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| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 齊東耿(Duncan Chesney) | |
| dc.contributor.author | Ying-Chieh Lee | en |
| dc.contributor.author | 李盈潔 | zh_TW |
| dc.date.accessioned | 2021-06-17T04:47:35Z | - |
| dc.date.available | 2019-08-03 | |
| dc.date.copyright | 2018-08-03 | |
| dc.date.issued | 2018 | |
| dc.date.submitted | 2018-08-01 | |
| dc.identifier.citation | Altman, Rick. Sound Theory Sound Practice. Routledge, 1992.
---. “Moving Lips: Cinema as Ventriloquism” Yale French Studies, no. 60, 1980, pp. 67-79. Jstor, www.jstor.org/stable/2930005. Beauclair, Michelle. Albert Camus, Marguerite Duras, and the Legacy of Mourning. Peter Lang Publishing, Inc., 1998. Bull, Michael and Les Back, Eds. The Auditory Culture Reader. Berg, 2013. Caruth, Cathy. “Literature and the Enactment of Memory (Duras, Resnais, Hiroshima mon Amour).” Unclaimed Experience: Trauma, Narrative, and History, The Johns Hopkins University Press, 1996, pp. 26-58. Chion, Michel. Audio-Visual: Sound on Screen. Columbia University Press, 1994. Cixous, Hélène, and Susan Sellers. “On Marguerite Duras, with Michel Foucault.” White Ink: Interviews on Sex, Text and Politics, edited by Susan Sellers, Columbia University Press, 2008, pp. 157-165. Cixous, Hélène et al. “The Laugh of the Medusa.” Signs, vol. 1, no. 4, 1976, pp. 875–893. Jstor, www.jstor.org/stable/3173239. Cottenet-Hage, Madeleine and Robert P. Kolker. “The Cinema of Duras in Search of an Ideal Image.' The French Review, vol. 63, no. 1, Oct., 1989, pp. 88-98 Jstor, http://www.jstor.org/stable/394689. Cruickshank, Ruth. 'Eating, Drinking and Re-Thinking: Marguerite Duras's Moderato Cantabile (1958).' Forum of Modern Language Studies, vol. 49, no. 3, Jul. 2013, pp. 300-312. Oxford Academic, doi:10.1093/fmls/cqt003. Cuddy-Keane, Melba. “Modernist Soundscapes and the Intelligent Ear: An Approach to Narrative Through Auditory Perception.” A Companion to Narrative, edited by James Phelan, Blackwell Publishing Ltd., 2007, pp. 382-398. Duras, Marguerite. 4 Novels. Translated by Richard Seaver, Grove Press, Inc., 1965. ---. India Song. Translated by Barbara Bray, Grove Press, Inc., 1976. ---. Moderato Cantabile. Editions de Minuit, 2007. ---. Ravishing of Lol Stein. Translated by Richard Seaver, Pantheon Books, 1986. ---. Romans, cinéma, théâtre, un parcours 1943-1993. Gallimard, 1997. ---. The Vice Consul. Translated by Eileen Ellenbogen, Pantheon Books, 1987. Eisinger, Erica M. 'Crime and Detection in the Novels of Marguerite Duras.' Contemporary Literature, vol. 15, no. 4, 1974, pp. 503-520. Jstor, https://www.jstor.org/stable/1207775. Everett, Wendy. “Art of Fugue? The Polyphonic Cinema of Marguerite Duras.” Revisioning Duras: Film, Race, Sex, edited by James S. Williams, Liverpool University Press, 2000, pp. 21-36. Frattarola, Angela. “Developing an Ear for the Modernist Novel: Virginia Woolf, Dorothy Richardson and James Joyce.” Journal of Modern Literature, vol. 33, no. 1, 2009, pp. 132-153. Jstor, https://www.jstor.org/stable/10.2979/jml.2009.33.1.132. Freud, Sigmund. On Metapsychology - Theory of Psychoanalysis: 'Beyond the Pleasure Principle', 'Ego and the Id' and Other Works (Pelican). Penguin Books Ltd., 1984. Friedman, Susan Stanford. “Lyric subversion of Narrative in Women’s Writing: Virginia Woolf and the Tyranny of Plot.” Narrative Theory, Edited by James Phelan, Ohio State University Press, 1989, pp. 162-185. Glassman, Deborah. Marguerite Duras: Fascinating Vision and Narrative Cure. Associated University Press, 1991. Hill, Leslie. Marguerite Duras - Apocalyptic Desires. Routledge, 1993. Hiroshima mon Amour. Directed by Alain Resnais, screenplay by Marguerite Duras. Argos Film, 1959. Hirsch, Marianne. 