Century Literary Imagination. Yale UP, 1979. Ging, Debbie. 'All-consuming images: new gender formations in post-Celtic-Tiger Ireland.' Transforming Ireland: Challenges, critiques, resources, edited by Debbie Ging, Michael Cronin, and Peadar Kirby, Manchester UP, 2009. Gleeson, Sinéad, editor. 'Editor's Introduction.' The Long Gaze Back: An Anthology of Irish Women Writers, New Island, 2015, pp. 1-6. Grosz, Elizabeth. Sexual Subversions: Three French Feminists. Allen & Unwin, 1989. Hartman, Geoffrey H. 'On Traumatic Knowledge and Literary Studies.' New Literary History, vol. 26, no. 3, Johns Hopkins UP, Higher Education (Summer, 1995), pp. 537-563. JSTOR, www.jstor.org/stable/20057300. Hirsch, Marianne. The Mother/Daughter Plot: Narrative, Psychoanalysis, Feminism. Indiana UP, 1989. Ingman, Heather. 'Maternal Subjectivity: A Kristevan Reading of Anne Enright's Memoir, Making Babies: Stumbling into Motherhood.' From the Personal to the Political: Toward a New Theory of Maternal Narrative, edited by Andrea O'Reilly and Silvia Caporale Bizzini, Susquehanna UP, 2009, pp. 225-37. ---. Twentieth-Century Fiction by Irish Women: Nation and Gender. Ashgate, 2007. Irigaray, Luce. An Ethics of Sexual Difference. Translated by Carolyn Burke and Gillian C. Gill, Cornell UP, 1993. ---. 'And the One Doesn't Stir without the Other.' Translated by Hélène Vivienne Wenzel, Signs, vol. 7, no. 1, Autumn 1981, University of Chicago Press, pp. 60-67. JSTOR, www.jstor.org/stable/3173507. ---. The Irigaray Reader. Edited by Margaret Whitford, Basil Blackwell, 1991. Kristeva, Julia. Black Sun: Depression and Melancholia. Columbia UP, 1989. ---. Desire in Language: A Semiotic Approach to Literature and Art. Edited by Leon S. Roudiez, translated by Thomas Gora, Alice Jardine, and Leon S. Roudiez, Columbia UP, 1980. ---. Powers of Horror: An Essay on Abjection. Translated by Leon S. Roudiez, Columbia UP, 1982. ---. Revolution in Poetic Language. Translated by Margaret Waller, Columbia UP, 1984. LaCapra, Dominick. Writing History, Writing Trauma. Johns Hopkins UP, 2014. Laub, Dori. 'Bearing Witness or the Vicissitudes of Listening.' Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History, edited by Shoshana Felman and Dori Laub, Routledge, 1992, pp. 57-74. ---. 'Truth and Testimony: The Process and the Struggle.' Trauma: Explorations in Memory, edited by Cathy Caruth, Johns Hopkins UP, 1995, pp. 61-75. Levinas, Emmanuel. Otherwise Than Being or Beyond Essence. Translated by Alphonso Lingis, Kluwer Academic Publishers, 1991. ---. Totality and Infinity: An Essay on Exteriority. Translated by Alphonso Lingis, Duquesne UP, 1969. Lingis, Alphonso. Translator's Introduction. Otherwise Than Being or Beyond Essence, translated by Alphonso Lingis, Kluwer Academic Publishers, 1991, pp. xi-xxxix. Luckhurst, Roger. The Trauma Question. Routledge, 2008. Maquire, Moira J. Precarious Childhood in Post-Independence Ireland. Manchester UP, 2009. Mars-Jones, Adam. 'All your walkmans fizz in tune.' London Review of Books, vol. 35, no. 15, 8 Aug. 2013. www.lrb.co.uk/v35/n15/adam-mars-jones/all-your-walkmans-fizz in-tune. Matthews, Kelly. Introduction. The Country of the Young: Interpretations of Youth and Childhood in Irish Culture. Edited by John Countryman and Kelly Matthews, Four Courts Press, 2013, pp. 1-9. McBride, Eimear. A Girl is a Half-formed Thing. Simon & Schuster, 2014. ---. The Lesser Bohemians. Faber & Faber, 2016. ---. 'Through the Wall.' The Long Gaze Back: An Anthology of Irish Women Writers, edited by Sinéad Gleeson, New Island, 2015, pp. 279-84. McCarthy, Áine. ''Oh Mother Where Art Thou?' Irish Mothers and Irish Fiction in the Twentieth Century.' Motherhood in Ireland, edited by Patricia Kennedy, Mercier Press, 2004, pp. 95-107. McGovern, Kelly J. S. ''No Right to Be a Child': Irish Girlhood and Queer Time in Éilís Ní Dhuibhne's The Dancers Dancing.' ['Part of a special issue: Children, Childhood, and Irish Society']. Éire-Ireland, vol. 44, no. 1/2, Irish-American Cultural Institute, Spring/Summer 2009, pp. 242-264. EBSCOhost, doi:10.1353/eir.0.0033. McWilliams, Ellen. Women and Exile in Contemporary Irish Fiction. Palgrave MacMillan, 2013. Meaney, Gerardine. 'Sex and Nation: Women in Irish Culture and Politics.' Irish Women Studies Reader, edited by Ailbhe Smyth, Attic Press, 1993, pp. 230-44. Moi, Toril. Sexual/Textual Politics: Feminist Literary Theory. Routledge, 2002. Morales-Ladrón, Marisol. 'Portraits of Dysfunction in Contemporary Irish Women's Narratives: Confined to the Cell, Lost to Memory.' Family and Dysfunction in Contemporary Narrative and Film, edited by Marisol Morales-Ladrón, Peter Lang, 2016, pp. 29-83. Moretti, Franco. The Way of the World: The Bildungsroman in European Culture. Verso, 2000. Morgan, Michael L. The Cambridge Introduction to Emmanuel Levinas. Cambridge UP, 2011. Nash, Catherine. 'Embodied Irishness: Gender, sexuality and Irish identities.' In Search of Ireland: A cultural geography. Edited by Brian Graham, Routledge, 1997, pp. 108-127. O'Toole, Fintan. 'Eimear McBride's follow-up to 'A Girl is a Half-formed Thing' is a more hopeful thing.' The Irish Times, 2 Sep. 2016, www.irishtimes.com/culture/books/ eimear-mcbride-s-follow-up-to-a-girl-is-a-half-formed-thing-is-a-more-hopeful-thing-1.2772086. ---. 'Why Irish writers don't grow out of adolescence.' The Irish Times, 6 Nov. 2010, www.irishtimes.com/culture/books/why-irish-writers-don-t-grow-out-of-adolescence-1.673529. Pelan, Rebecca. Two Irelands: Literary Feminisms North and South. Syracuse UP, 2005. Rich, Adrienne. Of Woman Born: Motherhood as Experience and Institution. W. W. Norton & Company, 1995. Rose, Jacqueline. 'From the Inside Out.' London Review of Books, vol. 38, no. 18, 22 Sep. 2016, 11-12, www.lrb.co.uk/v38/n18/jacqueline-rose/from-the-inside-out. ---. Mothers: An Essay on Love and Cruelty. Faber & Faber, 2018. Scannell, Yvonne. 'The Constitution and the Role of Women.' De Valera's Constitution and Ours. Edited by Brian Farrell, Gill and MacMillan, 1988, pp. 123-35. Scarry, Elaine. The Body in Pain: The Making and Unmaking of the World. Oxford UP, 1985. Shakespeare and Company. 'Eimear McBride on The Lesser Bohemians.' SoundCloud, 23 Feb. 2017, soundcloud.com/shakespeareandcompany/eimear-mcbride-on-the-lesser-bohemians. Stone, Alison. Feminism, Psychoanalysis, and Maternal Subjectivity. Routledge, 2012. St. Peter, Christine. Changing Ireland: Strategies in Contemporary Women's Fiction. Palgrave MacMillan, 2000. Sullivan, Moynagh. 'Raising the Veil: Mystery, Myth, and Melancholia in Irish Studies.' Irish Literature: Feminist Perspectives, edited by Patricia Coughlan and Tina O'Toole, Carysfort Press, 2008, pp. 245-77. Vickroy, Laurie. Trauma and Survival in Contemporary Fiction. University of Virginia Press, 2002. Weekes, Ann Owens. 'Figuring the Mother in Contemporary Irish Fiction.' Contemporary Irish Fiction: Themes, Tropes, Theories, edited by Liam Harte and Michael Parker, MacMillan Press, 2000, pp. 100-124. Whitehead, Anne. Trauma Fiction. Edinburgh UP, 2004. Winterson, Jeanette. 'A New Irish Novel Features Few Commas and Lots of Sex.' The New York Times, 21 Oct. 2016, www.nytimes.com/2016/10/23/books/review/eimear-mcbride-lesser-bohemians.html. Wisker, Gina. ''I Am Not That Girl': Disturbance, Creativity, Play, Echoes, Liminality, Self-Reflection and Stream of Consciousness in Eimear McBride's A Girl Is a Half-formed Thing.' Hecate, vol. 41, no. 1/2, Jan. 2015, pp. 57-77. EBSCOhost,search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=118126353&site=ehost-live&scope=site. Yeats, W. B. Poems, edited by Richard J. Finneran, 2nd ed., Scribner, 1997. | |
dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/72784 | - |
dc.description.abstract | 本論文閱讀愛爾蘭小說家伊米爾‧麥克布萊德分別於2013年和2016年出版的兩本著作,《半成品女孩》(暫譯)和《小波西米亞人》(暫譯),將其視為成長故事和創傷敘事。麥克布萊德的文字獨樹一格,充滿破碎的單字和斷裂的句法,體現了性虐待如何摧毀心智和語言,並直探入身體經驗和創傷,嘗試突破疼痛的激進內在性。本論文將兩本小說視為一體兩面,它們探問在充滿惡意、阻礙個人成長的環境中,主體形成如何可能。在《半成品女孩》中,無名主角的內心獨白顯示她無力將創傷經驗外部化,而這樣全然的、深沉的社會孤立最終導致她的主體性和生命都無法成形。相反地,在《小波西米亞人》中,兩位主角之間的對話則指出生存的可能性來自於見證和回應他人創傷的他異性。因而,面對創傷,這兩本小說提出了一種關係式的主體形成模式。本論文更進一步分析故事中被消聲的母親,並主張她們的存在揭示了自我與他者之間的權力失衡是各種形式的壓迫和創傷的潛在起源,往往走向抹除他者或迫害自我的極端。 | zh_TW |
dc.description.abstract | In this thesis, I read the works of the Irish novelist Eimear McBride, A Girl is a Half-formed Thing (2013) and The Lesser Bohemians (2016), as failed stories of development and trauma narratives. Marked by truncated words and broken syntax, McBride's elliptical style enacts the impacts of sexual abuse on language and human psyche, and penetrates to the core of bodily experience and trauma, breaking out of the radical interiority of pain. Read together, Girl and Bohemians are two sides of the same coin, as they explore alternative models of subject formation in a hostile environment that hinders maturation. In Girl, the nameless girl's interior monologue shows that she is incapable of externalizing trauma, and her profound isolation culminates in her half-formed identity and life. By contrast, in Bohemians, the conversation between the two protagonists indicates that survival is possible through the witnessing of trauma based on the responsibility towards the other's alterity. A relational model of subjectivity, then, is needed in the face of trauma. On the other hand, the silenced mothers in the two novels suggest that the breakdown of the balance between self-assertion and mutual recognition, which leads to the polarities of effacement or unconditional elevation of the other, is the potential origin of trauma. | en |
dc.description.provenance | Made available in DSpace on 2021-06-17T07:06:06Z (GMT). No. of bitstreams: 1 ntu-108-R04122010-1.pdf: 1169559 bytes, checksum: 5969f782c0223772bc3d11894ff6a1f3 (MD5) Previous issue date: 2019 | en |
dc.description.tableofcontents | Acknowledgements........................................i
Abstract...............................................ii Chinese Abstract......................................iii Introduction............................................1 Chapter I Speaking Trauma: The Body in Pain in A Girl is a Half-formed Thing...........................................19 Chapter II Responding to Trauma: Ethics of Alterity in The Lesser Bohemians..............................................37 Chapter III Silenced Mothers and Intersubjectivity.................56 Conclusion.............................................73 Works Cited............................................77 | |
dc.language.iso | en | |
dc.title | 回應創傷:伊米爾‧麥克布萊德《半成品女孩》與《小波西米亞人》中的愛爾蘭女孩和互為主體性 | zh_TW |
dc.title | Responding to Trauma: Irish Girlhood and Intersubjectivity in Eimear McBride's A Girl is a Half-formed Thing and The Lesser Bohemians | en |
dc.type | Thesis | |
dc.date.schoolyear | 107-2 | |
dc.description.degree | 碩士 | |
dc.contributor.oralexamcommittee | 黃山耘(Shan-Yun Huang),廖勇超(Yung-Chao Liao) | |
dc.subject.keyword | 愛爾蘭女性文學,創傷,他者,回應,互為主體性,母親, | zh_TW |
dc.subject.keyword | Irish women’s writing,trauma,alterity,responsibility,intersubjectivity,motherhood, | en |
dc.relation.page | 85 | |
dc.identifier.doi | 10.6342/NTU201901923 | |
dc.rights.note | 有償授權 | |
dc.date.accepted | 2019-07-25 | |
dc.contributor.author-college | 文學院 | zh_TW |
dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
顯示於系所單位: | 外國語文學系 |
文件中的檔案:
檔案 | 大小 | 格式 | |
---|---|---|---|
ntu-108-1.pdf 目前未授權公開取用 | 1.14 MB | Adobe PDF |
系統中的文件,除了特別指名其著作權條款之外,均受到著作權保護,並且保留所有的權利。