'Gender, Reading, and Desire in Moderato Cantabile.' Twentieth Century Literature, vol. 28, no. 1, 1982, pp. 69-85. Jstor, https://www.jstor.org/stable/441445 ---. The mother/daughter plot: narratives, psychoanalysis, feminism. Indiana University Press, 1989. Husserl-Kapit, Susan and Marguerite Duras. “An Interview with Marguerite Duras.” Signs, vol. 1, no. 2, 1975, pp. 423-434. Jstor. https://www.jstor.org/stable/3173055. India Song. Directed by Marguerite Duras. Les Films Armorial, 1975. Jay, Martin. “The Rise of Hermeneutics and the Crisis of Ocularcentrism.” Poetics Today, vol. 9, no. 2, 1988, pp. 307-326. Jstor, https://www.jstor.org/stable/1772691 Kaplan, E Ann. “Women, Trauma, and Late Modernity: Sontag, Duras, and Silence in Cinema, 1960-1980.” Framework, vol. 50, no. ½, 2009, pp. 158-175. Jstor, https://www.jstor.org/stable/41552545 Kolker, Robert P., and Madeleine Cottenet Hage. “The Cinema of Duras in Search of an Ideal Image.” The French Review, vol. 63, no. 1, Oct.1989, pp. 88-98. Jstor, https://www.jstor.org/stable/394689 Kristeva, Julia. 'The Malady of Grief: Duras.' Black Sun. Translated by Leon S. Roudiez, Columbia University Press, 1989, pp. 219-259. ---. The Kristeva Reader. Edited by Toril Moi, Basil Blackwell, 1986. Liang, Dong. 'Marguerite Duras's Aural World: A Study of the Mise-En-Son of India Song.' Music, Sound, and the Moving Image, vol. 1, no. 2, 2007, pp.123-39. Project Muse, muse.jhu.edu/article/268983. Metz, Christian, and Georgia Gurrieri. “Aural Objects.” Yale French Studies, no. 60, 1980, pp. 24-32, Jstor, www.jstor.org/stable/2930002. Miller, Paul Allen. 'Duras and Platonic Love: The Erotics of Substitution.' The Comparatist, vol. 37, 2013, pp. 83-104. Project Muse, doi:10.1353/com.2013.0016 Morgan, Janic. “The caméra-stylo of Marguerite Duras: The Translation of a literary Aesthetic.” Perspectives on Contemporary Literature: Literature and the Other Arts, edited by David Hershberg, University Press of Kentucky, 2015, pp. 33-40. Piper, Karen. 'The Signifying Corpse: Re-Reading Kristeva on Marguerite Duras.' Cultural Critique, no.31, 1995, pp. 159-77. Jstor, www.jstor.org/stable/1354449. Ropars-Wuilleumier, Marie-Claire and Kimberly Smith. “The Disembodied Voice: India Song.” Yale French Studies, vol. 60, 1980, pp. 241-268. Jstor, https://www.jstor.org/stable/2930015 Russ, Joanna. To Write Like a Woman : Essays in Feminism and Science Fiction. Indiana University Press, 1995. Schuster, Marilyn R. Marguerite Duras Revisited. Twayne Publishers, 1993. Stojanović, Dragana. “The Inscription of the Feminine Body in the Field of Sound: Vocal Expression as a Platform of Feminine Writing (écriture féminine).” Muzikologija, vol. 18, 2015, pp.115-129. doiSerbia, doi:10.2298/MUZ1518115S. Williams, James S., ed. Revisioning Duras - Film, Race, Sex. Liverpool University Press, 2000. Willis, Sharon, Marguerite Duras : writing on the body. University of Illinois Press,1987. Ziarek, Ewa. 'Towards a Feminist Aesthetics of Melancholia: Kristeva, Adorno, and Modern Women Writers' Critical Horizons, vol. 11, no. 3, 2011, pp. 443-461. Taylor & Francis, doi: 10.1558/crit.v11i3.443 | |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/70996 | - |
| dc.description.abstract | 本篇論文主要探討瑪格麗特・莒哈絲鮮明的寫作風格，並從中研討莒哈絲如何運用多種敘事表現手法展現女性角色之無法闡述的慾望以及背後隱含的創傷。
從作者文中展現的陰性書寫特質出發，本文試圖闡釋莒哈絲敘事手法如何與其文中女性在父權社會體系下的壓抑情感議題相互呼應，並為了解莒哈絲書寫風格的關鍵之一。 本文主要著重於莒哈絲早期作品如《如歌的行板》、《夏夜十點半》以及知名的印度系列作品 《勞兒之劫》、《副領事》與電影作品 《印度之歌》、《廣島之戀 》等之分析。透過以上作品，研析作者如何透過複雜的敘事方法，展現難以言喻的情慾糾結與個人創傷之經驗、並企圖透過陰性書寫的特性針對無法再現的情感進行表述。 | zh_TW |
| dc.description.abstract | This study examines Marguerite Duras’s distinctive style in terms of the unresolved issues of the inexpressive desire and trauma of women by drawing attention to her polymorphic narrative strategies. With attention to the characteristics critical to écriture féminine exhibited in the author’s work, the study attempts to offer an alternative reading of Duras that explains how the strategies applied are indispensable to the author’s representation of the uneasy emotions lurking underneath the regulated social environment. This study looks into a range of selected texts from Duras, including the early pieces such as Moderato Cantabile, Dix Heures et demie du soir en été, and the much discussed India Cycle consisting of Le Ravissement de Lol V. Stein, Le Vice-Consul, and the film India Song. Examples found in these significant texts provide us a perspective onto this complex network of desire, female expression, and the question of representation of personal suffering Duras has managed to create via her extensive oeuvre. | en |
| dc.description.provenance | Made available in DSpace on 2021-06-17T04:47:35Z (GMT). No. of bitstreams: 1 ntu-107-R02122002-1.pdf: 2651252 bytes, checksum: 3203a3533f92d6ca25536a3a0db7a9be (MD5) Previous issue date: 2018 | en |
| dc.description.tableofcontents | Acknowledgement-----i
Chinese Abstract-----ii English Abstract -----iii Chapter I Introduction: Marguerite Duras and Her Translation of the Darkness-----1 Chapter II The Representation of Women: Duras’s Melancholic Female Protagonists-----10 Chapter III Duras’s Aesthetics of Representation -----19 Chapter IV Differential Writing: Sound as a Strategy in Feminine Writing-----31 Chapter V Conclusion-----55 Bibliography-----58 | |
| dc.language.iso | en | |
| dc.subject | 敘事 | zh_TW |
| dc.subject | acousmetre | zh_TW |
| dc.subject | 慾望 | zh_TW |
| dc.subject | 陰性書寫 | zh_TW |
| dc.subject | 聲音 | zh_TW |
| dc.subject | 瑪格麗特·莒哈絲 | zh_TW |
| dc.subject | 再現 | zh_TW |
| dc.subject | representation | en |
| dc.subject | acousmetre | en |
| dc.subject | desire | en |
| dc.subject | ecriture feminine | en |
| dc.subject | Marguerite Duras | en |
| dc.subject | narrative | en |
| dc.subject | sound | en |
| dc.title | 不安的美學：瑪格麗特・莒哈絲的晦澀敘事 | zh_TW |
| dc.title | An Awkward Aesthetic: The Obscure Narratives of Marguerite Duras | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 106-2 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 廖咸浩(Hsien-Hao Liao),諾斯邦(Valentin Nussbaum) | |
| dc.subject.keyword | acousmetre,慾望,陰性書寫,聲音,敘事,瑪格麗特·莒哈絲,再現, | zh_TW |
| dc.subject.keyword | acousmetre,desire,ecriture feminine,Marguerite Duras,narrative,representation,sound, | en |
| dc.relation.page | 62 | |
| dc.identifier.doi | 10.6342/NTU201802328 | |
| dc.rights.note | 有償授權 | |
| dc.date.accepted | 2018-08-01 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
| 顯示於系所單位： | 外國語文學系 | |
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